History of Art, Architecture, and Archaeology Commons^™

Unesco, Heritage Preservation, And Photography: Balthazar Korab’S “North Yemen: Land And Buildings” And Mario Cresci’S Matera: Immagini E Documenti, Sarah M. Wolberg

Theses and Dissertations

I explore two architectural photo-essays that engage with (reflecting, rebutting, questioning) the concepts of cultural heritage, particularly with regard to preserving vernacular architecture in cities with UNESCO World Heritage status—Balthazar Korab’s photo-essay “North Yemen: Land and Buildings” (1978–81) and Mario Cresci’s 1975 Italian photobook Matera: Immagini e documenti.

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Afropolitan Manifestations In Contemporary African Art: Mobilizing Achille Mbembe, Petra Frank-Witt

Theses and Dissertations

This thesis explores Afropolitanism's conceptual-philosophical grounds and how its principles are mirrored in the arts. Achille Mbembe’s conceptualization is presented as a form of cultural cosmopolitanism, as shared by the artists presented, further distilled as a dynamic, forward-looking, emancipatory ideology that favors Africanness as open-ended signifier rather than overdetermined sign.

The Role Of Art In Recent Biofiction On Sofonisba Anguissola, Julia K. Dabbs

Art History Publications

In recent years the life stories of early modern women artists have inspired many works of biofiction; yet often authors know more about what the artists created than the facts of their lives. This essay will explore the intermediality between visual and verbal content by exploring the role of art in two recent novels on the Italian Renaissance painter Sofonisba Anguissola: Donna DiGiuseppe’s Lady in Ermine: The Story of a Woman Who Painted the Renaissance and Chiara Montani’s Sofonisba: Portraits of the Soul. In the process I will explore the Renaissance paragone debate and consider how verbal descriptions of artworks …

Table Of Contents (V. 34, 2022)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Kalos, Emma Marie Bowden

2022 Symposium

My work, “Kalos”, is a unique composition made up of 3”x3” canvases with overall dimensions of 24”x30”. This series of acrylic paintings explores the boundaries within the photorealism technique in painting. For this painting, one 3”x3” canvas represents one corresponding square from the photorealism grid on the reference photo. The independent squares open new possibilities for viewer engagement and manipulation. The interactive piece encourages viewers to ponder the idea of beauty and how it can be manipulated.

Radiant Sites: Projection And The Mobile Spectator In Contemporary Moving-Image Installations, Taylor Hobson

Bryn Mawr College Dissertations and Theses

This dissertation examines contemporary moving-image installations that use projected images to expand and elaborate upon the cinematic experience. It focuses on works by Douglas Gordon (b. 1966), Jim Campbell (b. 1956), and the partnered artists Janet Cardiff (b. 1957) and George Bures-Miller (b. 1960), all of whom have reconfigured the classical cinematic system of viewing since the 1990s. Through their works, I trace the term “expanded cinema” as a literal extension of projected light from the screen into the open gallery and beyond. I argue that the term “projection” – as thrown light, mental anticipation, and moving bodies – brings …

The Meaning Of Dark, Light And Shadows: Inferences In Art, Materiality And Cultural Practices, Frank Prendergast

Book/Book Chapter

Our visual awareness relies on light acting on the eye to perceive materiality and colour. Medieval thought wrestled to articulate and comprehend its nature. The notebooks of Leonardo Da Vinci, for example, included his descriptions to define light and make comparisons so as to differentiate between light and shadow. His focus was on the illumination of surfaces from the perspective of a painter, seeing shadows as ‘the diminution of light by the intervention of an opaque body’ and ‘the counterpart of luminous rays’. In his mind, a shadow ‘stood between light and darkness’, with darkness being ‘the absence of light’. …

Engram, Vol. 1 2022, Portland State University. School Of Art + Art History + Design

Engram: A Journal of Art History Student Writing

• Matthew Paris Itinerary Maps, the Holy Land, the Crusades and the Idealization of Pilgrimage, Amber Shrewsbury

• Clay Pilgrimage Tokens of Qal’at Sem’an, Ashley Hood

• Magical Amulets and Their Uses in Menstrual Health, Kelsey Bucks

• Attendant Statues to God Nabu: Gods, Kings, and Scholars, Rose Caughie

Worcester Public Art For Esl Students, Eleanor Rueffer

Visual and Performing Arts

Funded by the Steinbrecher Fellowship, "Worcester Public Art for ESL Students" are original teaching materials (a 28-page booklet and worksheets) that utilize simple English to introduce some of Worcester's iconic public artworks. While the intended audience is English learners, the focus is on the content and is encouraged for use by anyone looking to enjoy and learn about Worcester history and art.

The booklet includes descriptions and histories of six Worcester artworks (Burnside Fountain, Soldiers' Monument, Major Taylor Statue, Mechanics Hall Mural, Rogers-Kennedy Memorial, and Chamberlain Fountain) with technical terms or difficult words bolded and explained in a glossary.

Eleanor …

Art/Work: Labor, Identity, And Society, Zirui Feng, Elinor G. Gass, Ran Li, Lauren C. Mcveigh, Matthew S. Montes, Lin Zhu, Yan Sun

Schmucker Art Catalogs

Artists, perhaps to emphasize their own dedication to the intellectual and manual skills required for making art, have long been drawn to the theme of labor, both in their depictions of workers and scenes of making. In the late seventeenth century, Dutch paintings frequently portrayed earnest and diligent artisans performing trades at shops or on the streets. Later, rapid economic, social and political changes throughout Europe in the mid-nineteenth century led to a more radical approach to realist representations of labor. This exhibition ART/WORK: Labor, Identity, and Society considers these art-historical precedents to explore the issues of labor in art. …

Rodcon, Program, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--Welcome to RodCon
--Location
--Schedule
--What's That?
--Artists
--Food
--Sponsors
--Autographs

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Arousal, The Bible, And Bruegel’S Codpieces: The Male Body In Early Modern Visual Culture, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay explores varied responses to the male body, including the phallus and its sixteenth- century covering, the codpiece, that existed over the past half millennium in the visual arts during which time discomfort coexisted with more neutral or positive representations of the human form. The essay will show that images indicate no monolithic attitude toward the body, clothed or not, in the centuries emerging from the Middle Ages, thereby agreeing with Bynum that a “cacophony of discourses” existed for many aspects of life, including responses to the body. Bynum’s linking of more general Medieval attitudes to those of our …

Escaping Modesto: George Lucas, Film Auteur, And The Alteration Of Movie History, Krister Persson

Undergraduate Honors Theses

This video essay analyzes the early filmography of George Lucas as a critique of auteur theory. Dissecting THX 1138 (1971), American Graffiti (1973), and Star Wars (1977) based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of viewing a complicated cinematic work through the lens of an individual author. Analysis focuses on Lucasfilm founder George Lucas and his reputation for controversially altering his works through special edition re-releases, calling into question the sanctity of theatrical releases and the confines of a film auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have …

‘Isawiya A-9405/2022, Mustafa Hussein

Favissa: Past Archaeological Excavation Reports

During August–September 2022, trial trenches were opened, followed by a trial excavation in three quarries at el-‘Isawiya neighborhood in Jerusalem (Permit No. A-9405/2022; Map ref. 223976-4041/634281-376), prior to the construction of a ring road. The excavation, on behalf of the Israel Antiquities Authority and funded by Moria - Jerusalem Development Company Ltd. was directed by M. Hussein, with the assistance of B. Touri and Y. Zelinger (scientific consultation) and S. Halevi (photography and photogrammetry).

Women In Post-War Japan: Bodies Of The Avant Garde, Cassidy P. Boulanger

Honors Undergraduate Theses

From 1945 onward, post-war artists in Japan encountered two interrelated challenges: to both adjust to the war’s aftermath, and also to create a new visual language which expressed new ideas and emotions. For women artists in Japan, this time of distinct culture change allowed for a re-defining of their role in the art community as well as society. However, there were strict boundaries surrounding the institutional and academic realm of art, one that was not inviting to women, or one that allowed opportunity or growth. Nevertheless, many women artists sought to explore gender roles, the idea of womanhood, sexuality, and …

Accessing 3d Data, Francesca Albrezzi, John Bonnett, Tassie Gniady, Heather Richards-Rissetto, Lisa Snyder

Department of Anthropology: Faculty Publications

The issue of access and discoverability is not simply a matter of permissions and availability. To identify, locate, retrieve, and reuse 3D materials requires consideration of a multiplicity of content types, as well as community and financial investment to resolve challenges related to usability, interoperability, sustainability, and equity. This chapter will cover modes, audiences, assets and decision points, technology requirements, and limitations impacting access, as well as providing recommendations for next steps.

Sex Seils: Die Erotischen Drucke Sebald Behams Im Deutschland Der Renaissance, Alison G. Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Nacktheit ist ein Markenzeichen der Renaissancekunst. Albrecht Dürers unkolorierter Kupferstich Adam und Eva von 1504 zeigt den ersten Mann und die erste Frau, antiken griechischen Skulpturen nachgebildet, als Aktfiguren, die lediglich mit Feigenblättern bedeckt sind.! Auf einer Rötelzeichnung Raffaels von 1515 - das Jahr notierte Dürer auf dem Blatt, das Raffael ihm geschenkt hatte - posieren zwei kräftige nackte Männer; einer stützt sich auf einen Stab, der andere zeigt auf etwas.2 Zwischen den Entstehungszeitpunkten dieser beiden Werke auf Papier trug Marcantonio Raimondi (um 1480 - um 1530) dazu bei, dass sich die Vorstellungswelt der Renaissance und die Darstellung von Nacktheit …

Musings On The Grand Mosques Of Djenné And Bobo-Dioulasso, The Cathedral Of Notre Dame, And Western Bias, Sally A. Struthers Ph.D.

Art History Faculty Publications

Unlike the much publicized collapse of the roof of the Cathedral of Notre-Dame, in Paris, when the roof collapsed in the Grand Mosque of Bobo-Dioulasso, Burkina Faso in 2018, it did not make international news. The mosque is a masterpiece of the Sudano-Sahalian adobe mosque style, second in size only to the Grand Mosque of Djenné, in Mali, which is well known. The mosque is a source of pride for people of all religions in the city of Bobo-Dioulasso. Burkina Faso is a country of numerous languages, many of which are endangered. The tradition of oral history is a primary …