History of Art, Architecture, and Archaeology Commons^™

Future City, Quentin Harrington

Art and Art History Honors Projects

No abstract provided.

Sederot, Ḥorbat Neged (West) Z-23/2022, Sara Tal

Favissa: Past Archaeological Excavation Reports

In March 2022, a community excavation was conducted at Ḥorbat Neged (West), located north of the city of Sederot (Permit No. Z-23/2022; map.ref. 161721–916/605024–162). The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by the Sederot Economic Development Company, was directed by S. Tal, with the assistance of Y. Alamor (administration), H. Etel, Y. Cohen, M. Hazan Ozri and S. Shaked (field instruction), E. Aladjem (drone photography and surveying), R. Dagan, O. Rasiuk (consultation), A. Azoulay (plans), students from Sederot (Grades 3–12), and participants from the Sederot Agricultural School.

‘What A Woman Can Do:’ Analyzing Correlation Between Historiography Of Italian Female Artists And Auction Prices, Paige Boucher

MA Theses

“And I will show Your Most Illustrious Lordship what a woman can do.” These words are by the miraculous baroque artist Artemisia Gentileschi, a Renaissance woman who took the plunge into a male-dominated profession.1 Women have taken the back seat throughout all walks of history. On the subject of their representation in art history, there was an extended period when researchers and scholars completely overlooked them. Due to negligence, knowledge of a marketable female artist of the Renaissance was close to an urban legend. Now,
through mending neglected recognition, the existence of marketable female Old Masters is bona fide in …

Satirical Dissent: The Subversive Messaging Of Ad Reinhardt’S 1946 And 1961 Art Comics How To Look At Modern Art In America, Julie A. Schumacher

Dissertations and Theses

Through a close analysis of Ad Reinhard's 1946 and 1961 art comics "How to Look at Modern Art in America,” examined in the context of their times, this paper will argue that Reinhardt’s idealist view and involvement with abstraction, as he saw it in its “purest” form, was intrinsically formed and shaped by his Marxist anticapitalistic perspectives in response to his concurrent time. When these works are examined through the lens of Reinhard’s socialist politics, a parallel narrative surfaces where “pictures artists” also signifies capitalism and its capacity to harmonize and contaminate.

Cherokee Abstract Artist Leon Polk Smith: A Convergence Of Traditions, Danielle Montanino

Dissertations and Theses

This paper analyzes how Leon Polk Smith's Indigenous roots and upbringing in Indian Country had a significant impact on his artistic practice in a time of discrimination and segregation in the United States. Through examination contextualizing his work within the history and political events of the Cherokee, Chickasaw, and Choctaw Nations it is revealed how Polk Smith developed a formal language that could navigate both worlds and be viewed through a pure abstraction lens or a lens embodying his Indigenous traditions. In addition to his Indigenous philosophies, Mesoamerican Inca Nation’s cultural motifs further ground Polk Smith’s Indigenous aesthetic, and avant-garde …

World Of Water: Betsy Damon’S Ties To Ecofeminism, Colleen Sullivan

Dissertations and Theses

This thesis establishes a critical examination of the evolution of Betsy Damon’s artistic practice as overtime she engages with ecofeminist thought. As a whole, this work extends contemporary scholarship on ecofeminist engaged art to include Damon’s artistic production while amplifying social and critical ecofeminism as necessary ideologies to explore when analyzing art through an ecofeminist lens. Beginning with her first environmentally focused work in the United States the organization of the following chapters reveals Damon’s deepened understanding and exploration of ecofeminist principles and their application to her artistic practice. It goes on to further explore Damon’s pursuit of environmentally sustainable …

The Real And The Digital: Female Agency And Resisting The Male Gaze In Lynn Hershman Leeson’S Works, Kelly Chou

Dissertations and Theses

This thesis focuses on three major feminist works by multimedia artist, Lynn Hershman Leeson (b. 1941), that grapple with the construction and potential of female identity. Considering the works within the context of Laura Mulvey’s seminal text “Visual Pleasure and Narrative Cinema,” this paper will attempt to elucidate how Hershman Leeson’s works have engaged with the male gaze and its social and cultural implications on female identity in visual spheres. This research demonstrates how Hershman Leeson’s efforts to understand the limitations and boundaries for women reflect the same phenomenons observed by Mulvey within “Visual Pleasure.” Rejecting this, Hershman Leeson also …

Colonial Prehistories Of Indigenous North America, Mark A. Mattes

Faculty and Staff Scholarship

One of the most common inquiries received by Filson Historical Society librarians concerns the myth of Prince Madoc and the Welsh Indians. Of the myth’s many versions, the one most familiar to Ohio Valley History readers goes like this: Madoc, a Welsh prince escaping an internecine conflict over political rule at home, supposedly sailed to North America in the twelfth century. His force either landed at the Falls of the Ohio or made it there after landing further south and being driven north by hostile locals, possibly Cherokee people. Madoc and his contingent intermixed with Indigenous populations, whose fair-haired, blue-eyed, …

V.1 Winter 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2022 issue is a special edition "art writing capsule," with three zines that each feature a student writing about a work of art, and a fourth zine with an editor's note and postscript. Writing 1 is Angelina Rogers on Salman Toor's "Two Boys with a Dog," Writing 2 is Maxwell Fertik on Shahzia Sikander's "Epistrophe," and Writing 3 is Sabo Kpade on Lynette Yiadom-Boakye's "Any Number of Preoccupations."

Lauder Art Collections: Two Brothers, Two Collections, One City, Carol Bradford Abruzzo

MA Theses

This thesis highlights two New Yorkers who donate a plethora of art treasures to their beloved hometown. The value of these collective materials provides a permeance to the history of civilization. Art works within these institutions provides visual history and allows for an immediacy to learn and a simple way to connect with the past. However, the art is as good as it is culled into a meaningful collective with easy accessibility for all. The Leonard A. Lauder Cubist Collection at the Metropolitan Museum of New York and the Ronald S. Lauder Neue Galerie are two of the most distinguished …

History Of Fashion Installations As Art Exhibitions And Their Impact On The Public’S Perspective On Culture And Community, Arabella Riley

MA Theses

The current study targeted the problem of the relationship among the notions of fashion, art, and culture. The study aimed to determine the potential role of fashion brands and artists in the transformation of modern culture. Additionally, the study sought to analyze the forms of collaboration between fashion and arts, and their commercial and conceptual value. As to the research methods, qualitative secondary data review using thematic analysis methodology was utilized. The research findings included the recognition of the significant role of modern fashion and arts in the transformation of the public culture. Furthermore, it was revealed that different formats …

Valuations Achieved At The Sale Of Royal Jewels From The Bourbon Parma Family, Reka Szterenyi

MA Theses

The auction of the Royal Jewels from the Bourbon-Parma Family is considered iconic. It took place as an evening sale at the Mandarin Oriental in Geneva, on November 14, 2018 amid great interest from collectors and the media alike. It comprised a hundred lots from the collection of the Bourbon Parma Family, several of them with royal provenance. The most important pieces were ten objects that are believed to have belonged to Marie Antoinette’s personal jewelry collection. The white-glove sale achieved a total price of $53.1 million (CHF 53.5 million). This was a new record for a royal jewelry auction, …

Living In The Ruins Of Utopia: The Collapse Of The Soviet Union And The Formation Of Russia's Postcolonial Identity, Erik G. Livingston

Senior Independent Study Theses

No abstract provided.

Enduring Traditions: The Collared Pithos Of Transjordan, Trisha Gallimore Broy

Dissertations

Problem

The collared pithos is a very tall, ovaloid, ceramic storage vessel peculiar to the southern Levant. Through the data that has emerged from Cisjordan a general consensus has developed that the collared pithos is part of an Iron Age 1 tradition that ended in the early years of the Iron Age 2. The data from Transjordan, however, is less familiar in discussions of the vessel, as it has only been added to the corpus within the last few decades. Preliminary indications from excavations in Transjordan reveal a different chronological scope and evolution of form than is observed in Cisjordan. …

Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson

Theses and Dissertations

This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …

Spectrum Of Shit, Hannah Hiaasen

Theses and Dissertations

Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …

Assessment Of Lithic Reduction Methods, Hannah Dory Bergene

Departmental Honors Projects

The way lithic artifacts are analyzed is critical to understand human behavior. How lithic attributes are measured can add important context to archaeological sites and experimental lithic collections. By re-evaluating the way we analyze lithic reduction strategies and measure lithic attributes, we can come to a conclusion as to how they compare. In the project that will be described, nine lithic experiments created by expert flintknapper, Dan Wendt, will be measured and analyzed in accordance with the Hamline University Archaeology Lab Debitage Analysis Protocol. Assessing the data collected from these nine experimental collections allowed me and my fellow researcher, Eva …

The Contribution Of Artists Sydney Laurence, Belmore Browne, And Olaus Murie To The Preservation Of Public Land In The Northwest United States, Madelyn Brodie

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis analyzes the impact of artists Sydney Laurence (1856- 1940), Belmore Browne (1880- 1954), and Olaus Murie (1889- 1963) and the contribution that their artwork had to the conservation of United States public lands. This thesis examines the conservation initiatives that were brought into effect during the early 1900s, the personal motivations of these artists to preserve the land, and the interactions between these artists and the United States government which demonstrates their involvement in land preservation. The impact that the artists had on tourism which extended the conservation movement is also addressed. Artworks created by Laurence, Browne, and …

Uncommon Ground: Grant Wood And Russell Lee's Divergent View Of Iowa, James R. Swensen

Faculty Publications

GRANT WOOD'S American Gothic (1930) has likely been reproduced, parodied, and lampooned more than any other painting in American history (Figure 1). As scholars Wanda Corn, Steven Biel, and others have observed, the scene of an Iowa farmer and his daughter (often erroneously thought to be his wife) has proven to be remarkably adaptable for nearly a century.¹ An early example of its adoption occurred 11 years after Wood's work was finished, when it was appropriated by Gordon Parks, a young Black photographer. Created for the Farm Security Administration (FSA) and under the aegis of administrator Roy Stryker, Parks …

Medieval Weathers: An Introduction, Michael J. Warren

Medieval Ecocriticisms

Introduction to the first volume of Medieval Ecocriticisms.