A Panoptic System And Social Control’S Influence On The Children In Henry James’S 'The Turn Of The Screw',
2024
Georgia College & State University
A Panoptic System And Social Control’S Influence On The Children In Henry James’S 'The Turn Of The Screw', Taylor Whittington
The Corinthian
This paper’s purpose is to offer a new reading of the children in Henry James’s novella The Turn of The Screw (1898). The paper argues that the characters are subjects of Foucault’s panopticon and social control, which results in Flora’s loss of social status and Miles’s death due to their lack of adherence to the social control. I also argue that the social control and the panoptic system integrate themselves into the Bly household and work alongside one another to reinforce the hierarchy. A panoptic system represents a type of surveillance based on Bentham’s architectural design that subject prisoners to …
Marvelous Ordinariness: Re-Engaging With Realism’S Social Function,
2024
Dartmouth College
Marvelous Ordinariness: Re-Engaging With Realism’S Social Function, Miranda Ochoa Natera
Comparative Literature M.A. Essays
Against Romanticism, European literary realism of the 19th century aimed to provide an objective representation of reality through mimesis that could capture the truth in an objective way. Yet, its positivist approach severely narrowed down the complexity of truth, reality, and the mundane by wrongfully drawing the universal from the particular. A new way of engaging with realist literature from any time period, called Marvelous Ordinariness, rearranges this triad in ways that expand our understanding of our own and other realities portrayed. Using Alejo Carpentier’s description of “lo real maravilloso,” Marvelous Ordinariness unfolds in three layers that resemble Carl Jung’s …
Translating And Illustrating Tolkien (2023) Ed. By Will Sherwood,
2024
Valparaiso University
Translating And Illustrating Tolkien (2023) Ed. By Will Sherwood, Arden R. Smith
Journal of Tolkien Research
Book review, by Arden R. Smith, of Translating and Illustrating Tolkien (2023), ed. by Will Sherwood
An Industrious Little Devil - Tolkien’S Development Of The Elvish Languages At Leeds,
2024
Independent Scholar
An Industrious Little Devil - Tolkien’S Development Of The Elvish Languages At Leeds, Andrew Higgins Dr
Journal of Tolkien Research
Conference paper given at Medieval Conferences in Leeds and Kalamazoo which explore Tolkien’s development of the Elvish languages at Leeds (1920-1925).
A Romantic Austen: The Discordant Feminist Discourse Of Adapting Sense And Sensibility,
2024
Seattle Pacific University
A Romantic Austen: The Discordant Feminist Discourse Of Adapting Sense And Sensibility, Evan Teigland
Honors Projects
This undergraduate thesis explores the intertextual and critical conversations around Jane Austen’s Sense and Sensibility, and the 1995 screen adaptation of the same name, with a focus on how each text understands the interplay between feminine romance and feminine agency. A non-essentialist theory of adaptation is applied to construct an interpretive model that esteems Emma Thompson’s version of the story and considers its consequence to different communities of Austen readership, which is measured by the distinctly feminist themes detectable in the sexuality of Sense and Sensibility fanfiction. This investigation uncovers the importance of expanding the interpretive power and possibilities of …
The Artful Voyeur: Seamus Heaney As Parrhesiastes,
2024
Seton Hall University
The Artful Voyeur: Seamus Heaney As Parrhesiastes, Olivia Ransbottom
Seton Hall University Dissertations and Theses (ETDs)
Critics Edna Longley and Ciaran Carson have examined the complicated relationship between Seamus Heaney's poetry and the Northern Irish conflict, arguing that, in general, he refrained from clear political commentary. Despite this, Seamus Heaney was a revolutionary poet celebrated for his vivid imagery and commentary on ordinary life in Northern Ireland. While these critics say he held back on stating his political opinion or mystified the violence, this paper argues that he was a parrhesiastes (one who speaks truth to the rest of society for the sake of truth itself) of his time, choosing to practice the ancient Greek idea …
“Class And Consciousness”: An Application Of Marxist Theory And Posthumanism To Kazuo Ishiguro’S The Remains Of The Day, Never Let Me Go And Klara And The Sun,
2024
Seton Hall University
“Class And Consciousness”: An Application Of Marxist Theory And Posthumanism To Kazuo Ishiguro’S The Remains Of The Day, Never Let Me Go And Klara And The Sun, Renee Elizabeth Samuel
Seton Hall University Dissertations and Theses (ETDs)
Kazuo Ishiguro’s works are introspective explorations of how one’s prescribed role in society shapes one’s identity; this self-reflection is evident in three of his novels, The Remains of the Day, Never Let Me Go, and Klara and the Sun. All three novels heavily rely on the point of view of a member of the subservient class, and this perspective provides insight into the unnamed hierarchies within society and the relationship, or lack thereof, between divided classes. Despite their similarities in structure, each novel explores class relationships in different ways. The Remains of the Day focuses on an individual living …
The Lady’S Museum Project, A Digital Critical And Teaching Edition Of Charlotte Lennox’S Lady’S Museum (1760-61), Completes Phase Two Of Its Three-Phase Development Schedule,
2024
University of Ottawa
The Lady’S Museum Project, A Digital Critical And Teaching Edition Of Charlotte Lennox’S Lady’S Museum (1760-61), Completes Phase Two Of Its Three-Phase Development Schedule, Karenza Sutton-Bennett
ABO: Interactive Journal for Women in the Arts, 1640–1830
The Lady’s Museum (1760–61) was among the most important early periodicals largely written by one of the most important eighteenth-century authors, Charlotte Lennox, whose multigenre, proto-feminist writing is beginning to receive the critical and pedagogical attention it deserves. Yet no modern edition of the text has existed—until now. Launched in 2021, the Lady’s Museum Project is presenting the first critical edition of—and learning community around—Lennox’s Museum in three open-access formats to encourage the widest possible readership: a non-specialist digital, interactive edition of the text and LibriVox audiobook intended for public and undergraduate-student audiences, and a specialist digital edition intended for …
Review Of A History Of African American Autobiography, Edited By Joycelyn K. Moody,
2024
Allegheny College
Review Of A History Of African American Autobiography, Edited By Joycelyn K. Moody, Sarah Buckner
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of A History of African American Autobiography edited by Joycelyn K. Moody.
Review Of On The Digital Humanities: Essays And Provocations, By Stephen Ramsay,
2024
Case Western Reserve University
Review Of On The Digital Humanities: Essays And Provocations, By Stephen Ramsay, Michelle Lyons-Mcfarland
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of On the Digital Humanities: Essays and Provocations by Stephen Ramsay.
Review Of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century, By Margaret J. M. Ezell,
2024
Community College of Rhode Island; Indiana University of Pennsylvania
Review Of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century, By Margaret J. M. Ezell, Karen Griscom
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century by Margaret J. M. Ezell.
Review Of The Cambridge Edition Of The Works Of Anne Finch, Countess Of Winchilsea, Edited By Jennifer Keith Et Al,
2024
College of the Holy Cross
Review Of The Cambridge Edition Of The Works Of Anne Finch, Countess Of Winchilsea, Edited By Jennifer Keith Et Al, Melissa Schoenberger
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea, edited by Jennifer Keith et. al.
Out Of The Closet And Into The Classroom: Teaching Anne Finch's Plays,
2024
Simon Fraser University
Out Of The Closet And Into The Classroom: Teaching Anne Finch's Plays, Diana Solomon
ABO: Interactive Journal for Women in the Arts, 1640–1830
The publication of the Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea makes it possible to teach not only a much wider assorted of her edited poetry, but also Finch’s two dramas: the tragicomedy The Triumphs of Love and Innocence, and the tragedy Aristomenes. This essay proposes integrating Finch’s plays into a course on Restoration and eighteenth-century drama by proposing a class, “Genre Trouble,” which sets them in dialogue with frequently-taught plays of the era. Included herein are a syllabus of primary and secondary sources, suggestions for discussing Finch’s plays and dramatic paratexts in comparison to works …
Teaching Poetry With Anne Finch: Manuscript Culture As Early Modern Social Media,
2024
University of North Carolina at Greensboro
Teaching Poetry With Anne Finch: Manuscript Culture As Early Modern Social Media, Jennifer Keith
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay discusses two approaches I use to teach Anne Finch's—and others'—poetry. Drawing on certain habits of early modern manuscript culture, I make visible to my students ways that reading and writing are socially embedded practices, which may variously involve exchange, reciprocity, or censorship. By adapting the "quaint" habits of manuscript culture practiced by Finch and many others to specific assignments, I encourage students to experience poetry as living, sociable occasions of reading and writing. To augment my students' engagement with early modern poetry I connect it to frameworks from their twenty-first-century reading and writing worlds. These exercises in "early …
Anne Finch On The Patio: A Scholarly Eat And Greet,
2024
College of the Holy Cross
Anne Finch On The Patio: A Scholarly Eat And Greet, Melissa Schoenberger
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article recounts an instructional event for English majors held in the central campus library. Students engaged with various materials related to the career and editorial history of Anne Finch. The event offered students an introduction to questions of information literacy, textual history, and literary studies.
Teaching Finch And / In Performance: A Media Studies Approach (With Toolkit),
2024
UC Santa Barbara
Teaching Finch And / In Performance: A Media Studies Approach (With Toolkit), Elizabeth Heckendorn Cook
ABO: Interactive Journal for Women in the Arts, 1640–1830
Teaching the birdsong poems and compositions for musical settings of Anne Finch, Countess of Winchilsea, through media theory allows students to connect their own social-media-based expressive arts practices with the multimedia practices of early modern women writers.
Introduction: Teaching The Works Of Anne Finch, Part Ii,
2024
University of North Carolina at Greensboro
Introduction: Teaching The Works Of Anne Finch, Part Ii, Jennifer Keith, Tiffany Potter
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay introduces Part Two of the two-part “Concise Collection on Teaching the Works of Anne Finch," guest edited by Jennifer Keith (Aphra Behn Online, vol. 14, no. 1, 2024). The first part of this collection appeared in Fall 2023.
Politics, Authorship, And Philosophy: Teaching Margaret Cavendish’S The Blazing World In The Diverse Graduate Classroom,
2024
California State University, Long Beach
Politics, Authorship, And Philosophy: Teaching Margaret Cavendish’S The Blazing World In The Diverse Graduate Classroom, Martine Van Elk
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a single-author course. While in isolation, The Blazing World allows for discussions that focus primarily on questions of gender, genre, class, and politics, read in tandem with Cavendish’s other works, in particular her philosophical writings, The Blazing World becomes a source for reflections on questions of creaturely identity, …
Teaching Margaret Cavendish’S Philosophy: Early Modern Women And The Question Of Biography,
2024
Northeastern University London
Teaching Margaret Cavendish’S Philosophy: Early Modern Women And The Question Of Biography, Peter West
ABO: Interactive Journal for Women in the Arts, 1640–1830
In my contribution to this Concise Collection on Margaret Cavendish, I focus on teaching Cavendish’s work in the context of philosophy (and, more specifically, Early Modern Philosophy). I have three aims. First, to explain why teaching women from philosophy’s history is crucially important to the discipline. Second, to outline my own reflections on teaching Cavendish’s philosophy. Third, to defend a specific claim about the benefits of teaching Cavendish to philosophy students; namely, that introducing biographical detail alongside philosophical ideas enriches the learning experience.
Teaching Queer Theory And The History Of Sexuality With Margaret Cavendish’S The Convent Of Pleasure,
2024
Central College
Teaching Queer Theory And The History Of Sexuality With Margaret Cavendish’S The Convent Of Pleasure, Valerie Billing
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article summarizes my approach to teaching Cavendish’s play The Convent of Pleasure in my course “LGBTQ+ Literature and Culture,” which I teach at a small liberal arts college in the Midwest. I demonstrate how I teach the play with excerpts from literary scholarship in queer theory in order to help students sharpen their close reading skills, teach scholarly engagement, and deepen students’ understanding of early modern and Restoration comedy and the history of sexuality.
