English Language and Literature Commons^™

Queer Impersonality: Compulsory Visibility And The Politics Of Form In Modernist Women's Life Writing, Margot Kotler

Dissertations, Theses, and Capstone Projects

Modernist impersonality is an aesthetic practice typically associated with Anglo-European formalism and the doctrine of artistic autonomy. Although central to the modernist canon, impersonality has not been taken up by queer and feminist studies because critics have considered its implied evacuation of emotion and personal identity to be apolitical, and even dangerous. At its worst, impersonality reproduces an unmarked, white, and masculine subjectivity, yet it also questions the parameters of selfhood, posing a radical challenge to liberal-humanist conceptions of identity. Queer Impersonality moves beyond this critical impasse by tracing impersonality’s queer and feminist histories among modernist women writers whose engagement …

“The Hero Of My Own Life”: The Purpose Of The Fictional Self In The Life Writings Of Mary Wollstonecraft And Charles Dickens, Jessica M. Day

Honors Projects

This paper looks at Letters written in Sweden, Norway, and Denmark by Mary Wollstonecraft and David Copperfield by Charles Dickens as significant texts that combine fiction and life writing. Looking at fictional and autobiographical elements within each text, this paper argues that these authors manipulate genre to make significant claims about feminism and child activism. They participate in self-crafting—taking the self, something that is personal, and making it public and political. This paper argues that fiction allows the life writer to expand past the limitations of a single lifetime and speak to truths larger than the self. Letters written …

Eliot’S Raid On The Ineffable, Louie Alexandris

The Criterion

In the poem Four Quartets, T.S Eliot employs a fragmentary form to dramatize the disjointed continuity of time. Within the poem though, the fluctuation or fragmentation of the form is also in service to the whole by showing the unending exploration of man to reach the “still point” of divine contemplation. For Eliot, the fragmentary nature of the form in Four Quartets is in service to the whole, because the continual fluctuation of musicality embodies a journey or exploration for the “still point” of the world to achieve true contemplation. In that sense, Eliot’s poem is an artistic success, …

Downfall To Friendliness?: Analyzing Common Tropes In The Boy Who Loved Too Much, Heather Paglia

The Criterion

One of the most commonly held misconceptions regarding the disabled population is that living with any disability automatically decreases the quality of life. It is assumed that any deviation from society’s established norm for the perfect brain and body must be a burden. Both the physical and social implications associated with disability have forged in the minds of many the idea that a disabled life could not possibly be a good life. This overarching negativity, however, is turned on its head when considering Williams Syndrome, a rare genetic disorder more accurately described as happy syndrome. This so-called disability is not …

The Criterion (2024)

The Criterion

No abstract provided.

“No Friend Like A Sister”: Christina Rossetti’S Fantastic Departure From Pre-Raphaelite Poetics And Art In “Goblin Market”, Anna M. Lee

The Criterion

Christina Rossetti’s poetics and artistic vision in her seminal poem, “Goblin Market,” have yielded a range of critical theories, from positions on sisterhood to the ambiguous position of capitalist markets. While considering the socioeconomic and cultural context behind the poem’s development and resonance among contemporary feminist movements, readers also ought to consider the actual “goblin brotherhood” — the Pre-Raphaelite Brotherhood (PRB) — behind Rossetti’s authorial ventures. This paper argues that Rossetti’s fantastical methods draw influence from and participate in the PRB’s poetics and artistic traditions, while subverting the same conventions within a feminist paradigm. Rossetti not only envisions a homosocial …

Moving “Passed” Life For Death, Gwyneth Morrissey

The Criterion

The paper Moving “Passed” Life for Death explores Emily Dickinson's poem #479, "Because I could not stop for Death," focusing on the theme of movement expressed through the word "passed." It analyzes the contradictory qualities of movement and stopping and how they interplay. At the same time, it looks into how the poem's periodic stopping points highlight the natural cycle of life and death, challenging the conventional and fearful understanding of dying. Dickinson's use of "passed" ultimately alludes to the persistence of life after death, altering readers' perceptions of mortality. The essay presents an intriguing interpretation of life, death, and …

The Configuration Of Society In "The Dispossessed" And "Blindness", Patrick Ryan

The Criterion

In both Ursula K. Le Guin's The Dispossessed and José Saramago’s Blindness, character’s are posited into scenarios where the structure of society is either foreign, dilapidated, or outright missing. This essay aims to rationalize why the authors arranged their respective worlds this way, and illuminate points of comparison and contrast between the two works. To achieve this goal, this essay specifically analyzes the types of societies seen within the two novels, and what role individual characters have in shaping them. Additionally, through a supplementary examination of related secondary sources, this essay hopes to answer fundamental questions about the portrayal …

Milton’S Exploration Of The Demonic Consciousness, Niall Mckenna

The Criterion

No abstract provided.

The Facade Of Names In Benjamin Clark’S “The Emigrant”, Brad Donegan

The Criterion

No abstract provided.

Language And The Lord Of The Rings: The Expansion Of A Universe, Thomas Beutz

The Criterion

Tommy Beutz’s essay, “Language and The Lord of the Rings: The Expansion of a Universe” explores J.R.R. Tolkien’s world-building through the lens of linguistics. Beutz argues that Tolkien’s creation of Middle-Earth, anchored in his invented languages, extends beyond the bounds of the text. Drawing on Tolkien’s background as a philologist, Beutz contends that the languages of Middle-Earth are not mere literary devices but rather the foundation of its entire mythology. By examining linguistic markers embedded in the primary text, Beutz reveals how Tolkien hints at a larger world outside the narrative. Through an analysis of historical accounts and characters’ …

The Search For Worth: How Relationship Conflicts Reveal The Universal Nature Of Insecurity, Grace C. Conroy

The Criterion

Since the beginning of time, romantic relationships and their dynamics have taken center stage in media--whether in books, plays, or other forms of literature. In this essay, a comparison of couples' relationships in James Joyce's "The Dead" and Marina Carr's play "The Mai" reveals the core human element of insecurity, prevalent in moments of marital conflict.

Mexican-American Literature Is American Literature, Davia Ellen Guzman

Senior Theses

The main focus of this article is to show that teaching Mexican-American literature is an important part of teaching American literature, one that is often neglected. As of right now, Chicano Literature and American Literature are seen as two separate categories even though they are one in the same. Authors such as Rudolfo Anaya and Tomás Rivera allow readers insight into Mexican-American culture; the foundations they have set should be used in American Literature courses to help students view the wide variety that is American Literature, other than what the canon deems acceptable. Bless Me, Ultima, and …and the Earth …

Gifted Amateurs And Other Essays On Tolkien, The Inklings, And Fantasy Literature (2023), By David Bratman, Douglas Charles Kane

Journal of Tolkien Research

Book review, by Douglas C. Kane, of Gifted Amateurs and Other Essays on Tolkien, the Inklings, and Fantasy Literature (2023), by David Bratman

The Journey In Hisham Matar's The Return: Between Freedom And Confinement, Noha Hanafy

English Language and Literature

Abstract The paper explores Hisham Matar’s journey in his 2016 memoir, The Return: Fathers, Sons and the Land in Between. In the book, Matar undertakes a journey back to his homeland in Libya to uncover the truth of what happened to his father, who was targeted by the Gaddafi regime during the sixties and was subsequently imprisoned for 20 years. While the memoir primarily focuses on the journey "back" to Matar's homeland in Libya, the memoir's depiction of "home" problematizes the concept, raising questions about its limitations beyond being merely geographical. Therefore, home becomes elusive and not necessarily at all …

Zombies From Cultural Origin To Contemporary Uses, Conor Davenport

University Honors Theses

This piece explores the evolution of the Western cinematic zombie, from its spawning to its reappropriation and echoes that are seen throughout the current landscapes of cinema today. It presents the axiom of the genre with White Zombie (1932) and how it has evolved into the contemporary creature we know and love today. The paper examines a throughline from cultural origin and how this has developed and becomes a critical lens for widely spread bureaucratic systems currently in place.

Thesis Proposal And Project: The Christmas Fiddle, Tamara N. Canty

Masters Theses

The thesis discusses how Christian creatives can create art that glorifies God, while shining light into a dark world by highlighting the contributions of Christian creatives in the entertainment industry. The research heralds the testimonies of several notable Christian creatives and how they have successfully navigated their way through a largely secular industry.

“I Don’T Want To Be Human”: The Neurodivergent Reader Response To Martha Wells’ Murderbot Diaries Series, Rachel S. Anderson

Ought: The Journal of Autistic Culture

This article explores how readers have responded to the Martha Wells series The Murderbot Diaries by identifying the titular character as neurodivergent and the recent ways in which the author has responded to questions about the character—and herself—as potentially autistic. While initially resisting this reader-supplied diagnosis, Wells has more recently acknowledged a neurodivergent identity. By examining Murderbot’s sense of self and relationship with the humans around it, this article will explore our current society’s relationship with human/machine intelligences and how we define such concepts as “neurotypical” and “human.” Specifically, this article will examine how the concept of a “governor module” …

Space For The Savant: An Update On Henry Higgins’S Autism, Abby Zwart

Ought: The Journal of Autistic Culture

Henry Higgins, one of the leads of Bernard Shaw’s play Pygmalion, has been retrospectively diagnosed as an autistic character by lay readers and two scholars (Rodelle Weintraub, 2006; Sonya Loftis Freeman, 2014). Weintraub’s work is accurate but outdated, and Loftis presents several valid concerns about labelling Higgins an autistic savant, but Henry Higgins should be embraced as a neurodivergent character because today, a decade after the last publication addressing his neurostatus, society has a much more nuanced understanding of autism that can easily make space for his inclusion in the retrospective canon of neurodivergent characters.

An Exploration Of Power Relations In Select Plays Of Girish Karnad A Foucauldian Perspective, Srinivasa Yogananda Rao Netrakanti

Theses and Dissertations

The present study, ‘An Exploration of Power Relations in Select Plays of Girish Karnad: A Foucauldian Perspective‘ aims to study power relations among the different characters in the three plays of Girish Karnad viz., Tughlaq, Naga-Mandala and Tale- Danda through Foucault's three modalities of power viz., bio-power, disciplinary power and sovereign power.

Chapter 1, Introduction gives a bird-eye view of Foucauldian concepts of power followed by the three modes of objectification and dividing practices, subjects and power relations, inter-connectedness between power and knowledge, panopticism, bio-power and discourses, the application of Foucauldian theories of the three major powers. Next, a Girish …