Literature in English, North America Commons^™

Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman

Doctoral Dissertations

This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20^th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing …

Writing The Nation: A Concise Introduction To American Literature 1865 To Present, Amy Berke, Robert Bleil, Jordan Cofer, Doug Davis

English Open Textbooks

Writing the Nation: A Concise Guide to American Literature 1865 to Present is a text that surveys key literary movements and the American authors associated with the movement. Topics include late romanticism, realism, naturalism, modernism, and modern literature.

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We Weren’T Always White: Race And Ethnicity In Italian/American Literature, Fred L. Gardaphé

Publications and Research

No abstract provided.

Take Me Out To The Ballgame: The Function Of Joe Dimaggio In Hemingway's The Old Man And The Sea

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The Transformation Of Gender And Sexuality In 1920s America: A Literary Interpretation, Taylor Gilkison

Mahurin Honors College Capstone Experience/Thesis Projects

The 1920s in America marked a new decade of freedom and exploration for youths. With the conclusion of the First World War in 1918 and the addition of the nineteenth amendment to the United States Constitution in 1919, women gained more prominent roles in both politics and society. The early twentieth century ushered in a new age of sexual expression and attempted gender balance. Secular thinking became more widespread than ever, which was reflected in the arts throughout the first half of the twentieth century. Artists and writers alike were not only expressing themselves through their works, but documenting the …

Flying Man And Falling Man: Remembering And Forgetting 9/11, Graley Herren

Faculty Scholarship

No abstract provided.

“The Unwelcome Truth” : Arthur Miller’S The Crucible As Satirical Political Allegory, Deanna Marie Mattia

Theses, Dissertations and Culminating Projects

The purpose of this thesis is to demonstrate that while Arthur Miller’s 1952 play The Crucible is often cited as a political allegory of the McCarthy era, analyzing various instances of irony and how language itself becomes almost criminal shows the play can also be interpreted as satire. This thesis begins with a detailed analysis of Puritan life and religion to show how Spectral Evidence and an inherent fear of the Devil become the driving forces of the Salem Trials. From there, an examination of the political climate that inspires Miller to do a close-reading of human behavior shows how …

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

We Love Big Brother: An Analysis Of The Relationship Between Orwell’S Nineteen Eighty-Four And Modern Politics In The United States And Europe, Edward Pankowski

Honors Scholar Theses

In recent months since the election of Donald Trump to the Presidency of the United States in November 2016, George Orwell’s Nineteen Eighty-Four has seen a resurgence in sales, and terms invented by Orwell or brought about by his work, such as “Orwellian,” have re-entered the popular discourse. This is not a new phenomenon, however, as Nineteen Eighty-Four has had a unique impact on each of the generations that have read it, and the impact has stretched across racial, ethnic, political, and gender lines. This thesis project will examine the critical, popular, and scholarly reception of Nineteen Eighty-Four since its …

To Kill A Mockingbird, The Help, And The Regendering Of The White Savior, Brett Seekford

James Madison Undergraduate Research Journal (JMURJ)

Filmmakers continue to use the “White Savior “ archetype to construct racialized messages in the post-Civil Rights era. These protagonists, who resolutely defend the rights of African Americans, ultimately focalize whiteness and marginalize black characters and voices. Though a white savior features prominently in both To Kill a Mockingbird (1962) and The Help (2011), The Help’s regendering of the archetype invites viewers to imagine a world in which a white savior is no longer necessary. The Help’s update on the white savior trope from Atticus Finch to Skeeter Phelan allows for deeper development of black characters and a …