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The Echo

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Echo 2018 - Complete Issue

The Echo

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Nexus, Spring 2018, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Time And Lines, Richard Pecos Pryor

School of Art, Art History, and Design: Theses and Student Creative Work

“How we spend our days is, of course, how we spend our lives.” -Annie Dillard

I want to make art that is worthwhile, that shares something important. This desire often overwhelms and hinders me from starting projects. I find myself questioning the purpose of art altogether. Yet, once I relinquish control into action—just simply start and keep going—the unforeseen meaning eventually presents itself.

Drawings begin with lines. Partnered with curiosity, I began this series by exploring the potential of drawing materials. How far and for how long can a single sharpened pencil last? What does a mile of lines look …

The Lantern, 2017-2018, Solana Warner, Chiara Demelfi, Emily Shue, Matt Dwyer, Clara Baker, Jason Bennett, Brandon Carey, Kim Corona, Millie Drury, Courtney A. Duchene, Samuel Ernst, Giselle Horrell, Sarah Howell, Nicole Kosar, Malcolm Loh, Morgan Mcafee, Johnathan Myers, Ren Toscano, Daniel Walker, Robin Gow, Albert Hahn, Rae Hodenfield, Paige Szmodis, Madison Bradley, Teddi Caputo '18, Faith Carson, Taahira Davis, Chiara Demelfi, Mya D. Flood, Sophia Driscoll Gamber, Jada A. Grice, Kevin Leon, Joseph Makuc, Valerie Osborne, Janice Partee, Megan Sear, Kara E. Travis, Julian Barocas, Sarah Defelice, Olivia Glover, Mario J. Heitman, Robert Varney

The Lantern Literary Magazines, 1933 to Present

On Dissociation • Untouchable • After "Rocket Man" • The Science Fair • Cardinal Rule at Stephen J. Memorial • Quentin & Sylvie • Cabello • The Get Out • Painting Day • Black, White and Grey • Family Pruning • How to Remove a Stain • Becoming Ourselves • Wonderbread U • Overture • Pescadero • Gross • Stage Fright • Lucky Daddy • Sarah • Rumble • Silvermine • The Green Iguana • A Poem for Ghost Children • A Poem for Lost Boys • Mother • Drop of Grease • Don't Wanna be White • I • …

The Manuscript Works Of S. Fred Prince (1857-1949), Sarah Burke Cahalan, Jason W. Dean

Marian Library Faculty Publications

S. Fred Prince, a botanical illustrator and amateur scientist, is a largely unknown artist whose work on the American landscape demonstrates his eligibility to be considered in the lineage of self-taught illustrator-naturalists such as Mark Catesby and Genevieve Jones. In this article, we present a survey of extant Prince materials identified at time of writing, describing their contents and physical characteristics. Beyond this survey and description, we also provide a biographical sketch and timeline of Prince's life.

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …

The Baron, Erin A. Scofield

Toyon: Multilingual Literary Magazine

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Exodus Continues, Scott Peek

Toyon: Multilingual Literary Magazine

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Making Visible: More Of The Picture, Sarah Slavick

Lesley University Community of Scholars Day

In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …

Hall Of Heroes, Corey Hinds

Forces

Collin College Spring Creek Library. Size: 19 x 25 in Type: Charcoal and Graphite on paper. A detailed illustration of the main entrance of the Spring Creek Library. The original photograph was taken on my phone. Art piece took roughly 8 hours.

Zooairyland- Xinjie Yin Mfa Thesis Show, Xinjie Yin

CGU MFA Theses

During the process of discovering myself in my art world, I have determined to use cuteness as a way to express my worldview, values, and experiences. Cuteness is my own philosophy and language in the interpersonal communication. I intend to make cuteness meaningful to me as well as to the rest of the world. I believe cuteness contains a power to bring people back to their original simplicity regardless of their age, it is the idea of innocence. Cuteness is like a shield for me to protect myself from the tough, scary and crazy reality; and it is a positive …

Henry Setter: An Artist's Meditation On Song Of Songs, University Of Dayton. Marian Library, Johann G. Roten

Marian Library Art Exhibit Guides

Exhibit guide written by Father Johann Roten, S.M., about the works of Henry Setter.

Long Vacation In Bk, Doll Chao

Theses and Dissertations

The diary of a transcontinental search for self and place, a journey through obtuse politics, cultural oppression, and loneliness - this film is the document of a lost generation of Taiwanese youth and its conflict with China, swirling in a transpacific gyre of sound, image, and text.

The Harlot's Progress: A Series Of Misfortunes, Based On The Work Of William Hogarth And His Character, Moll Hackabout, Olivia Corso

Special Collections and Archives Research and Creative Fellowships

This project was birthed from an accident, when, searching for 17th century engravings of Diana and Minerva, I found the “The Harlot’s Progress” nestled at the bottom of a box in the Special Collections and Archives. A series of six etchings, “The Harlot’s Progress” is a single story – the tale of a young girl, Moll Hackabout, gone to London and the hardships that follow her there. The artist, William Hogarth, was an 18th century English painter, a satirist, influenced by French style engravings. Hogarth drew extensively from reality – some of the characters his series are candidly based on …

Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.

Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman

Department of English: Dissertations, Theses, and Student Research

When we think about American ornithology, John James Audubon is often the first name that comes to mind. As evidence to Audubon’s lasting ability to enrapture readers, it bears repeating that an original Double Elephant Folio of Birds of America sold for an astounding $11.5 million in 2010 (2). Yet, for a man who produced such stunning and memorable visual and literary work on the avifauna of North America, some of the important details of his life and origins have remained highly contested. Even though Gregory Nobles’s new biography is not explicitly tied to the study of the Great Plains, …

0842: Dr. And Mrs. Daniel Sharkey Greeting Card Collection, 1930-1990, Marshall University Special Collections

Guides to Manuscript Collections

The collection consists of over 2,000 pieces of original artwork used by greeting card and calendar companies, and spans the approximate years 1930-1990. Many of the pieces within the collection are labeled with a Norcross stamp or specifications sticker. The Norcross Greeting Card Company was founded in 1914 by Arthur Norcross and his sister, Jane, in New York City. They published greeting cards, and also sold wrapping papers and parchments. After Arthur Norcross' death in 1969, the business floundered and was sold for the first time in 1974. Subsequent sales saw Norcross combined with Rust Craft Company, but this venture …

0847: John Hawes Miller, Jr. West Virginia Postcard Collection, 1910s-2000s, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of 1,346 postcards arranged in five binders. Binder 1 contains 237 postcards of various locations in West Virginia. Binder 2 contains 294 postcards of various locations in West Virginia. Binder 3 contains 241 postcards of various locations in West Virginia. Binder 4 contains 308 postcards of various locations in West Virginia. Binder 5 contains 266 postcards various locations in Huntington, West Virginia. Postcard subjects include buildings, sights, nature scenes, and people from all areas of the state.

To view materials from this collection that are digitized and available online, search the John Hawes Miller, Jr. West Virginia …

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …