The Nightingale Revisited : Adapting H.C. Andersen's Fairy Tale The Nightingale For Theatre For Young Audiences, 2020 University at Albany, State University of New York
The Nightingale Revisited : Adapting H.C. Andersen's Fairy Tale The Nightingale For Theatre For Young Audiences, Alyssa Fox
Legacy Theses & Dissertations (2009 - 2024)
Hans Christian Andersen has been intriguing audiences with his works for ages. These tales are enduring and being reimagined in many different ways today. To explore not only the power of these tales, but the power of theater as a visual storytelling medium, the author has adapted Andersen’s The Nightingale as a play for theatre for young audiences (TYA). This work incorporates not only adaptation theory, but the history of fairy tales, current culture, and trends in TYA in the United States.
Sites Of Performance And Circulation, 2020 CUNY New York City College of Technology
Sites Of Performance And Circulation, Christopher B. Swift
Publications and Research
No abstract provided.
Lgbtq+ Representation In Musical Theatre, 2020 Mississippi University for Women
Lgbtq+ Representation In Musical Theatre, Courtney Thompson
Merge
No abstract provided.
‘...Arranged In A Fanciful Manner And In An Ancient Style’: The First Scenic Realisations Of Scott’S Work And The Desire For A New “Realism” On Scottish Stages, 2019 University of South Carolina
‘...Arranged In A Fanciful Manner And In An Ancient Style’: The First Scenic Realisations Of Scott’S Work And The Desire For A New “Realism” On Scottish Stages, Barbara Bell
Studies in Scottish Literature
An illustrated essay examining the stage design and scenery in early dramatizations of Scott's fiction, specifically the designs by Alexander Nasmyth for versions of Scott's stage adaptations of Scott's The Heart of Mid-Lothian, in London in 1819 and in Edinburgh in 1820, arguing that the rise of scenic realism strengthened the relationship between the theatre and the broader population.
Someday We'll Look Back On This And Laugh, 2019 City University of New York (CUNY)
Someday We'll Look Back On This And Laugh, Ben Masten
Capstones
The People's Improv Theater was an oasis for young New York comedians. Its own success-- and a volatile owner-- changed that. Project contains a narrative journalism piece and an an audio documentary.
Full Project here: https://medium.com/@benmasten/someday-well-look-back-on-this-and-laugh-e6b1dc8468db
Symbolism In The Allegory: A Look At Apollo’S Lyre, 2019 Augustana College, Rock Island Illinois
Symbolism In The Allegory: A Look At Apollo’S Lyre, Keri Meinert, Emily Keiner, Anne Bak
2019 Festscrift: Claudio Monteverdi's Orfeo
This paper analyzes the symbolic meaning within Monteverdi’s operatic version of the fable of Orpheus, a demigod who has a talent for music. When Orpheus’ bride Eurydice died suddenly from a snake bite, he decides to seek her soul in the Underworld and bring her back to the land of the living. This task does not prove to be as easy for Orpheus as he initially thinks, when he finds himself losing her twice during the course of the five acts. To show how his journey unfolds, and the meaning behind each step, we will develop the symbolic meaning in …
Mapping Urban Performance Culture: A Common Ground For Architecture And Theater, 2019 CUNY New York City College of Technology
Mapping Urban Performance Culture: A Common Ground For Architecture And Theater, Ting Chin, Christopher B. Swift
Publications and Research
Our co-taught course focuses on theater history, with an emphasis on performance architecture. Assignments are designed to illuminate the ways in which architectural design and technology inform performance practices and audience reception. The pivotal assignment for exploring interdisciplinarity is a three-week module on mapping historical theaters in New York City. Open-source Global Information Systems (GIS) software serves as a common mechanism for students to situate theatrical productions in the context of the built urban environment, deepening their understanding of the social, economic, and artistic forces that contributed to performance culture. Mapping is a shared pedagogy for analyzing and presenting research …
Guide To The University Of San Diego Department Of Theatre Records, 2019 University of San Diego
Guide To The University Of San Diego Department Of Theatre Records, University Of San Diego Department Of Theatre
University Records
This collection contains scrapbooks that document the activities of Theatre Arts at the University of San Diego. Scrapbooks contain photographs of performers, theatre programs, cast lists, stage design sketches, and newspaper articles. Also included is a member album for the Quem – Quaeritis Theatrical Honor Society.
Finding Aids are tools used to aid research by describing the materials in a collection. University Records Finding Aids include historical and/or biographical information along with a description of the collection and a folder listing of the content.
To view this collection please email University Archives and Special Collections staff at spcoll@sandiego.edu.
Guide To The Craig Noel Collection, 2019 University of San Diego
Guide To The Craig Noel Collection, Craig Noel
Special Collections
The collection contains the awards, documents, and photographs of Craig Noel. The bulk of the awards were presented to Noel in honor of his decades of contribution to San Diego's Old Globe Theatre. Awards also include Old Globe Atlas awards. Documents include tributes to Noel and to the Old Globe along with script books. Photographs include those taken during travel, actor photographs, photographs of Noel, and albums of the Shanghai Drama Institute, Shanghai People’s Art Theatre, and Shanghai Youth Drama Troupe.
Finding Aids are tools used to aid research by describing the materials in a collection. Special Collections Finding Aids …
Radium Girls, 2019 Otterbein University
Radium Girls, Otterbein Theatre And Dance Department
2019-2020 Season
Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. ... As the case goes on, however, Grace finds herself battling not just with the U.S. Radium Corporation, but with her own family and friends, who fear that her campaign for justice will backfire.
www.dramaticpublishing.com › radium-girls
Program For The Stage Production The Complete History Of Ursinus College [Abridged], 2019 Ursinus College
Program For The Stage Production The Complete History Of Ursinus College [Abridged], Domenick Scudera
Theater Production Programs
This twelve-page program details the Theater Department of Ursinus College’s production of The Complete History of Ursinus College [Abridged], held October 3rd through October 6th, 2019 in Lenfest Theater. It includes information about the director, cast, and production of this special sesquicentennial show.
The 241 Art Of The Theatre, 2019 CUNY Lehman College
The 241 Art Of The Theatre, Claudia Case
Open Educational Resources
An examination of the nature of live theatre: its forms, practices, and purposes, and its relevance to society.
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), 2019 Washington University in St. Louis
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl
Arts & Sciences Electronic Theses and Dissertations
“I can get an idea for a musical…from getting politically roiled up about one or another thing.”
- Director/producer Harold Prince
“I couldn’t have been less interested in politics.”
- Composer/lyricist Stephen Sondheim
Despite the above seemingly incompatible quotes, Harold Prince and Stephen Sondheim somehow ended up forming one of Broadway’s most enduring collaborative legacies. Prince, who strived to challenge his audience’s political complacency, often clashed with Sondheim, whose primary consideration was individual characterization and narrative arc. Prince also chose other collaborators who were more interested in creating politically challenging works, contrary to Sondheim’s focus. When collaborating, Prince and Sondheim …
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), 2019 Washington University in St. Louis
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl
Arts & Sciences Electronic Theses and Dissertations
“I can get an idea for a musical…from getting politically roiled up about one or another thing.” - Director/producer Harold Prince “I couldn’t have been less interested in politics.” - Composer/lyricist Stephen Sondheim Despite the above seemingly incompatible quotes, Harold Prince and Stephen Sondheim somehow ended up forming one of Broadway’s most enduring collaborative legacies. Prince, who strived to challenge his audience’s political complacency, often clashed with Sondheim, whose primary consideration was individual characterization and narrative arc. Prince also chose other collaborators who were more interested in creating politically challenging works, contrary to Sondheim’s focus. When collaborating, Prince and Sondheim …
When The Specters Of The First World War Return To The Anglo-Irish Estate: Elizabeth Bowen’S A World Of Love And J. G. Farrell’S Troubles, 2019 University of Florida
When The Specters Of The First World War Return To The Anglo-Irish Estate: Elizabeth Bowen’S A World Of Love And J. G. Farrell’S Troubles, Andréa Caloiaro
e-Keltoi: Journal of Interdisciplinary Celtic Studies
In Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles, the First World War’s dead reappear as specters within the Anglo-Irish estate. Through the lens of traumatology, this essay examines the symbolic function of this spectral return in light of its psychological, political, and cultural-historical implications for the Anglo-Irish Ascendancy, and more broadly, for contemporary Ireland. This essay argues that although A World of Love and Troubles are empathetic representations of how the Ascendancy experienced the First World War as an historical locus of trauma, their narrative designs figure spectral return as a symbolic mode of critique …
Propuestas Para (Re)Construir Una Nación : El Teatro De Emilia Pardo Bazán, 2019 Purdue University
Propuestas Para (Re)Construir Una Nación : El Teatro De Emilia Pardo Bazán, Margot Versteeg
Purdue University Press Book Previews
Propuestas para (re)construir una nación explores how Emilia Pardo Bazán (1851–1921) imagines and engenders the Spanish nation in her theatrical production staged and/or published between 1898 and 1909. In the aftermath of Spain’s colonial losses, when Spain’s male authors, in a growing mood of collective introspection, directed their attention to the homeland, Pardo Bazán generated a series of theatrical proposals to revitalize the nation. In her plays, she manifests her ideas about Spain’s fin de siècle crisis, reflects on Spain’s place in the international arena (emphasizing the nation’s civilizing mission), critiques the intoxicating power of the so-called golden legend (Spain’s …
We’Re Late; But We Made It: A Brief Analysis And Comparison Of Characterization And Storytelling In Pre And Post-World War American Theatre, 2019 Harding University
We’Re Late; But We Made It: A Brief Analysis And Comparison Of Characterization And Storytelling In Pre And Post-World War American Theatre, Jasmine Binford
McNair Scholars Research
As the effects of the World Wars hit the American people, playwrights responded to the grief and passion of the country with a new approach to theatrical storytelling. After World War I and II, American playwrights finally made it to the movement that had been sweeping through Europe for five decades: realism. Theatres began exploring real emotion, action, and characters in their stories. This research will explore the journey of transitioning from American melodrama to American modernism using characterization and storytelling methods. Critiques from contemporaries and the works form each movement will be used as primary sources.
Rewriting Greek Tragedies As Immigrant Stories, 2019 Linfield College
Rewriting Greek Tragedies As Immigrant Stories, Daniel Pollack-Pelzner
Faculty Publications
In this piece originally published in the New York Times, Daniel Pollack-Pelzner writes about Mojada, Luis Alfaro's adaptation of the Greek tragedy, Medea. Mojada is part of a trilogy from Alfaro that attempts to bring his Latino community into modern theater by writing them into classical plays.
Heroic Failure: Brexit And The Politics Of Pain. Fintan O’Toole. London: Apollo, Uk, 2018. 217 Pages. Isbn: 978–1789540987., 2019 Pacific Lutheran University, Washington
Heroic Failure: Brexit And The Politics Of Pain. Fintan O’Toole. London: Apollo, Uk, 2018. 217 Pages. Isbn: 978–1789540987., Peter C. Grosvenor
e-Keltoi: Journal of Interdisciplinary Celtic Studies
No abstract provided.
London Stage Database, 2019 Utah State University
London Stage Database, Mattie Burkert, Will Daland, Emma Hallock, Todd Hugie, Lauren Liebe, Derek Miller, Dustin Olson, Ben R. Schneider Jr.
Browse all Datasets
Recovered files, and documents and archival data used to revitalize the London Stage Information Bank, which was completed in the 1970s but had become technologically obsolete.
Contents:
--Greene_2018_SITAR_3.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her via mail by John Greene, who received it from Ben Schneider in or around 1990.
--Greene_2018_SITAR_5.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her …