Performance Studies Commons^™

Borderlands After Anzaldúa: Queer/Latinx Identity In Theory And Practice, Joshua Truett

Ray Browne Conference on Cultural and Critical Studies

The Latinx queer subjectivity complicates the racial and social discourses of the United States and Latin America, in both the academy and popular culture. The complex intersections of identity that marks the queer Latinx subject disrupts conventional narratives of race, ethnicity and culture, as well as gender and sexuality.

The Latinx identity breaks down the rigid construction of race as a biological “truth,” challenging the Black versus White racial binary that is the foundation of the United States racial mythology; the Latinx subject is constructed in the American racial imaginary as neither black nor white, but ¨brown.” This construction of …

Introduction To "Rethinking The College Summer Intensive: A New Model For Collaboration, David Callaghan, Ann Shanahan

Department of Fine & Performing Arts: Faculty Publications and Other Works

No abstract provided.

Direction Of The Musical: Carrie The Musical, Scott Sumerak

Master of Theater Studies Theses

No abstract provided.

How Drag Culture Resolves Tensions In Victorian Shakespearean Cross-Dressing; Or, Slay, Feste, Slay, Isaac Robertson

Criterion: A Journal of Literary Criticism

In 2017, Madame Le Gateau Chocolat, a black drag queen, sashayed onto the stage of the Globe theater to portray Feste in Emma Rice’s production of Shakespeare’s Twelfth Night. This bold move not only gave anxiety to its investors (eventually leading to the stepping down of Emma Rice), but also raised questions about the validity of drag performance within Shakespeare plays. Shakespeare has historically been inseparable with traditional cross-dressing (both in performance and in the narrative itself), although the relationship has not always been cordial. In Victorian England, cross-dressing was often set equal to homosexuality or moral deviance, and …

"I'S Not So Wicked As I Use To Was:" The Interplay Of Race And Dignity In Nineteenth-Century American Drama And Blackface Minstrelsy, Sam Volosky

HON499 projects

Blackface was an extremely popular and pervasive performance type unique to nineteenth century American performance. For years, the black characters of Uncle Tom’s Cabin and The Octoroon were played by white actors in blackface makeup whereas mixed-raced characters were presented as white. These two plays, each having played a role in affecting public opinion toward slavery, do not stand out from the tradition of blackface minstrelsy and, subsequently, take part in subjugating black entertainers in the realm of theatre as well as society. The playwrights borrowed conventions of contemporary theatrical performance in order to cater to the tastes of their …

The Fight Master, Spring 2018, Vol. 40 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

A Causal-Comparative Analysis Of Performance-Based Music Classes And Act Scores, Russell Courson

Doctoral Dissertations and Projects

Educational leaders at the state and district level are struggling to provide adequate funding for schools due to the uncertainty of the economic outlook throughout the country. Although several states have requested and received waivers for the No Child Left Behind Act of 2001 (NCLB), many school systems still find themselves in the difficult position of providing enough instructional time dedicated to the four primary core content areas (language arts, math, science, and social studies) to allow students to be successful in high stakes standardized testing. While NCLB stated the fine arts, including performance-based music classes, such as band, choir, …

Baskerville: A Sherlock Homes Mystery, Diane C. Merchant, Tim Phipps, Rebekah Priebe

Theatre Productions

This “mystery with a twist” was called “comedy gold … the perfect mix of slapstick and thrills” by TheaterMania and “ingeniously funny” by Broadway World. Sherlock Holmes and his trusted assistant Watson must brave the desolate moors before a family curse dooms its newest heir. Watch as the intrepid investigators navigate a dizzying web of clues, silly accents, disguises, and deceit as five actors portray more than 40 characters.

Theatrical Weddings And Pious Frauds: Performance And Law In Victorian Marriage Plots, Adrianne A. Wojcik

Dissertations (1934 -)

This study investigates how key Victorian novelists, such as Anne and Charlotte Brontë, Elizabeth Gaskell, Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, George Eliot, and Thomas Hardy, emphasize performativity in their critiques of marriage. Given the performative nature of wedding ceremonies, this project focuses on wedding descriptions in select novels by the aforementioned authors. Such a focus highlights an interesting dilemma. Although we often think of Victorian novels as overwhelmingly concerned with marriage, the few wedding descriptions found in Victorian fiction are aborted, unusually short or announced after the fact. Those Victorian novelists who do feature weddings often describe them …

Re-Imagining The Theatre: Existence And Change, Andres Aguilar

Independent Study Project (ISP) Collection

With acknowledgement of Nicaraguan Theatre and its different dynamics, this research works to expose and create visibility of current Nicaraguan Theatre with relation to social change in Managua, Nicaragua. The microcosm of theatre is revolutionary in creating the necessary change to reach a state of consciousness that allows others to accept and understand society and others for what they are and what they can be. The theater is simply a tool. Intrinsically, all acts are political, therefore the theater is a political declaration. The theater is, and always will be, a political arena, when the aesthetics of the theater are …

"Desdemona: A Play About A Handkerchief" And "The Tragedie Of Othello, The Moor Of Venice"

Theatre Programs

No abstract provided.

Rsa Performance And The Rhetorical Tradition Workshop Bibliography, Jenn Fishman

Jenn Fishman

This bibliography was compiled by participants in the 2009 RSA Institute Workshop on performance and the rhetorical tradition. Instead of trying to determine a canon for this emerging subfield, the group identified texts that inform their individual research, scholarship, and teaching. As a result, this list below includes a broad and interdisciplinary range of publications and performances. These works offer a multitude of starting places for further inquiry and invention.

The Direction Of Why Torture Is Wrong, And The People Who Love Them, Donald Hart

All Graduate Theses, Dissertations, and Other Capstone Projects

Hart, Donald C., M.F.A. Thesis. The Direction of Why Torture is Wrong, and the People Who Love Them. Mankato: Minnesota State University, Mankato, 2018.

This is a thesis submitted in partial fulfillment for the Master of Fine Arts degree in theatre. It is a detailed account of Donald C. Hart's artistic process in directing Why Torture is Wrong, and the People Who Love Them in the fall of 2017 for Minnesota State University, Mankato's department of Theatre and Dance. The paper chronicles the director's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical …

I Am An Author: Performing Authorship In Literary Culture, Justin R. Greene

Theses and Dissertations

Authorship is not merely an act of putting pen to paper or fingers to keyboard; it is a social identity performance that includes the use of multiple media. Authors must be hyper- visible to cut through the dearth of information, entertainment options, and personae vying for attention in our supersaturated media environment. As they enter the literary world, writers consciously create characters and narratives around themselves, and through the consistent and believable enactment of these features, authors are born. In this dissertation, I analyze the performance of authorship in U.S. literary culture through an interdisciplinary framework. My work pulls from …

Of The Crickets, Kathryn Lien

Theses and Dissertations

Of the Crickets imagines the overlapping worlds of ethical ecological solutions to climate changed sustenance and the potential for collective excellence in female exclusive environments. Using garments, furniture, site-specific installation and directed performance, the project harnesses social and material sensitivity to mine solutions for idealized living.

Guide To The Theatre Department Records, Columbia College Chicago

Collection Guides / Finding Aids

This guide describes the organization and scope of the Theatre Department records, housed within the College Archives & Special Collections at Columbia College Chicago. The Theatre Department records house posters, production materials, audiovisual materials, publications, and cast photographs.

Turned On: An Exploration Of Intimacy In The Age Of Technology., Franchesca Breanna Chorengel

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

One-Third Of A Nation, The Second Amendment, A Living Newspaper Play, Linda Ann Watt

Theses and Dissertations

One-Third of a Nation, the Second Amendment, a Living Newspaper Play

Thesis By Linda Ann Watt for a MFA Degree in Theatre Pedagogy

Documentary theatre, including living newspapers and verbatim theatre, use socio-political commentary at critical moments in history to disseminate facts and offer ideological critique dramatizing the crisis through the lens of emotion, which can incite societal change. This thesis explores this didactic medium with a written play about the second Amendment and gun violence.

Las Hijas De Violencia: Performance, The Street, And Online Discourse, Madison M. Snider

Electronic Theses and Dissertations

This paper explores street harassment as a contentious practice in the rhetorical spaces of the street and social media posting through a case study of the performance group Las Hijas de Violencia. Through anarchistic direct action resistance tactics, the group confronted harassers in the streets of Mexico City and their recordings launched global media interest which led to viral online sharing. Widespread sharing of their performance led to the creation of public discursive space, through comments sections, which was utilized to measure attitudes toward street harassment and feminist direct action protest. Contextualized in a growing call for an end to …

"If It's Not Right, You Have To Put It Right": The Play And Work Of Children In Matilda The Musical, Kristin Perkins

AWE (A Woman’s Experience)

Perkins considers issues of subversive theatrical criticism and exploitative child labor as they combine in Matilda the Musical, examining the performances as a holistic, if ambivalent, production. In a play where the lead figure is a little girl, this essay uses the lens of gender and age to provide context for the revolutionary character of Matilda in a female-dominated play that critiques established norms, at the same time that the play is produced in, and by, a system that reproduces troubling power structures.