Theatre and Performance Studies Commons^™

A Taiwanese Perspective: Exploring The Relationship Between Confucian Body Philosophy And Dance/Movement Therapy, Chiu-Yi Chiang

Dance/Movement Therapy Theses

This thesis explores the correspondence between dance/movement therapy and Confucian body philosophy. It is inspired by the author’s embodied experiences during her study in the field of dance/movement therapy in America while holding the identity as an international student who came from Taiwan. Because of the cultural differences, the author experienced a learning curve in understanding theories that are mostly developed in Western society. Through embodying foreign principles, the author pursues various perspectives in implementing American ideology while having a greater sense of her Taiwanese self. In these embodied experiences, three significant themes arise when paralleling Confucian body philosophy and …

Reconciling The Body And The Spirit: A Dance/Movement Therapy Perspective On The Life Of Jesus, Hosanna Tolman

Dance/Movement Therapy Theses

This thesis investigates the elements of breath, action, touch, consent, and empathy in dance/movement therapy through the lens of Jesus’ incarnation and life for the purpose of reconnecting the bodily experience to the spirit for Christian dance/movement therapists or those who work with people of faith. For dance/movement therapists who share a Christian faith with their clients, looking to the incarnation of Jesus is helpful and encouraging, as it so closely parallels the therapeutic work they do with the healing work that Jesus did. The relationship between spirit and body and how it can be connected through the Christian faith …

Revelations, In Creation And Choreography: Alvin Ailey’S Application Of Dance/Movement Therapy In Mending Cultural Trauma, Asya Shaw

Dance/Movement Therapy Theses

Alvin Ailey’s 1960’s ballet suite, Revelations, utilizes elements of dance/movement therapy theory and practice to inspire and encourage empathetic connection and communal togetherness within the performing arts arena. Through depictions of mirroring interventions and the utilization of blood memory as body memory, Alvin Ailey created a movement narrative of the African American experience to communicate the emotional spectrum of human life. In witnessing both sorrow and joy through performance, audiences journey through emotional polarities to find shared empathy and unification toward mending collective pains from systemic oppressions. Expanding beyond barriers of racism and cultural difference, Alvin Ailey’s Revelations communicates, choreographically …

Writing And Choreographing: The Double Dilemma Of Chinese Immigrant Women, Na An

Dance Written

This thesis focuses on the double dilemma of Chinese immigrant women. From reflecting on my own experience to interviewing nine Chinese immigrant women to sharing embodied knowledge in dance, this paper is an inquiry into the question, "What does it mean to be a Chinese immigrant woman in the USA?" Through my writing and choreographic practice, my research explores how place, identity, and choreography are closely and mutually interactive. I analyze the dilemmas in two spaces: 'gender ideology in China' and 'Chinese immigrant women in the United States.' From the Mao era to modernizing markets in post-Mao China, from the …

Gestational Occlusion: The Embodied Evolution Of Whiteness In The Contemporary White Dancing Body, Eleanor Cherry

Dance Written

How does Whiteness exist in the contemporary White dancing body? This research stands on three pillars – delving into the concept of Whiteness, analyzing the White dancing body and how it performs in terms of racialized perception absent of personification, and the concept of the contemporary in relation to artistic practice in a racialized dance canon – to investigate how Whiteness manifests through the body. Sources from critical race theory, mainly Ian Haney-Lopez’sWhite by Law: The Legal Construction of Race (2006), and performance studies, Brenda Dixon Gottschild’s Digging the Africanist Presence (1998) and The Black Dancing Body (2008), are …

Adaptive Theatre Techniques For Use In Autism Behavioral Intervention, Tyler Hastings

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study explores effective techniques for teaching a person with autism behavioral and social skills, and shares research that suggests adaptive theatre techniques are a supportive option for people with autism. By utilizing scholarly research, the goal of this study is to: identify, analyze, and evaluate successful techniques for teaching students with autism, and prove that adaptive theatrical techniques are an effective resource for teaching people with autism behavioral and social skills. There are many successful techniques available when teaching an individual with autism. I plan to examine traditional techniques when teaching individuals with autism, analyze the many benefits that …

Dontrell, Who Kissed The Sea: An Exploration Of Scenic Design Process, Emma Laine Hoffbauer

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to provide research, supporting paperwork, production photographs, and other pertinent materials which document the scenic design for the University of Nebraska-Lincoln/Nebraska Repertory Theatre production of Dontrell, Who Kissed the Sea by Nathan Alan Davis. This thesis contains the following: research images collected to develop and communicate ideas regarding location, shape, texture, scale, mood, and historical and architectural reference to the production team; preliminary sketches and digital renderings, and photographs of the 1⁄4” scale model; a full set of drafting plates and painter’s elevations used to communicate finished appearance of each scenic element, a list …

Federal Funding For The Arts & Developmental Success In Western Nations, Sophia Ciokajlo

Undergraduate Honors Thesis Collection

Culture is undeniably a vital part of any society. To preserve and develop their culture, a majority of modern states allocate some part of their annual expenditure to the arts. The amount of money and system through which it is distributed varies from country to country, but the principle remains the same. Not only do countries value the contribution of culture to their common well-being, but it is also widely accepted that participation in the arts, as a performer or viewer, holds benefit for the individual. All of this considered, I sought to investigate whether or not the size of …

"To Control A Human Destiny:" Sound Design For Henrik Ibsen's Hedda Gabler, Allison Bucher

Honors Theses

This undergraduate thesis details the sound design process for the University of Southern Mississippi’s Fall 2021 production of Hedda Gabler by Henrik Ibsen. Through analysis of the script style of the play, research of the playwright, and collaboration with the artistic team, this student created and implemented an effective sound design for this production.

Keywords: sound, design, theatre, Hedda Gabler, Ibsen

Movement As A Way Of Knowing Earth: An Ecosomatic Approach To Developing Movement Choices, Brittany Tolbert

Honors Theses

The senior choreographic project The Spirit of Gaia aims to not only build awareness for individuals about the impact humans have on the climate crisis but also to inspire change in the way in which humans utilize movement practices for the benefit of Earth. As a creative process based in somatic exploration and a performance contingent on a live audience, The Spirit of Gaia exists as a living moment of dance. Acknowledging the power movement has to be the progenitor of a larger environmental consciousness and an eco-friendly change on the individual level, the dance acts as a means of …

The Potentials And Challenges Of Zoom Live Theatre During Coronavirus Lockdown: Pandemic Therapy And Corona Chicken (Part Two), Khaled Mostafa Karam

Faculty Scholarship

This study discusses the potentials and challenges of Zoom theatre performances during the lockdown caused by the Covid-19 pandemic. It examines the utilization and applicability of videoconferencing software Zoom, and other streaming software compatible with it, in creating a viable performance option for theatre practitioners and audiences during mandatory social distancing. Such software can be a strategy for social inclusion, alleviating the adverse effects of extended quarantine. The article also discusses the technical and performative aspects of Zoom theatre, pointing out its pros and cons. It uses a critical and analytical approach to performances of two Zoom plays, Pandemic Therapy …

The Establishment Of Beijing Dance School In The First-Hand Report Of Soviet Specialist O. A. Il'ina: Introduction, Translation, Notes, Eva S. Chou, Lee G.K. Singh

Publications and Research

The Beijing Dance School was founded in 1954 by China's Ministry of Culture to develop the dance arts through professional training in Chinese classical dance, the folk dances of the ethnic minorities and Han Chinese, and ballet and character dance. Ol'ga Aleksandrovna Il'ina's report, filed with the USSR Ministry of Culture, is the only known Soviet account, covering both the intense preparations for the school and the complexities of its first year of operation. Aspects of her report provide insights into 1) the Soviet model of dance propagation and the nuts and bolts of how it produced the ballet-inflected Chinese …

Methods In Costume And Projection Design For Theatre, Jessica Wallace

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A report detailing multiple practices for theatre design in costumes and projection. It is focused on playscript analysis, the design process, and the final build of the design for production.

Selected Projects In Scenic Design, Sera Shearer

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A selection of scenic design projects completed in fulfillment of the Master of Fine Arts degree in scenic design at Utah State University.

Tap Dance As A Nonverbal Language For Autism Spectrum Disorder, J Sydney Rhane Burtis

Honors College Theses

Through elements of sound and movement, tap dance employs rhythm as a universal language for nonverbal communication through the medium of music. Through three distinct but related elements, (a literature review, an artist’s statement, and a performance piece), this thesis will explore tap dance as a form of nonverbal language. For individuals with autism spectrum disorder, tap dance may help to achieve further attunement with themselves and the outside world. Due to autistic people’s impaired communicative, interactional, and skilled abilities, experiencing the relationships formed through tap dance may facilitate improvement. The literature review begins with a brief definition of nonverbal …

The Effect Of The Covid-19 Pandemic On Collegiate Dance Majors At Pace University, Taylor Kurtz

Honors College Theses

This thesis will explore the various adaptations dance majors at Pace University were required to make to their training during the shift to remote learning due to the COVID-19 Pandemic, beginning in March of 2020. Prior to universities moving to a completely remote learning environment as a result of COVID-19, collegiate-level dance had never been taught through an online platform. Because of this, dancers needed to shift the way in which they were training for this extended period of time. To begin my research on this topic, I first collected various scholarly articles and journal entries that related to the …

Covid-19 & Broadway: A Comparative Analysis Of The Shifting Marketing Strategies Of Playbill And The Broadway League, Leah Gaffney

Honors College Theses

On March 12th, 2020, all Broadway productions closed their theaters due to the declaration of the Covid-19 global pandemic. This shutdown led to companies in the Broadway industry transitioning to nontraditional marketing strategies. This paper will outline how the Covid-19 pandemic led to changes in strategic marketing decisions and compare the motivations of these decisions for two Broadway companies: Playbill and The Broadway League. Previous literature denotes changes to marketing strategies as a result of other historic events in the
industry, and current news sources provide industry insight into the campaign discussions.Primary research will be conducted through one-on-one structured interviews …

Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer

College Honors Program

William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due to its depiction of spousal abuse and female subordination. But despite that charged reputation, it continues to be produced on stages around the world, with creative choices that suggest an attempt to change a supposedly un-feminist play into a feminist one. My thesis argues that this play already features notable feminist elements at the level of the text itself, stemming in particular from its thematic and structural investment in performance and theatricality and in the roles that these elements play in constructing gender and …

100 Million, Cade Scott

Graduate Theses and Dissertations

Alec, an 18-year-old filmmaker, decides to bunk with a group of TikTok stars in a mansion in the suburbs of LA in hopes of becoming as famous as them one day. But, he soon finds out that they plan to keep him behind the scenes. Forced to continue helping them film and post their videos, he starts witnessing shady events involving his step-brother, Kevin. The events reach a crescendo when some of the TikTok stars accidentally disappear. Alec investigates and discovers a sinister plot, and then he finds himself in a fight for his life. Which ends with him narrowly …

The Reading Of Sir Toby Belch: A Queer And Black Exploration Of William Shakespeare's Twelfth Night., Jahi E Bogard

Electronic Theses and Dissertations

This MFA thesis explores queer, black representation in William Shakespeare’s drama and in the University of Louisville’s Department of Theatre Arts Fall 2021 production of an adaption of Twelfth Night (1601). Directed by Jennifer Pennington, the repurposed script and non-traditional casting targeted a modern audience. Cast as Olivia’s drunk uncle, Sir Toby Belch, I aimed to discover if my identify as a black, queer, cis man could be incorporated into Shakespeare’s text. Sir Toby Belch’s raucous, heterosexual, and sometimes violent, traits are often imagined today as innately masculine. I argue that Shakespeare’s plays can be appropriated by queer, black actors …