Almost, Maine: A Director's Journey,
2013
University of Tennessee - Knoxville
Almost, Maine: A Director's Journey, Adam S. Crandall
Chancellor’s Honors Program Projects
No abstract provided.
A Mind's Menagerie: The Process Of Projecting The Mind Of A Genius Onto A Stage,
2013
Bard College
A Mind's Menagerie: The Process Of Projecting The Mind Of A Genius Onto A Stage, Matthew F. Wilson
Matthew Wilson
Tennessee Williams is one of the most famous American playwrights of all time. His language along with his portrayal of themes of desire and things that could have been are the things that for so long have captivated his readers, and his audiences alike. Like most, I am not immune to the genius of this fantastic playwright. The inspiration for my piece A Mind’s Menagerie grew from a seed that was implanted deep within my brain many months ago, while reading his arguably most successful play A Streetcar Named Desire. There is a small four page reading in the end …
Women As Victims In Tennessee Williams' First Three Major Plays,
2013
Liberty University
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Masters Theses
Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …
Jane Austen’S Anglicanism By Laura Mooneyham White,
2013
Wayne State University
Jane Austen’S Anglicanism By Laura Mooneyham White, Andrew O. Winckles
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Chasing The Ghost Of Melesina Trench: A Film By Qina Liu In Collaboration With Katharine Kittredge,
2013
Ithaca College
Chasing The Ghost Of Melesina Trench: A Film By Qina Liu In Collaboration With Katharine Kittredge, Katherine Kittredge, Qina Liu
ABO: Interactive Journal for Women in the Arts, 1640-1830
Filmmaker Qina Liu has created a short documentary about Katharine Kittredge's decade-long quest to learn about the life and work of Anglo-Irish diarist and poet Melesina Trench. The story tells of remarkable coincidences, documents lost and found, and the emergence of Trench's descendants in the project's final chapter.
Trading Places: Mary Shelley’S Argument With Domestic Space,
2013
California State University, East Bay
Trading Places: Mary Shelley’S Argument With Domestic Space, Eve M. Lynch
ABO: Interactive Journal for Women in the Arts, 1640-1830
When Mary Shelley began writing The Last Man in 1824 in the wake of her husband Percy Bysshe Shelley’s untimely death, she drew from her close circle of family and friends as models for her main characters. Although it is tempting to view this novel as an autobiographical expiation of the profound sorrow that overwhelmed Shelley at her husband’s death, to do so is to underestimate her prescient political insight and to risk overlooking the complex implications of class and rank that suffuse the position of the narrator, Lionel Verney. While Shelley’s emotions give a passionate appeal to this novel, …
The Female Quixote As Promoter Of Social Literacy,
2013
University of Arkansas
The Female Quixote As Promoter Of Social Literacy, Amy Hodges
ABO: Interactive Journal for Women in the Arts, 1640-1830
In Charlotte Lennox’s The Female Quixote, the unruly Arabella clashes with the eighteenth century’s conception of England as an orderly, unromantic site of commercial trade. Arabella’s romances prompt her to expect certain power structures from English society; she invites others to see her body as a spectacle and expects that her actions will solidify her status as a powerful woman. Yet Lennox reveals that English society sees Arabella’s body not as powerful, but as an object upon which they may construct their own potential site for the exchange of knowledge, an objectification that neither Arabella nor Lennox are prepared …
Welcome To 'Notes And Discoveries',
2013
University of South Florida
Welcome To 'Notes And Discoveries'
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
The New Science And Women’S Literary Discourse: Prefiguring Frankenstein, Ed. By Judy A. Hayden,
2013
University of West Georgia
The New Science And Women’S Literary Discourse: Prefiguring Frankenstein, Ed. By Judy A. Hayden, Laura Miller
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández,
2013
Seton Hall University
Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández, Kirsten Schultz
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Dutch And Flemish Masterworks From The Rose-Marie And Eijk Van Otterloo Collection Mfa-Houston (Nov. 13 2011-Feb. 12, 2012),
2013
University of Houston
Dutch And Flemish Masterworks From The Rose-Marie And Eijk Van Otterloo Collection Mfa-Houston (Nov. 13 2011-Feb. 12, 2012), David Mazella
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
The Experience Of Domestic Service For Women In Early Modern London, Ed. By Paula Humfrey,
2013
University of South Florida
The Experience Of Domestic Service For Women In Early Modern London, Ed. By Paula Humfrey, Marisa Iglesias
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Multiplying Worlds: Romanticism, Modernity, And The Emergence Of Virtual Reality, By Peter Otto,
2013
University of New Mexico
Multiplying Worlds: Romanticism, Modernity, And The Emergence Of Virtual Reality, By Peter Otto, Stacey Kikendall
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Living In A Digital World: Rethinking Peer Review, Collaboration, And Open Access,
2013
Emory University
Living In A Digital World: Rethinking Peer Review, Collaboration, And Open Access, Sheila Cavanagh
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Separated By Their Sex: Women In Public And Private In The Colonial Atlantic World, By Mary Beth Norton,
2013
Marymount University
Separated By Their Sex: Women In Public And Private In The Colonial Atlantic World, By Mary Beth Norton, Leigh Johnson
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
In Search Of Lady Isabella’S Library; Or, A Question Of Access,
2013
Union University
In Search Of Lady Isabella’S Library; Or, A Question Of Access, Patricia L. Hamilton
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Digitally Reconstructing The Reynolds Retrospective Attended By Jane Austen In 1813: A Report On E-Work-In-Progress,
2013
University of Texas at Austin
Digitally Reconstructing The Reynolds Retrospective Attended By Jane Austen In 1813: A Report On E-Work-In-Progress, Janine Barchas
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Place And Contemplative Pedagogy,
2013
University of South Florida
Place And Contemplative Pedagogy, Laura Runge
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Gender & Genre,
2013
Shippensburg University of Pennsylvania
Gender & Genre, Sharon Harrow
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Dangerous Delusions,
2013
Yeshiva University
Dangerous Delusions, Nora Nachumi
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
