Acting Commons^™

Beating The Punches: Scene And Fight Break Down Techniques, T. Fulton Burns

T. Fulton Burns

As a fight choreographer it is my responsibility to sit down with the director and discover her/his vision for the production. Similarly, actors need to serve the script and work with the choreographer in connecting the action to the playwright’s words. Each preceding article, relating to the exploration of the skills proficiency tests (SPTs), has offered tools for connecting the scripts, stories, and characters with the language of the choreography. We are now ready to move deeper into directly linking fight choreography with the script and vice versa.

Some actors see pre-planning objectives for a scene and rehearsal as an …

Fighting The Elements: Determining The Best Scenes For Skills Proficiency Tests, T. Fulton Burns

T. Fulton Burns

In the last edition of The Cutting Edge I provided tips for locating fight-specific scenes. Now let’s narrow our search from the vast quantity of scenes to a playing field of only the best quality. For a Skills Proficiency Test (SPT), choreography comes first to ensure that the proper techniques are included within the fight. Following these lessons in technique and choreography, the scene selection process begins. In a traditional acting class, the scene selection occurs first and is followed by the explored action. So even though the cart may be before the horse, as it were, with an SPT, …

I Can’T – I Have Rehearsal: Rehearsal Guidelines And Techniques With Fight Scene Work, T. Fulton Burns

T. Fulton Burns

The rehearsal process often contains excitement, uncertainty, and, at times, stress for all involved. It is at this stage of the process where the culmination of skills acquired (research, character study, and embodying choreography) all come together. The following guidelines and techniques are aimed toward helping the actor address and conquer both acting and fight needs during the rehearsal process

A Violent Character: Stage Combat Character Analysis, T. Fulton Burns

T. Fulton Burns

It is so deceptively easy stating who your character is but it is over looked more often than you may think. A good character analysis is important in the actor/character relationship and here we will look at the key elements of character research and their specific relationships to the stage combatant.

Lysistrata

Theatre Programs

No abstract provided.

Thoroughly Modern Millie, Lynn University

Drama Programs

Winner of six Tony Awards, Thoroughly Modern Millie nabbed the honor of 2002's most awarded new show on Broadway. Based on the 1967 Academy Award-winning film, Thoroughly Modern Millie takes you back to the height of the Jazz Age in New York City, when "moderns," including a flapper named Millie Dillmount, were bobbing their hair, raising their hemlines and rewriting the rules of love.

Something Rotten! Audition Form, Department Of Theatre, Dance & Film

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Providence College Department of Theatre, Dance & Film

Something Rotten! audition form

Something Rotten! Portia Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Portia sketch by Anna Grywalski, Costume Designer

Tdf Voucher & Comp Ticket Info Flyer, Department Of Theatre, Dance & Film

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Providence College Department of Theatre, Dance & Film

TDF voucher & comp ticket info

Something Rotten! Show Girls "Musical" Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Show Girls "Musical" sketch by Anna Grywalski, Costume Designer

Something Rotten! Puritan Men Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Puritan Men sketch by Anna Grywalski, Costume Designer

Something Rotten! Shakespeare Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Shakespeare sketch by Anna Grywalski, Costume Designer

Something Rotten! Nigel Bottom Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Nigel Bottom sketch by Anna Grywalski, Costume Designer

Something Rotten! Shylock Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Shylock sketch by Anna Grywalski, Costume Designer

Something Rotten! "Eggs" Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! "Eggs" sketch by Anna Grywalski, Costume Designer

Something Rotten! Showgirls "Omelette" Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! showgirls "Omelette" sketch by Anna Grywalski, Costume Designer

Something Rotten! Brother Jeremiah Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Brother Jeremiah sketch by Anna Grywalski, Costume Designer

Something Rotten! Nick Bottom Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Nick Bottom sketch by Anna Grywalski, Costume Designer

Something Rotten! Bea Sketch, Anna Grywalski

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Providence College Department of Theatre, Dance & Film

Something Rotten! Bea sketch by Ann Grywalski, Costume Designer

Something Rotten! Lord Clapham Sketch, Anna Grywalski

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Something Rotten! Lord Clapham sketch by Anna Grywalski, Costume Designer