Scholarart Issue 1 Introduction. Subject Positions In Art: A Discussion Of The Theory, 2016 California State University - San Bernardino
Scholarart Issue 1 Introduction. Subject Positions In Art: A Discussion Of The Theory, April Baca, Timothy Hicks, Cassandra Jones
Art 525/Art History 5290 Papers
No abstract provided.
The Space Of Art In The Digital Age, 2016 Sotheby's Institute of Art
The Space Of Art In The Digital Age, Ellie Isaacs
MA Projects
This journal article looks at the space of art in the digital age in order to establish whether virtual art practices will eventually render the physicality of art as obsolete. The article draws focus on the construction of virtual spaces to investigate the possibility of a consequential collapse in real space. Two key aspects that I have concentrated on are the social experience of these modes of artistic practice and the inversion of public and private spheres.
A Skin-Deep Analysis On Deconstruction: How Transforming The Modern Surface Transformed Notions On Gender, 2016 Scripps College
A Skin-Deep Analysis On Deconstruction: How Transforming The Modern Surface Transformed Notions On Gender, Elise K. Young
Scripps Senior Theses
While focusing on high fashion and architecture, this thesis explores an aesthetic transition between the early 20th century’s “modern” style and the later 20th century style of “deconstruction.” We believe the style of “deconstruction” revolutionized visual metaphors for modern gender identity through the manipulation and experimentation of surfaces. These metaphors were accomplished through transformation relationships between surface, structure, and ornament. This study exclusively uses examples from women’s fashion and building façades for its analysis
Build-Up, 2016 University of Montana
Build-Up, Kate Lund
Graduate Student Theses, Dissertations, & Professional Papers
Build-up is based in an appreciation for quietude within the landscape that is interrupted by a sense of urgency and distress. The renderings, gestural drawings, and sculptural work are the result of allowing my studio process to mimic my analytical decision making and sensory observation as a wildland firefighter. The research investigates my work in relation to Romantic painters such as JMW Turner and Sublime philosophy, particularly Edmund Burke’s 1757 Sublime theory. Burke emphasized the emotional and psychological response to the Sublime experience of terror and awe. My research also discovers connections with contemporary artists, Robert Smithson, John Peña, and …
Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, 2016 Scripps College
Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo
Scripps Senior Theses
This thesis looks to explore the rise of women in television comedy and the accompanying implications of this phenomenon. Using a historical framework, this thesis looks at the progression of representations of women in television comedies beginning in the 1950s up to today. Considering factors such as the rise of social media, as well as online television streaming services such as Hulu and Netflix as more legitimate avenues to distribute content, this thesis traces women’s place within television comedy, and argues that shows such as Parks and Recreation, The Mindy Project, and Broad City serve as examples of the progress …
Antithetical Commentaries On X, Y And The Disruption Of Being, 2016 Virginia Commonwealth University
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Theses and Dissertations
Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …
Impermeable Assemblages: Flooding, Urban Infrastructure, And Stormwater Politics In São Paulo, Brazil, 2016 University of Kentucky
Impermeable Assemblages: Flooding, Urban Infrastructure, And Stormwater Politics In São Paulo, Brazil, Nate Millington
Theses and Dissertations--Geography
This project analyzes efforts to remake the relationship between water and city in São Paulo, Brazil. Currently experiencing overlapping problems of flooding, scarcity, and pollution, São Paulo illustrates the challenges of managing water in a contemporary mega-city. This dissertation subsequently considers the city’s water management through an approach that borrows from urban political ecology, social studies of science, and post-colonial urban theory. With an epistemological grounding in these literatures, this project analyzes ongoing conversations about water management in São Paulo, and focuses on how water is encountered and engaged with in the landscape by engineers, artists, and activists. This project …
Pepón Osorio: Promoting Growth And Addressing Identity In Hartford, 2016 Trinity College, Hartford Connecticut
Pepón Osorio: Promoting Growth And Addressing Identity In Hartford, Michaella Kendrick
The Trinity Papers (2011 - present)
No abstract provided.
To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, 2016 University of Central Florida
To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, Elizabeth Ann Baker
Honors Undergraduate Theses
Ana Mendieta was a Cuban-born American artist whose unique body of work incorporated performance, activism, Earth art, installation, and the Afro-Cuban practices of Santería. She began her career at the University of Iowa, were she initially received her degree in painting in 1969. It was not until 1972 that Mendieta shifted radically to performance art.
Though she was raised Catholic, she developed an interest in the rituals involved with Santería, a culturally predominant Cuban religion, and it deeply influenced her work in her choice of materials and settings. Santería is one of the major faith-based lifestyles of Cuba …
Custom Framing: An Analysis Of Camille Pissarro's "Les Turpitudes Sociales" Within A Base-Superstructure Model, 2016 The College of Wooster
Custom Framing: An Analysis Of Camille Pissarro's "Les Turpitudes Sociales" Within A Base-Superstructure Model, Robin S. Klaus
Senior Independent Study Theses
No abstract provided.
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, 2016 Scripps College
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci
Scripps Senior Theses
This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways that reaffirm their independence …
Destabilizing Identity: The Works Of Dorothy Cross, 2016 University of Central Florida
Destabilizing Identity: The Works Of Dorothy Cross, Aileen Dowling
Honors Undergraduate Theses
This thesis aims to analyze Dorothy Cross’s sculptural, installation, and video works in relation to Ireland’s Post-Conflict struggle with its cultural and global identity. Throughout the course of history, Ireland’s identity has always been in question, sparking new interest over the last thirty years in producing an Irish identity discerned by “hybridity, multiplicity, and mobility.”[1] Declan McGonagle states that the traditional Irish constructs of gender and sexuality were primarily challenged by Dorothy Cross during this period of rapid sociopolitical change.[2] Cross consistently deconstructs pre-Christian Mother Ireland and patriarchal Catholic Ireland in her early sculptural works, and ultimately transitions …
The Digital Dionysus: Nietzsche & The Network-Centric Condition, 2015 Selected Works
The Digital Dionysus: Nietzsche & The Network-Centric Condition
Dan Mellamphy
No abstract provided.
Modernism Contested: Gego's Grids And The Aesthetics Of Temporality, 2015 CUNY Hunter College
Modernism Contested: Gego's Grids And The Aesthetics Of Temporality, Victoria L. Fedrigotti
Theses and Dissertations
This thesis traces Gego’s contestation of art historical modernism through examining her relationship to the modernist grid and to her modernist genealogy of Constructivism, Geometric Abstraction, and Kineticism. These two nonlinear developments subvert the teleological conception of progress presumed by Greenbergian modernism, and bring forth Gego’s own aesthetic conception of temporality.
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, 2015 CUNY Hunter College
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.
Iconoclastic Fervor : Sally Hazelet Drummond, Abstract Expressionism And Curatorial Practice., 2015 University of Louisville
Iconoclastic Fervor : Sally Hazelet Drummond, Abstract Expressionism And Curatorial Practice., Hillary Sullivan
Electronic Theses and Dissertations
Sally Hazelet Drummond is an iconoclastic artist situated within the revolutionary movement of Abstract Expressionism. Drummond is the first female to graduate from the Hite Art Institute, earning a master’s in painting in 1952. During her study at the University of Louisville she explored Abstract Expressionism. In 1953 Drummond joined the Tanager Gallery, one of the Tenth Street artists’ co-ops. In the midst of Willem De Kooning, Ad Reinhardt and Mark Rothko, Drummond refined her work into a simplified, contemplative style that she continued to develop over the course of her life. Drummond described Abstract Expressionism as a kind of …
Review Of Herbert Blau’S Reality Principles: From The Absurd To The Virtual, 2015 University of North Florida
Review Of Herbert Blau’S Reality Principles: From The Absurd To The Virtual, Clark Lunberry
Clark Lunberry
In his most recent book of collected essays on theatre and performance, the esteemed scholar and theatre director Herbert Blau (who died on 3 May 2013 at age 87) recounts a story from his early days as a director of an actor’s lament with his rehearsed role, “I don’t feel this, I’m not feeling this at all.” To which Blau forcefully replied, “I couldn’t care less what you feel, or don’t, feelings are cheap! I only care what you think. What we’re doing here is thinking, trying to understand”. In a chapter entitled “The Emotional Memory of Directing,” Blau is …
Genre, Justice & Quentin Tarantino, 2015 University of South Florida
Genre, Justice & Quentin Tarantino, Eric Michael Blake
USF Tampa Graduate Theses and Dissertations
The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and philosophical implications of his work have appeared over the years, mostly in regards to content. However, with the exception of references to his use of cinematic violence, studies of his technique—i.e., his cinematic style—have been rare, and rarer still have been studies of the social implications that arise from the patterns of his style as well as those his subject matter.
The following thesis seeks to use the concept of Auteur Theory—specifically, that Tarantino …
Aribo, De Musica And Sententiae, 2015 New College of Florida
Aribo, De Musica And Sententiae, T. J. H. Mccarthy
TEAMS Varia
Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. …
Recovering The Beauty Of Medusa, 2015 CUNY John Jay College
Recovering The Beauty Of Medusa, Alexander M. Schlutz
Publications and Research
This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …