“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935,
2016
The Graduate Center, City University of New York
“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker
Dissertations, Theses, and Capstone Projects
The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists,
2016
State University of New York Buffalo State
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers
Museum Studies Theses
Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …
Designing Rubrics, Assessment, And Evaluation For Oral Communication,
2016
Colby College
Designing Rubrics, Assessment, And Evaluation For Oral Communication, Meredith Mccarroll
Colby College Museum of Art
No abstract provided.
Scaffolding Assignments: From Discussion To Oral Presentations,
2016
Colby College
Scaffolding Assignments: From Discussion To Oral Presentations, Audrey Brunetaux, Elizabeth Sagaser
Colby College Museum of Art
No abstract provided.
Workshop Participant List,
2016
Colby College
Workshop Schedule,
2016
Colby College
Workshop Announcement,
2016
Colby College
Workshop Bibliography,
2016
Colby College
Object List & Discussion Questions By Session,
2016
Colby College
Object List & Discussion Questions By Session
Colby College Museum of Art
No abstract provided.
Workshop Participant List,
2016
Colby College
Workshop Schedule,
2016
Colby College
Workshop Announcement,
2016
Colby College
Windows On The World:
The Aesthetics Of Difference In Neoliberal New York,
2016
Graduate Center, City University of New York
Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso
Dissertations, Theses, and Capstone Projects
This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …
The Artist And The "Information" Machine: Conceptualism, Technology, And Design In 1970,
2016
CUNY Hunter College
The Artist And The "Information" Machine: Conceptualism, Technology, And Design In 1970, Jeremiah William Mccarthy
Theses and Dissertations
This thesis explores the dialectical relationship between conceptualism and design in the year 1970, by focusing on Kynaston McShine’s landmark exhibition Information, held at the Museum of Modern Art. Specifically, it centers on the understudied “information machine,” a film apparatus designed by Ettore Sottsass, Jr., for use within the exhibition.
Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942,
2016
CUNY Hunter College
Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942, Nancy Wechter
Theses and Dissertations
The left-liberal NYC newspaper, PM, used photography with unprecedented transparency as a crucial element in its mission to inform ordinary working people, teach them to be literate about the photographic message, and encourage them to be a participating audience during the tense period just before World War II.
David Alfaro Siqueiros’S Pivotal Endeavor: Realizing The “Manifiesto De New York” In The Siqueiros Experimental Workshop Of 1936,
2016
CUNY Hunter College
David Alfaro Siqueiros’S Pivotal Endeavor: Realizing The “Manifiesto De New York” In The Siqueiros Experimental Workshop Of 1936, Emily Schlemowitz
Theses and Dissertations
The Siqueiros Experimental Workshop, initiated by David Alfaro Siqueiros (1896–1974) in 1936, is often considered a pivotal moment for the artist. This thesis unveils new documentation about the Workshop, illuminating heretofore-unobserved aspects of the group’s governance, political aims, and theoretical framework put forth by Siqueiros in his critical “Manifiesto de New York.”
A Network Of Experience: Community Building And Social Restructuring In Fluxus,
2016
Washington University in St. Louis
A Network Of Experience: Community Building And Social Restructuring In Fluxus, Margaret Sherer
Arts & Sciences Electronic Theses and Dissertations
My thesis argues that the group dynamic of Fluxus and the artwork produced by the group functioned as agents in the cultivation and maintenance of a Fluxus community that developed an experimental, object-based approach to societal formation. I argue that a primary goal of Fluxus was to use their artistic production and their association to establish alternative modes of social interaction that were simultaneously plagiarizing and criticizing conventional social and political institutions.
Relive The Roycroft: Bringing History To Life At A National Landmark,
2016
Buffalo State College
Relive The Roycroft: Bringing History To Life At A National Landmark, Amizetta J. Haj
Museum Studies Projects
This project defines and validates the concept of the Roycroft Campus as a living museum and explores how the implementation of a “living” component to its educational programming would strengthen visitor engagement. It also focuses on the various ways in which to fortify the utility and visibility of a museum within a community, demonstrating how the Roycroft Campus can become a center for community engagement and cultural development. Through this research, I present the Roycroft Campus’ potential as a living museum and have created an educational based event which will bring to life the year 1915 on the historic Campus …
The Artistic Legacy Of Georgia O’Keeffe,
2016
Dominican University
The Artistic Legacy Of Georgia O’Keeffe, Michelle L. Knutson
Senior Theses
The work of American artist, Georgia O’Keeffe (1887-1986), was considered to be unique and revolutionary in her own time, but she ultimately achieved a prominent position in the history of art. The enduring inspiration of this important artist is demonstrated by an investigation of key artistic motifs as well as her legacy via the discussion of artists who have been influenced by her: Alfred Stieglitz, Arthur Dove, Marsden Hartley, and the author, Michelle L. Knutson.
Communicating Through Space: An Exploration Of Interdisciplinary Relationships Between Architecture And Theatre Through Practical Application,
2016
University of Arkansas, Fayetteville
Communicating Through Space: An Exploration Of Interdisciplinary Relationships Between Architecture And Theatre Through Practical Application, Erin E. Hunter
Architecture Undergraduate Honors Theses
Space as an expression of ideas is a relevant topic both in theatrical design and architectural design. Both create worlds, places in time, and experiences. The theatre is a platform where architectural ideas can be explored on a real scale. Audiences can make associations based on representation on the stage and connotations from popular culture. Theatre is more temporary than architecture by nature, and therefore theatre can reference architectural ideas in temporary settings to tell a story. By analyzing the physical characteristics of a space and the societal and cultural conditions that created it, a theatre set can isolate moments …
