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International and Area Studies
Présence Francophone: Revue internationale de langue et de littérature
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- Identity (13)
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Articles 31 - 60 of 184
Full-Text Articles in Social and Behavioral Sciences
Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler
Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler
Présence Francophone: Revue internationale de langue et de littérature
This paper is a reflection on space in film and the experience of migration in the film Tey by Alain Gomis. Tey shows the temptations to overcome the painful cleavage between the schizophrenic perception of a space filled with feelings and memories on one side, and the structures of power and economic interests on the other one. The focalisation on space becomes evident in the reduction of time down to one single day and the waiting for death of the individual. In the process of negotiation between absence and presence, the film makes evident what neo-liberal politics mean to the …
Villes Et Espaces Africains : Pour Une Géocritique En Contexte Postcolonial, Yves Clavaron
Villes Et Espaces Africains : Pour Une Géocritique En Contexte Postcolonial, Yves Clavaron
Présence Francophone: Revue internationale de langue et de littérature
As for geocritics, postcolonial studies consider questions of representation according to a contextualizing approach, scrutinizing geogrophical and sociopolitical settings. This paper aims at studying methodological affinities between geocritics and postcolonialism in order to observe to what extent Bertrand Westphal’s approach could respond to a postcolonial context and allow for an interpretation of African space – mainly urban – in a few francophone novels by Mongo Beti, Bernard Dadié, Ahmadou Kourouma, Henri Lopes, Alain Mabanckou, Patrice Nganang and Tierno Monénembo.
L’Espace Géographique Et La Perspective Postcoloniale Chez Félix Couchoro (1900-1968), Laté Lawson-Hellu
L’Espace Géographique Et La Perspective Postcoloniale Chez Félix Couchoro (1900-1968), Laté Lawson-Hellu
Présence Francophone: Revue internationale de langue et de littérature
The writing of Félix Couchoro, member of the first generation of the Francophone African writers, problematizes the historical, cultural, political and geographic background of the railway system built at the beginning of the twentieth century in Togo. In that problematizing, Félix Couchoro’s writing is in accordance with the geocritic principles as well as those of the postcolonial perspective. By putting those two perspectives together, however, in the reading of that writer’s work, one should go beyond the epistemological frame of the geocritic perspective itself, notably its use of the western postmodern paradigm of indetermination, when it comes to the Francophone …
Roman Féminin Africain : Pour Une Géocritique, Mbaye Diouf
Roman Féminin Africain : Pour Une Géocritique, Mbaye Diouf
Présence Francophone: Revue internationale de langue et de littérature
Based on novels published in the 2000s by Fatou Diome and Bessora, this article poses that in a postcolonial context marked by the intensification of population migration, as well as the international circulation of authors and the renewal of aesthetic categories, the current generation of female African novelists are constructing a new imaginary of space that resemanticizes textual territories through literary languages that are both unusual and personalized. Novels like Cyr@no or Le ventre de l’Atlantique rectify the real insular or urban topographies to which they refer by giving a connotated or new meaning to their own narrative, descriptive and …
Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir
Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir
Présence Francophone: Revue internationale de langue et de littérature
Postcolonial city is at the heart of maghrebian fictions so that it can be approached as a fundamental element of its particular poetics. In their novels Triptyque de Rabat and Le chien d’Ulysse, Khatibi and Bachi respectively link space as an explicative matrix of the national present and even of what goes beyond characters consciousness. This fact helps to understand the way history figures as a virtual paradigm coming down to space, sometimes threw separate facts, and being part of the personal perception of reality. The concept of reality itself becomes problematic regarding this endless past, we mean the impact …
Non-Lieux Dans Le Roman Africain Postcolonial Francophone : Formes Et Enjeux, Adama Coulibaly
Non-Lieux Dans Le Roman Africain Postcolonial Francophone : Formes Et Enjeux, Adama Coulibaly
Présence Francophone: Revue internationale de langue et de littérature
In the postcolonial African novel, new places are appearing, next to or replacing the former prison site. They can validly be read as «non-places» whose presence and implications in texts must then be questioned. Attempting a literary re-appropriation of an anthropological notion, this contribution analyzes three novels whose fictions are built around places of transit (of non-places) such as hotel, road and... container. These three figures of the non-place call for a writing of horizontality, rhizome, ephemeral, spatial mobility that reactivate the question of the fictitious or moving identity of the African subject from space.
Tanger : Géocritique D’Un Espace Intermédiaire, Cheikh M.S. Diop
Tanger : Géocritique D’Un Espace Intermédiaire, Cheikh M.S. Diop
Présence Francophone: Revue internationale de langue et de littérature
Tangier is a city with several faces that oscillates between reality and imagination. Intermediate space between Africa and Europe, it occupies a geostrategic position which has aroused the covetousness of the East (with the Phoenicians then the Arabs). Novelistic city, it fascinates for its syncretic mythology, its economic stake, its role of civilizational bridge and its appearance of “coquettish” land. We propose here to carry out a geocritical analysis of this Tangier evocated by Tahar Ben Jelloun, Driss Chraibi and Amin Maalouf, to the prisms of the foundations of the concept and other theories of space.
Fabulations Ou Imaginaires Vacillants : L’Écriture De Rakotoson Et Raharimanana Entre Histoire, Mémoire Et Urgence Du Social, Ute Fendler
Présence Francophone: Revue internationale de langue et de littérature
The two writers from Madagascar, Michèle Rakotoson and Jean-Luc Raharimanana, fill empty memorial spaces by writing texts that vary from autobiographical mode, via the historical one, up to some elements of oral tradition with the objective to create anticipatory texts. The article analyzes the entanglement of references to reality and to fiction drawing on the notion of “fabulation” by Deleuze and of “half-knowledge” by Flahaut.
Littérature Congolaise : Imaginaire Et Miroir De L’Urgence Sociale, Ngwarsungu Chiwengo
Littérature Congolaise : Imaginaire Et Miroir De L’Urgence Sociale, Ngwarsungu Chiwengo
Présence Francophone: Revue internationale de langue et de littérature
Congolese literature of urgency is the historical conscience which informs the conscience of history, a therapeutic medium which allows the reader to transcend national trauma and to articulate the future. As the foundation of the metadiscourse of Congolese realities, it is the counter-discourse of Western and national cultural domination, the erasure of the national voice, the traumatism of dictatorships, invasions, and political and social conflicts maintained. It therefore condemns theological, political domination and advocates for nationalism, the reconstruction of Congolese identity while affirming Congolese desire to auto-determine their future in a country where truth is extirpated from political euphemisms.
Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K
Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K
Présence Francophone: Revue internationale de langue et de littérature
This study examines literary production in DR Congo especially with regard to the short story genre. This is based on the work of a generation of young writers who conceive their engagement with a literary field still under the sway of their elders as an avenue for self-assertion in a declining society portrayed through characters that find it difficult to carve a place in the sun. Their works showcase uncommon possibilities of expression that harness the virtues of economy and authenticity, suggesting the traits of what Congolese modernity should not be, given that authors seem to be more concerned with …
Urgence Du Social Et Dimension Utopique Du Roman Africain. Une Lecture De Pacte De Sang De Pius Ngandu Nkashama, Kasereka Kavwahirehi
Urgence Du Social Et Dimension Utopique Du Roman Africain. Une Lecture De Pacte De Sang De Pius Ngandu Nkashama, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
This article shows how the urgency of the social in the francophone novel goes with a utopian dimension. It is suggested that if the African novel reveals the flaws and faults of the social and political body that the censorship attempts somehow to hide, if it has the power to dismantle the mechanism of violence, it also has the power to provide the vision of another possible world. Thus, the novel of disillusionment may be secretly the book of enchantment and utopia.
Portrait De L’Exclu Dans Le Lys Et Le Flamboyant D’Henri Lopes, Médard Bouazi
Portrait De L’Exclu Dans Le Lys Et Le Flamboyant D’Henri Lopes, Médard Bouazi
Présence Francophone: Revue internationale de langue et de littérature
The author of Le lys et le flamboyant uses humor, metaphors and adjectives to represent a world in conflict, to show the impossible encounter of otherness (racial and cultural). Our contribution represents an attempt to show that this novel reflects a deep social distress, which is characterized by an environment where characters and speeches unfold a permanent contradiction. This text tries to account for the turmoil that marked the history of Africa through language as exploited by the novelist. Basically, the author makes an excluded character portrait.
« Nous Avons Besoin D’Ouvrir Le Pays » : Le Développement Et Le Scénario Clef Du Point De Vue Chrétien Dans L’Espace Social Des Séries Télévisées De Kinshasa, Katrien Pype
Présence Francophone: Revue internationale de langue et de littérature
This article offers a discussion of “development” rhetoric as expressed in and around television drama in Kinshasa, capital city of the Democratic Republic of Congo. Producers (artists and pastors of Awakening Churches; some individuals are both) contend that their work will transform society, will combat the social and political crisis and will contribute to the development of the nation. Pentecostal christians embrace the melodrama because these television serials emphasize the spiritual development of the individual. I argue that the fictive representation of witchcraft relates to the Pentecostal diagnosis of the crises, and that the narrative emplotment of the TV serials …
Savoir Et Légitimation En Afrique. Ambroise Kom Et La Critique De L’Extraversion Théorique, Kasereka Kavwahirehi
Savoir Et Légitimation En Afrique. Ambroise Kom Et La Critique De L’Extraversion Théorique, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
This article has two main objectives: to show how Ambroise Kom raises the question of the legitimation of Knowledge in Francophone Africa and to present the way he proposes to the continent to overcome subalternity and theoretical extroversion in order to become its own center of production and legitimation of knowledge. The article also shows how Ambroise Kom, a cultural and literary critic, extends the tradition of African philosophers, mainly Mudimbe, Hountondji and Laleye, who, from 1970, put the issue of decolonization of the African discourse in the center of their work.
La Littérature Africaine Francophone Et La Théorie Bourdieusienne De Champ Symbolique, Louis Bertin Amougou
La Littérature Africaine Francophone Et La Théorie Bourdieusienne De Champ Symbolique, Louis Bertin Amougou
Présence Francophone: Revue internationale de langue et de littérature
Pierre Bourdieu’s theory of symbolic fields as a social arena for rivalries between agents for the capture, accumulation or conservation of capitals of its own is now implemented with the same rigor to African literature as to French literature which served as the material for the French sociologist. Yet, the specific characteristics of African literary production make it a weak institution. The present article is an attempt to put in perspective the relevance of Bourdieu’s studies to an insufficiently autonomous literary institution and holds the point that any literary field is a secondary field.
Transmettre Et Instituer Contre Vents Et Marées : Ambroise Kom, L’Universitaire Des Populations Camerounaises, Amelle Cressent
Transmettre Et Instituer Contre Vents Et Marées : Ambroise Kom, L’Universitaire Des Populations Camerounaises, Amelle Cressent
Présence Francophone: Revue internationale de langue et de littérature
This text touches on various aspects of Ambroise Kom’s social engagement. It explores some pathways taken by Kom outside Literature, his core academic field, insisting on the most prominent threads in his career: Knowledge transmission and institutionalization in Cameroon while prioritising collective over individual action. It also highlights Kom’s interaction with a challenging political and cultural environment, the social praxis resulting from it and his writings on what should be the contribution of Education, especially, higher Education, to contribute to nation building in Cameroon.
L’Écrivain Intellectuel Et Le Destin De L’Université Camerounaise, Jean Marie Wounfa
L’Écrivain Intellectuel Et Le Destin De L’Université Camerounaise, Jean Marie Wounfa
Présence Francophone: Revue internationale de langue et de littérature
This reflection is based on a corpus of narrative texts (novels and short stories) and on an eclectic approach which theoretical and methodological tools are borrowed from the comparatism, the institutional approach and the discourse analysis. The goal is to show that as a literary theme, the University strips off its pedestal and undergoes a more or less severe criticism under the pen of Cameroonian intellectual writers. Hence, its representation is marked with prejudgments, stereotypes and misconceptions that make the University a myth from which the writers free and engage themselves in a realistic representation of the university system. The …
L’Africain Et Le Paradigme De La Modernité. Que Devient L’Identité?, Yvette Balana
L’Africain Et Le Paradigme De La Modernité. Que Devient L’Identité?, Yvette Balana
Présence Francophone: Revue internationale de langue et de littérature
Questioning the african uniqueness within the academic field of identity forces us to investigate the ability of Africans to find a way out of a painful aporia between an adulterated tradition and an overwhelming totalitarian modernity. The latter, in Africa more than anywhere else, constitutes an obstacle to individual emancipation. Thus it raises today like yesterday, the imperative of a dual liberation without which Africa will be unable to construct an identity taking into account both alterity and anteriority.
La Première Couche D’Encre, Abdourahman Waberi
La Première Couche D’Encre, Abdourahman Waberi
Présence Francophone: Revue internationale de langue et de littérature
The author reexamines his engagement with the Rwandan genocide.
Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore
Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore
Présence Francophone: Revue internationale de langue et de littérature
Sin to Them, Shame on Me is a testimony by the Rwandan writer, filmmaker and peace advocate, Bamporiki, who suffers from vicarious shame because of the crime of genocide that Hutu perpetrators committed against Tutsis in the name of the group. His testimony redeems his sense of self by acknowledging the wrongdoing of his group, yet it also represents a step that separates him from that group. His powerful testimonial narratives allow him to associate with genocide survivors and the world, and to develop a new identity as a Rwandan. The polymorphic narrative structure of his written testimony in which …
Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave
Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave
Présence Francophone: Revue internationale de langue et de littérature
This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Présence Francophone: Revue internationale de langue et de littérature
Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.
Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto
Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto
Présence Francophone: Revue internationale de langue et de littérature
The film Grey Matter [Matière grise] (2011) directed by a Rwandan filmmaker Kivu Ruhorahoza, is an attempt to offer psychoanalytic approaches to understanding a 1994 Rwandan genocide within the psychic and the social. This director is interested in representing the impossible, instead, he offers a poetic representation of trauma. It may be just like a dream in his psychic, wondering whether this event really happened and how to make sense of as time settles ? This noiseless film is the first feature length narrative film directed by a Rwandan who gives the world the visual interpretation of the impact of …
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
Présence Francophone: Revue internationale de langue et de littérature
20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …
L’Inscription Territoriale De La Peur Dans Le Roman Urbain Camerounais De Langue Française, Étienne-Marie Lassi
L’Inscription Territoriale De La Peur Dans Le Roman Urbain Camerounais De Langue Française, Étienne-Marie Lassi
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes the fictionalization of Cameroonian urban socio-political and geographical realities as well as the literary effects derived from the inclusion of real urban spaces in the novel. Based on the concepts of ecology of fear and existential territory, it shows that in Cameroon urban novels, the physical environment is a factor of instability of individuals and communities. It speculates that, in the novels studied, physical environment crystallizes political, social and psychological fears and anguish and presents itself as an important issue both in the interpretation of literary texts and in the resolution of postcolonial crises.
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Présence Francophone: Revue internationale de langue et de littérature
This article attempts to answer two main questions: “What does it mean to teach political science in an African university when oneself is African?” and “what social realities are we documenting (or should we document)?” As a political scientist, I came to ask myself these questions based on my encounter with the genocide of the Tutsi in Rwanda, and based on the questions that this major event had kindled in me. My encounter with the subject of “genocide” was in all respects an upheaval because I understood suddenly a large weakness in the way political science was taught at Université …
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
The main goal of this article is to demonstrate that discourse on the Rwandan genocide has an origin. In other words, the hamitic myth transcends the question of race and is present in its most radical form in the events of 1994 in Rwanda. However, the myth itself is not intrinsically genocidal, but it did clear the path. The danger arose when the myth was demythified, that is to say, perceived as historic reality and scientific knowledge, and entered a new environment of genocide discourse. To proceed based on the notion of archive is to approach the genocide in relation …
La Langue Seconde Au Service De La Créationcinématographique. Les Séries Télévisées En Afrique Subsaharienne Francophone, Dragoss Ouédraogo
La Langue Seconde Au Service De La Créationcinématographique. Les Séries Télévisées En Afrique Subsaharienne Francophone, Dragoss Ouédraogo
Présence Francophone: Revue internationale de langue et de littérature
The African sitcoms in the wake of South American telenovelas build steps to win spaces on TV screens. The case of Burkina Faso shows the vitality of filmmaking in second language, with breakable structure of production context.
Créativité Et Lecture En Langue Seconde : Propositions Pour La Lecture Des Textes Des Journaux Francophones Du Cameroun, Louis Martin Onguéné Essono
Créativité Et Lecture En Langue Seconde : Propositions Pour La Lecture Des Textes Des Journaux Francophones Du Cameroun, Louis Martin Onguéné Essono
Présence Francophone: Revue internationale de langue et de littérature
Nowadays, it is common to say that the French press in Africa greatly contributes to the lower level of French. If true, this assertion hides a much deeper problem that concerns the act of writing and the act of reading in a non-native language. The performance of newspaper, radio or television journalists show that these writers share the same competence and face the same difficulties as the entire French-speaking population who is compelled to transmit ideas and information in a second language they do not master, or just a bit. This paper aims at understanding the reasons why non-African readers …