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Articles 1 - 13 of 13
Full-Text Articles in Social and Behavioral Sciences
Théâtre Burkinabè Contemporain Et Dramaturgie De L’Entre-Deux : Aristide Tarnagda Et Sophie Kam, Christophe Konkobo
Théâtre Burkinabè Contemporain Et Dramaturgie De L’Entre-Deux : Aristide Tarnagda Et Sophie Kam, Christophe Konkobo
Présence Francophone: Revue internationale de langue et de littérature
What do contours of contemporary Burkinabe drama look like? By attempting to answer such a question, we analyzed a number of plays written by both Aristide Tarnagda and Sophie Heidi Kam, two young playwrights from Burkina Faso. The works examined in this article show first and foremost aesthetic approaches and thematic concerns not often seen in previous dramatic writings. The contemporary plays are always set in symbolically defined “empty spaces” where characters seek to define their identity against internal and external pressures.
Passage, Unité Nationale Et Écriture Du Mythe Dans Falagountou De Yamba Élie Ouédraogo, Alain Joseph Sissao
Passage, Unité Nationale Et Écriture Du Mythe Dans Falagountou De Yamba Élie Ouédraogo, Alain Joseph Sissao
Présence Francophone: Revue internationale de langue et de littérature
The metaphor of national unity through the passages of the eponymous hero Falagountou Yamba Elie Ouédraogo: myth of unity or unity of the myth? Yamba Elie Ouédraogo brushed a gargantuan romantic mural in her latest novel Falagountou. Falagountou appears in many ways like a quest for the Grail of identities to form identity. These passages of the hero mythical half-man, half-Hercules – like the epic of Gilgamesh – crosses different regions of Burkina Faso who report a culmination of the intermediate time, in-between, to apprehend modalities that govern the construction of crises, utopias, individual projections. In this, the novelist is …
Oralité Et Création : Les Modalités D’Insertion Des Genres Urbains Dans La Production Orale Bobo, Alain Sanou
Oralité Et Création : Les Modalités D’Insertion Des Genres Urbains Dans La Production Orale Bobo, Alain Sanou
Présence Francophone: Revue internationale de langue et de littérature
The new genres of the literature pose to researchers the challenge to constantly adjust their analytical tool to understand not only their function, but also how the social body integrate these new elements. The objective searched in this study is to see how an urban creature, the Jɛkulu, has been gradually integrated in the Bobo creature. This study is the continuation of a research conducted since some years on the new oral genres in the city of Bobo-Dioulasso and how they contribute to the consolidation of an urban identity.
Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler
Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler
Présence Francophone: Revue internationale de langue et de littérature
This paper is a reflection on space in film and the experience of migration in the film Tey by Alain Gomis. Tey shows the temptations to overcome the painful cleavage between the schizophrenic perception of a space filled with feelings and memories on one side, and the structures of power and economic interests on the other one. The focalisation on space becomes evident in the reduction of time down to one single day and the waiting for death of the individual. In the process of negotiation between absence and presence, the film makes evident what neo-liberal politics mean to the …
L’Africain Et Le Paradigme De La Modernité. Que Devient L’Identité?, Yvette Balana
L’Africain Et Le Paradigme De La Modernité. Que Devient L’Identité?, Yvette Balana
Présence Francophone: Revue internationale de langue et de littérature
Questioning the african uniqueness within the academic field of identity forces us to investigate the ability of Africans to find a way out of a painful aporia between an adulterated tradition and an overwhelming totalitarian modernity. The latter, in Africa more than anywhere else, constitutes an obstacle to individual emancipation. Thus it raises today like yesterday, the imperative of a dual liberation without which Africa will be unable to construct an identity taking into account both alterity and anteriority.
Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze
Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze
Présence Francophone: Revue internationale de langue et de littérature
The stories of exile and return from exile of novelists Gaston-Paul Effa and Henri Lopes give themselves to read on how to register a double “desappartenance” and focuses in the heart of their narratives the figure of a now be stateless, alien to itself and to the Other. We propose, therefore, to study the reconstruction of identity as it is the result of emigration and return on the homeland. This leads thus to the conclusion that the stateless defies the nation in order to situate itself and his stories in a transnational space.
Langue Et Identité Chez Leïla Sebbar. Vers Une Filiation Renégociée, Cécilia W. Francis
Langue Et Identité Chez Leïla Sebbar. Vers Une Filiation Renégociée, Cécilia W. Francis
Présence Francophone: Revue internationale de langue et de littérature
In Je ne parle pas la langue de mon père (2003), L’arabe comme un chant secret (2010a), as well as in other components of her intimate prose, Leïla Sebbar reflects on her sense of dispossessed identity due to linguistic exile and an unknown heritage, resulting from ruptures in her paternal filiation. Drawing from the works of Jacques Derrida, Régine Robin and Simon Harel, which form the basis of our argumentation, we examine various dimensions of the severed parental bond. The article proposes to examine how Sebbar’s autobiographical writings, which incorporate scenarios dealing with legacy transmission expressed in terms of auditory …
Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan
Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan
Présence Francophone: Revue internationale de langue et de littérature
Aime Cesaire is a popular writer in Benin. Evidence lies in the increasing number of writers and scholars who have been supporting his ideas since the 60s. His books are on secondary school as well as university curricula. He has enjoyed more attention in the 1990s with the advent of democracy and the notable influence of then Head of State N. D. Soglo who is a keen admirer of his political career. Cesaire is held in such an esteem in Benin because he is capable of going beyond his natal Caribbean and willingly express the sad destiny of Africa ever …
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader
Présence Francophone: Revue internationale de langue et de littérature
Poetry is often understood as a series of deviations from linguistic norms, but Mohamed Hmoudane’s collections appear to be a systematic subversive strategy against both aesthetic conventions and prevailing assumptions about Eastern and Western identitarian categories. Published between 2003 and 2005, the works entitled Attentat, incandescence and Blanche mécanique avert poetic clichés as they invert cultural stereotypes, taking a most satirical stance toward the state of the world at the dawn of a new millenium. The pervasive sense of detachment resulting from Hmoudane’s satirical tendencies is associated with a poetics of excess, and this paradoxical union serves as a powerful …
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
Présence Francophone: Revue internationale de langue et de littérature
This study proposes a reflexion on the feeling of “loss” as a source of literary creation. The different tensions generated by an hybrid identity of a character in a quest, especially in La disparition de la langue française (“disappearance of the French language”) by Assia Djebar ; what matters here is to see how the feeling of crisis and the split reveals itself and how it dissolves in and through (the process of) writing.
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Présence Francophone: Revue internationale de langue et de littérature
This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …
Les Limites De L’Appartenance : Composition, Intertextualité Et Langue Dans Les Dents Du Topographe Et Méfiez-Vous Des Parachutistes De Fouad Laroui, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
In this article, I examine two novels by Fouad Laroui, Les dents du topographe (1996) and Méfiez-vous des parachutistes (1999). I analyze the difficulties encountered by their narrators when they try to find and define non alienating cultural and geographical spaces to which they could belong. For that purpose, I study the composition of the two novels, the play of intertextuality as well as the language of the main characters.
L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou
L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou
Présence Francophone: Revue internationale de langue et de littérature
The literary work can develop an internal identity as a particular mark. Several African writers incorporate into their novels indications of culture that derive from verbal arts. This method gives to the writing a particular aesthetic in between two cultures, creating in the writing an individuality of certain writers such as Ahmadou Kourouma. For him the question is not only to distort the French language to express his Malinke identity, but also to develop a method of incipit that belongs to verbal art.