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International and Area Studies
Présence Francophone: Revue internationale de langue et de littérature
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Articles 1 - 6 of 6
Full-Text Articles in Social and Behavioral Sciences
La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau
La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau
Présence Francophone: Revue internationale de langue et de littérature
The different North African cinemas, which appeared after the independences and were the work of film directors trained in Europe, were, as a principle, an art-house cinema at odds with the classical cinema type. Presented at festivals very often, they were not really embraced by the national audiences, who were mainly consumers of popular productions, either western or Egyptian. But the production of genre films (especially comedies) which were very rare until the 1990s is increasing today, at least in Morocco. Their arrival at the top of the Moroccan box-office where they compete with the American blockbusters prove that the …
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba
Présence Francophone: Revue internationale de langue et de littérature
In this article, I discuss the uses and the reception of African films (popular films and films d'auteur) in Brazil, especially in some Mostras. I examine, among other issues, the role of these mini-festivals in the establishment of what we can call a popular African cinema experience in a community. These contexts of reception produce in the audience a level of expectation, but also some constraints that impact the films' reading and interpretation.
Présence Francophone, Numéro 90
Présence Francophone, Numéro 90
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard
Présence Francophone: Revue internationale de langue et de littérature
Cinomade is an association that tries to sensitize the populations about the HIV pandemic in Burkina Faso. Télé Vaka, literally the "Neighborhood Television" in more language, was an itinerant local television around Koudougou in Burkina Faso. By comparing the reception of screenings organized in rural areas by Télé Vaka and Cinomade, this article describes a popular form of consumption of audio-visual images in West Africa. By causing the debate inside the communities using a heterogeneous device connecting endogenous (the chief's words, those of the elders, etc.) and exogenous (video projection and public testimony), ways of communication, this experiment modifies our …
Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo
Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo
Présence Francophone: Revue internationale de langue et de littérature
The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …