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Le Crépuscule De Boni Et Les Soleils De Kourouma : Questions De Réception Et De Préséance Dans La Littérature Francophone Africaine, Edgard Sankara

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes the paradoxical eclipsis of Burkina Faso’s pionneer writer Nazi Boni by Ivorian writer Ahmadou Kourouma. Through a reception study and a rereading of Crépuscule des temps anciens, it demonstrates that Boni’s neglect and lack of success could be explained on one hand by the political stigma he suffered under President Maurice Yaméogo and on the other hand by stylistic errors in his work. Through a contrastive reception study of both authors (focused largely on Boni), the article establishes a connection among Nazi Boni, Ahmadou Kourouma and René Maran. It therefore concludes that Maran was indeed the true …

Calixte Beyala Ou La Réécriture De La Littérature Coloniale Française, Frieda Ekotto

Présence Francophone: Revue internationale de langue et de littérature

This article shows how Calixthe Beyala, in Le petit prince de Belleville (1992) and Maman a un amant (1993), presents the character of the child as producer of sociopolitical and historical discourse. By using the child as narrator, Beyala rewrites the colonial literature of the interwar period extending from Francis Carco to Mac Orlan from a less noble perspective. As producer of certain racist discourses, the child is singled out as the one who represents life and assures the future of the community.

Meka Ou Le Lent Retour À Soi, Alexandre Lizotte

Présence Francophone: Revue internationale de langue et de littérature

Inspired by Ferdinand Oyono’s novel Le vieux nègre et la médaille and relying on the works of Albert Memmi and a number of critics of the negro-african novel, what we are proposing here is a reflection on the relation between the colonizer and the colonized. At the very core of our analysis is the character of Meka, Oyono’s main character, who symbolizes the people’s strive for freedom and self-rediscovery and reconquest. Step by step, we follow him through his long and difficult “walk” or journey towards himself, towards his own truth. In our understanding of that whole liberation process, we …

La Représentation Du Politique Dans La Littérature Gabonaise, Jean René Ovono Mendame

Présence Francophone: Revue internationale de langue et de littérature

From which viewpoint do Gabonese writers relate to the realities of the political and social policies of their country and what place do political players occupy in their works? Why do they hesitate so much to denounce the problems of their society? Why is there such a pronounced silence within their literary works? This article raises these delicate and complex questions. The report produced on the evolution of Gabonese writing affirms that writers’ silence is the product of self-censorship. They are condemned to fear saying anything, not only because of potential reprisals, but because they are, for the majority, political …

La Critique Et Léopold Sédar Senghor / Léopold Sédar Senghor Et La Critique, Fernando Lambert

Présence Francophone: Revue internationale de langue et de littérature

L. S. Senghor has maintained a double relation with criticism: his poetical work has provoked plentiful critical production and the poet has always been in dialogue with his critical examiners. Furthermore, he has practised literary criticism himself. Criticism relating to Senghor comes from two quite different sources. From 1945 to 1960, the European criticism is outstanding, while the African criticism confines itself more to peripheral questions in the Senghorian poetical work: French language

and "Negritude". The withdrawal of the poet from the political stage in 1980 is a significant date for critical production in Africa. Let us add that the …