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Articles 9481 - 9510 of 12236
Full-Text Articles in Photography
Prologue, James Silver
The Picture In The Black Bag, Arthur Hondros
Elegance, Vivian Lawry
Interview With Matthew Brennan, Kevin Collins
Building The Boat And Setting Sail, Matthew Brennan
Back On The Water, Matthew Brennan
Still Life, Todd Possehl
Alejandra Dreams, Maria Fire
Saint Who?, David Vancil
Field Mouse, Don Thackrey
Adam, Michael Skau
(Who) Art In Heaven, Meredith Davies Hadaway
Plant A Weeping Cherry, Laura Wine Paster
Listening To Boggy Creek, Barbara Adams
Perspectives, Daniel Schwarz
Sheriff Dennehy Recruits A Posse From Those Drinking In His Saloon, Robert Cooperman
Sheriff Dennehy Recruits A Posse From Those Drinking In His Saloon, Robert Cooperman
Westview
No abstract provided.
Recitative: Then Shall Be Brought To Pass, Anne Babson
Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies
Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies
WKU Administration Documents
Booklet reviewing events at Women & Kids Learning Together Summer Camp.
Inside Front & Back Covers: Photographs, Frank Gorga
Inside Front & Back Covers: Photographs, Frank Gorga
Bridgewater Review
No abstract provided.
Westview: Vol. 28, Iss. 1 (Spring/Summer 2008)
Exegesis., Christopher Shawne Brown
Exegesis., Christopher Shawne Brown
Electronic Theses and Dissertations
The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer's home in East Tennessee.
The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown's work formally and conceptually. Included are photographers Eugene Atget, Walker Evans, William Eggleston, and Mike Smith as well as the artist Joseph …
Untitled, Adam Peck
Untitled, Adam Peck
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Sketches, Nsu University School
Sketches, Nsu University School
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Valerie Perczek
Untitled, Valerie Perczek
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Untitled, Daniela Tuda
Untitled, Daniela Tuda
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Ua61/1 Wku Nursing Class 2008, Wku Nursing
Ua61/1 Wku Nursing Class 2008, Wku Nursing
WKU Administration Documents
Members of the 2008 nursing class: Brittany Baxter, Kenny Becht, Margaret Boils, Miranda Bow, Salanda Bowman, Sandra Braswell, Victoria Briley, Renee Brown, Erin Bruenderman, Laura Bryan, Ashley Buck, Angela Burton, Angela Campbell, Trisha Campbell, Joy Campbell, Elizabeth Clarke, Paula DeVore, Courtney Don, Jodi Dubree, Devon Durall, Miki Durall, Megan Esters, Tammy Franklin, Kimberly Gidcumb, Amanda Hallum, Alyssa Harmon, Wesley Henderson, Tara Hester, Jessica Houchens, Lauren Johnson, Chris Kramer, Ashley Logan, Heather Martin, Lindsay McCoy, Leslie Meador, Freda Meador, Sheena Millay, Tiffany Norris, Amanda O'Keefe, Jason Osborne, Jackie Pardue, Jennifer Pendley, Rosie Plas, Samantha Reeder, Jenna Silverberg, Sheree Simmons, Jamie Simpson, …
Untitled, Kelly Flowers
Untitled, Kelly Flowers
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen
This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen
Faculty Publications
This essay examines the benefits and disadvantages of using imagination as a method of historical research in the archive. Employing Jean-Paul Sartre's notion of “image-consciousness” in The Psychology of Imagination, imagination is defined and explored as a form of perception based upon temporal absence or suspension. This method is then discussed in relation to the exhibition “Not Given: Talking of and Around Photographs of Arab Women” (2006), curated by the author with artist Isabelle Massu. The installation was assembled with the cooperation of the Arab Image Foundation in Beirut and traveled from Marseille (2005-06) to San Francisco (2007). The author …
Opening The Aperture: Examining Images Of War In The Press, Jeffrey Albanese
Opening The Aperture: Examining Images Of War In The Press, Jeffrey Albanese
Senior Honors Projects
A number of policymakers have attributed America’s defeat in Vietnam, the first “television war,” to a collapse of public support caused by nightly news coverage of combat with associated iconic photographs and moving images. The assumptions underlying this opinion are that photographs and video footage of war have an inherent pacifistic bias, that the emotional impact of visual images can override reason, and that powerful images can drive or overturn foreign policy. This has led subsequent administrations to increase their control over the media’s coverage of war. During the Vietnam War, the press was relatively uncensored. As a response to …
Press Pass Exploring The Depths Of Sports Photography, Rachel Fus
Press Pass Exploring The Depths Of Sports Photography, Rachel Fus
Renée Crown University Honors Thesis Projects - All
The problem was funding. I wanted it but was denied it. And so my Honors Capstone Project Part III took the form of a senior show on sports photography. I endeavored to recreate the standard photography show by encorporating various media into one collaborative project.
Sports photography is usually to be the bottom of the food chain when it comes to field. It is just like sports in general are considered to be lower class, lower culture than theater and opera and ballet. Even most photographers think getting a shot is just luck and keeping their finger on the motor …