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Articles 871 - 900 of 12233
Full-Text Articles in Photography
Cows Work The Clean Up Following The Rice Harvest In Hoi An, Vietnam, Christopher Reed
Cows Work The Clean Up Following The Rice Harvest In Hoi An, Vietnam, Christopher Reed
Intertidal
No abstract provided.
Author Bios, Author Bios
Willet And Its Sand Crab, Alexander Yan
Monopoly, Emilie Vu-Nguyen
Attention's Loop: A Sculptor's Reverie On The Coexistence Of Substance And Spirit, Elizabeth King, Katherine Wetzel
Attention's Loop: A Sculptor's Reverie On The Coexistence Of Substance And Spirit, Elizabeth King, Katherine Wetzel
Attention's Loop
This is a book about attention and memory. I am a sculptor, so it is also a book about size, dirt, artifice, work, and eye. The text is a set of stories and interruptions that pile up to make a play of overlapping loops. My organizing principle is the image of the round-trip, so one may open the book and step into it at any point. Most of Katherine Wetzel’s photographs are of a single sculpture. It is a self-portrait, a particular kind of round-trip, and it is small: one-half life-size. Called Pupil, it is jointed and movable, and …
Cityscape Silhouette And Southwest Boulevard, Ahnaf Labib
Cityscape Silhouette And Southwest Boulevard, Ahnaf Labib
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Ahnaf Labib is a first-year student from Dhaka, Bangladesh, with an interest in economics and computer science. Ahnaf enjoys exploring different artistic mediums and is currently learning photography.
Teaching Ettingerian Matrixial Theory, R. Michael Fisher
Teaching Ettingerian Matrixial Theory, R. Michael Fisher
Artizein: Arts and Teaching Journal
Utilizing an adapted scoping review of the literature on Bracha L. Ettinger and Education (2008-2024), the author reveals the specific ways that Ettingerian Matrixial Theory (EMT) and its pedagogies are taught and can be taught in the future. EMT is argued to be a new branch of Critical Theory. The current literature shows there is mostly engagement with EMT in academic settings. As well, the literature reviewed shows EMT is used readily in arts and with artists as teachers and teachings for adults. However, the author unveils diverse other possibilities of teaching EMT. A few major themes from the literature …
A Matrixial Museum: Education In Almost-Impossible Spaces, Valerie Oved Giovanini
A Matrixial Museum: Education In Almost-Impossible Spaces, Valerie Oved Giovanini
Artizein: Arts and Teaching Journal
This paper is meant to scaffold an imaginary space for what is currently an almost impossible museum. It would reside on a border between Gaza and Israel. Artists and participants would be able to enter from both sides of the border into a circular and cavernous space to make, share and experience art together. In artwork that values its relational capacity to affect another, the move from aesthetics to ethics recalls our mutual place of origin understood in Bracha L. Ettinger’s Matrixial Theory (EMT) as “the matrixial womb.” Griselda Pollock’s Virtual Feminist Museum, Gur-Ze’ev’s counter-education, feminist pedagogy, and Art-care activism …
She-Hero: A Memoir Of The Divine Feminine Within A Creation-Centred Paradigm, Darlene St.Georges
She-Hero: A Memoir Of The Divine Feminine Within A Creation-Centred Paradigm, Darlene St.Georges
Artizein: Arts and Teaching Journal
She-Hero: A Memoir of the Divine Feminine within a Creation-Centred Paradigm explores Ettinger’s matrixial borderspaces through an inter-woven theoretical | artistic | poetic métissage. An example of creation-centred research, this memoir is likened to Ettinger’s concept of metramorphosis—an active restoration of matrixial knowledge(s) and knowing. Embodying a creation-centred curriculum and pedagogy, She-Hero privileges non-dominant epistemologies to attend to the disruption of historical patterns of the hero—inviting readers to submerge and emerge in co-poesis within an intimate and aesthetic kaleidoscopic space of feminine affect and agency.
Traces Of Communal Touch: Matrixial Encounters With Pre-Service Art Educators Across Two States, Kate L. Wurtzel, Laura L. Mccartney
Traces Of Communal Touch: Matrixial Encounters With Pre-Service Art Educators Across Two States, Kate L. Wurtzel, Laura L. Mccartney
Artizein: Arts and Teaching Journal
The matrixial sphere, as put forth by artist and psychoanalyst Bracha L. Ettinger, is a shared and transsubjective space that is beneath the conscious, under the touchable and perceptible; it is a space where we encounter ourselves and one another in shared trauma, healing, art making, and the lived experience overall. This co-authored essay explores how a shared matrixial space and the matrixial gaze, which is not always visual, have been experienced through the square boxes of ZOOM as part of a collaborative, long-distance art exchange project. The project, focused on Spontaneous Creation-Making (SCM) sessions, as outlined in Barbara Bickel …
Winter Solstice Phenomenon At Newgrange: Research Report 2024, Frank Prendergast
Winter Solstice Phenomenon At Newgrange: Research Report 2024, Frank Prendergast
Articles
This report, commissioned by the National Monuments Service presents a comprehensive analysis of the high-resolution photographic and video recordings of the solar illumination inside the burial chamber at Newgrange passage tomb, located within the UNESCO World Heritage Site of Brú na Bóinne – Archaeological Ensemble of the Bend of the Boyne.
Cardinal, Rachel Schmitt
Cardinal, Rachel Schmitt
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Rachel Schmitt is a Senior Music Education major with an instrumental emphasis. Having always been intrigued by the world that surrounds us, Rachel took up photography as a hobby around age 10. At DePauw, she has honed in on her photography skills and continues to create projects to showcase her detailed-oriented lens.
Permanence Collection, Justine Vandenberg
Permanence Collection, Justine Vandenberg
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Justine Vandenberg is an Environmental Fellow student at DePauw University majoring in Sustainability Science and Environmental Studies. She is also a writer, poet, and photographer who is passionate about using artistic forms to advocate for the health of ecosystems and human communities. She finds beauty in hiking, gardening, and mountain life.
Lost Track Of Time, Kisa Tamai
Lost Track Of Time, Kisa Tamai
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Kisa Tamai is a junior from Honolulu, Hawai'i, majoring in Communication and Global Health. She occasionally shoots 35mm film in memory of her grandfather. She enjoys hiking and rock climbing.
Kindling, Kandafula Sikana
Kindling, Kandafula Sikana
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Kay Sikana is an interdisciplinary artist and Senior Studio Art Major at DePauw. They enjoy storytelling and integrating oral histories in their work.
Red Bike In Snow, Emily Loera
Red Bike In Snow, Emily Loera
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Emily Loera is a Junior double majoring in Design Studies and Asian Studies. She is on the Women’s Track and Field team and involved in many other organizations on DePauw's campus. She loves to share her art with others, read, and hang out with her friends.
Sidewalk Ensnared, Annika Christiansen
Sidewalk Ensnared, Annika Christiansen
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Annika Christiansen is a Sophomore photojournalist and Media Fellow at DePauw University. She has been pursuing photography personally and professionally for the past six years, and her art is inspired by the hidden beauty in mundane scenes. She loves fiction writing, jazz music, and cinematography.
Mom's Third Eye, Dylan Copeland
Mom's Third Eye, Dylan Copeland
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Dylan Copeland is a Junior Studio Art major at DePauw University. He loves exploring with photography to create unique compositions. He loves to pole vault, skateboard, and listen to music in his free time.
Worn, Lindsay Hontz
Worn, Lindsay Hontz
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
Lindsay Hontz is a Junior English Writing Major and Women, Gender, and Sexuality Studies Minor at DePauw University. She enjoys photography and typically shoots film. She loves to cook and bake in her free time.
Remembering, Quinn Youngs
A Lost Child [1], Animus Zhang
Caffeine And Me, Chad Erickstad
Teddy Roosevelt National Park, Jonathan Sladko
Teddy Roosevelt National Park, Jonathan Sladko
Floodwall Magazine
I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.
Bernese Oberland, Jonathan Sladko
Bernese Oberland, Jonathan Sladko
Floodwall Magazine
I love traveling, and I hope to make it an integral part of my life by getting a job as a commercial pilot in the future. I also love capturing the beauty of the world as I see it while traveling full of vibrant colors, awe-inspiring scenery, and diverse cultures. I hope my photography is able to capture the world as I see it, so that I may share it with you.
Love Medicine, Casey Fuller
Love Medicine, Casey Fuller
Floodwall Magazine
I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …
Minima Moralia, Casey Fuller
Minima Moralia, Casey Fuller
Floodwall Magazine
I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …
Naked Lunch, Casey Fuller
Naked Lunch, Casey Fuller
Floodwall Magazine
I love words. Words are totally amazing. Words allude, cordon off, cordon in, exfoliate, and blossom. And words are just so strange. The meaning in words can change over, their footprints marking you with their history. And yet, one conclusion I’ve come to as an English PhD student at the University of North Dakota, as a person who lives and breathes and teaches words every day, is that words can’t express all of my feelings. It’s a sad notion for me—one that I’ve tried to deny. So, as an English PhD student who is far enough along in his studies …
Tree-Lined, Chad Erickstad
Tree-Lined, Chad Erickstad
Floodwall Magazine
The world we experience is constantly evolving; yet many of our experiences are universal through time. I use photography to capture these universal moments as well as the ones unique to our moment in history. I find nature to be a fertile subject, often at its most brutal or its most serene. I am also interested in ways we have shaped nature and architecture to function for our modern needs and meet our current definition of “aesthetically pleasing.”
Summer School, Nicholas Baldwin
Summer School, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …
Marbled Frog Wood Cut, Nicholas Baldwin
Marbled Frog Wood Cut, Nicholas Baldwin
Floodwall Magazine
I question conventional boundaries through a series of action and reaction, a safari between permanence and transience, interrogating whether paper is shaped forever. Pulp painting promises a negotiation of form while carrying abstraction. My intention is to evoke that magic certitude borne of a dedicated approach. Having caught some idea, I broaden it with weird fibers, give the thing depth, complete a cycle of reasoning by returning to the starting point in a way a sculptor might imagine the pose of a figure hidden in a lump of stone. By marrying feeling and intellect, I find a facility of control. …