Photography Commons^™

Ua1c11/96 W.C. Brownfield Photograph Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of and by W.C. Brownfield.

View From A Kayak, Jessie E. Martin

The Mercury

No abstract provided.

Photograph Of Mikhail Baryshnikov Dancing "A Cloud In Trousers", White Oak Dance Project, 1996, Steven Caras

be Still

No abstract provided.

Healing The Soul With Yoga, Bhavik Upadhyay

be Still

Second year osteopathic medical student Gavin Yseth conducting yoga session for fellow classmates.

Ua1c11/57 Sigma Theta Tau Photos, Wku Nursing

WKU Administration Documents

Unidentified images of Sigma Theta Tau.

Adoptability And Acceptability Of Peace Journalism Among Afghan Photojournalists: Lessons For Peace Journalism Training In Conflict-Affected Countries, Saumava Mitra

Media Studies Publications

In this article, I seek to inform Peace Journalism (PJ) edu­cation and training in conflict-affected countries in par­ticular. Based on a case study of the professional expe­riences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by jour­nalists from conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ train­ing in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by …

Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Joe Sartor.

Quieto Pelo : Tumaco : Área Rural Y Urbana, Liliana Angulo Cortés, Special Collections, Fleet Library

Photography

[Colombia] : Universidad Nacional de Colombia, [2017]. Collection of 4 postcard booklets with 10 postcards each, printed in glossy paper and folded accordion style (16 x 100 cm unfolded). In Spanish.

15 Photographs 15 Curators, Matty Cunningham, Ryan Dee, Shane Farritor, Charlie Foster, Derrick Goss, Richard Graham, Pablo Morales, Carrie Morgan, Walker Pickering, Judith Sasso-Mason, David J. Sellmyer, Jamie Swartz, Sriyani Tidball, Elizabeth Vanwormer, Michelle Waite

Sheldon Museum of Art: Catalogs and Publications

The museum invited fifteen individuals from the university community—faculty, students, staff, administrators—to each choose a photograph from Sheldon’s permanent collection and write a brief reflection on or response to the work. The selected images span history, genres, and styles, just as the participants represent diverse intellectual and creative interests on campus. Equally varied are the reflections themselves. Some participants describe qualities that have drawn them to particular images; others consider the ways art provides a fresh lens for their specialized work in other disciplines.

Photographs:

Monte Gerlach Rising Form

Sarah Charlesworth Candle

Stanley Truman Joinery, Coloma, California

Carrie Mae Weems …

A Dark Passage, Erica M. Schaumberg

The Mercury

No abstract provided.

Working Hands, Melissa Casale

The Mercury

No abstract provided.

High And Dry, Khun Minn Ohn

The Mercury

No abstract provided.

Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.

The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …

Prime, Perform, Recover, Patrick Harkin

Theses and Dissertations

This thesis examines the formal and conceptual framework of my artistic practice as it culminated in the installation of my thesis exhibition, Prime, Perform, Recover. My exhibition seeks to operate as an analysis and critique of the separation inherent in media presentation and rhetoric surrounding natural disasters.

I utilize the aesthetics and vocabulary of disaster capitalism and prepping culture in order to pose direct questions about ecological and social change. I examine the role of images within mass media image production as an all encompassing Now-Time. In this paper I describe frameworks that my practice proposes as potential solutions to …

Dangle, Megan Murphy

The Laureate

No abstract provided.

The Laureate, 16th Edition (2017)

The Laureate

Table of Contents

Dangle, Megan Murphy

Redamancy , Danielle Favorite

A Lesson, Mark Majcher

Sink in the Morning, Andrew Heuermann

Lie, Kaylie Hanson

Suffragette Colors, Tenley Sablatzkey

The Big Community, Jackson Freeman

Small Thing, Jared Sebastian

Untitled, Casey Grooten

The Diary of a Young Girl and Jeff Mangum, Andrew Heuermann

Prescribed Meaning, Ali Orlandi

An Open Letter to the Father Who was There, Amber Slack

Genesis and Chance, Austin Wines

The Morning Pachamama was Born, Megan Murphy

Her Black Braids Broke Down, Casey Grooten

Toes and Paint, Nick Alti

Rest, Maura Sands

Money is a Crime; Rape is a Personal …

Untitled, Carla Zorrilla

The Laureate

No abstract provided.

Comp. 006, Ed Ryan

The Laureate

No abstract provided.

Small Boat In Ludington, Mi, Ed Ryan

The Laureate

No abstract provided.

Farm Near Almindingen, Bornholm, Denmark, Thomas M. Segerstrom

The Mercury

No abstract provided.

The Golden Hour, Jessie E. Martin

The Mercury

No abstract provided.

Sachsenhausen Concentration Camp, Jared C. Richardson

The Mercury

No abstract provided.

Viktoriapark, Jared C. Richardson

The Mercury

No abstract provided.

Seven, Erica M. Schaumberg

The Mercury

No abstract provided.

Battlefield Run, Kathleen M. Bolger

The Mercury

No abstract provided.

A Little Help... From My Friends, Vera Ekhator

The Mercury

No abstract provided.

Nordkette 1, Daniella M. Snyder

The Mercury

No abstract provided.

Formulations Of Primer, Acrylic Paint And Pastel In Traditional Thai Style Colour, Nawarat Kaew-On

Chulalongkorn University Theses and Dissertations (Chula ETD)

This research aimed to improve Thai traditional primer, used for mural painting, with antibacterial property, to formulate novel primers having antibacterial behavior, scrub resistance and washability as well as to formulate paints according to Thai color dictionary. Both primers and paints were aimed to use in mural painting. We divided the research into 3 parts: 1) improved traditional primer and formulated novel primer with antibacterial, washable and scrub resistance properties; 2) formulated acrylic paints and pastels according to Thai color dictionary and 3) investigated the wavelengths used for distinguishing the change of paint caused by light, moist and heat using …

171 Arntzen Photographs Of Armstrong, University Libraries, Lane Library

Finding Aids

Campus photographer’s photograph files. Photos document most aspects of the Armstrong campus during this era, when Armstrong was called Armstrong Atlantic State University (AASU) and Armstrong State University. Included are events (graduation, campus visits, groundbreakings, etc.), athletics, campus facilities, many campus activities and candid and posed photographs of students, many to illustrate campus promotional materials. Also a portrait collection arranged by name, mostly of faculty and staff. An extensive collection it seems that most photos Arntzen took were archived here.

Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.