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Articles 4321 - 4350 of 12233
Full-Text Articles in Photography
Via Dolorosa, Noah Zimmermann
Pause In Petra, Noah Zimmermann
Blue Dissolve, Hayden Arrington
Grumpy Deacon, Olivia Kent
Secrets, Bethany Knapp
Rainy Zurich, Abby Cardwell
Tsujiki After Lunch, Amy Poon
Sunday Afternoon, Bethany Knapp
"We'll Be Friends Forever, Won't We…?", Faith Kressner
One Thousand Samurai Procession, Amy Poon
Wasteland, Lauren Zimmerman
Fall, Lauren Zimmerman
Halo, Aaron Templeton
Senior Thesis: The Migratory And Reproductive Patterns Of The North American Waterfowl As Shaped By Rising Global Temperatures, Ben Gamble
The Echo
No abstract provided.
On October 29th, Jared Buchholz
Gold Star, Lizzy Coyle
There Is No Cookie Butter When You Die, Maddie Depree
Fire, Emily Matthews
Fallen Sparrow, Paul Bryant
The Day I Chose Buddhism Over Baseball, Jared Buchholz
Clutch Of The Sea, Reilly Mahan
This Isn't The Ball Cinderella, Ben Gamble
Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett
Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett
The Echo
No abstract provided.
Big Brother, Meg Gillogly
Alternative Process Photography: Beyond Digital And Film, Laura Michaud
Alternative Process Photography: Beyond Digital And Film, Laura Michaud
Senior Honors Projects
The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …
Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse
Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse
Zephyr
This is the eighteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.
'You Become A Rock': Conceptions Of Motherhood And Lessons Of Race As Told And Photographed By Four Mothers From Cape Town, South Africa, Kaitlin Abrams
'You Become A Rock': Conceptions Of Motherhood And Lessons Of Race As Told And Photographed By Four Mothers From Cape Town, South Africa, Kaitlin Abrams
Independent Study Project (ISP) Collection
This study will discuss conceptions of motherhood and lessons of racial identity through the lens of four women from Cape Town, South Africa. Utilizing both semi-structured interviews and photovoice, stories of motherhood are told as a journey from childhood to adulthood, in which one’s experience of being mothered influences decisions in current motherhood. In interviews, mothers pinpoint conceptions of good motherhood that encompass both financial support for one’s children and attentiveness, informed mostly by one’s race and class background. Additionally, experiences surrounding discrimination and silencing in childhood differ between races, later informing the way that mothers chose to share lessons …