Photography Commons^™

Gen Ms 07 Farm Security Administration Photographs Finding Aid, Siobain C. Monahan

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Description:

Reproductions from the Library of Congress, Farm Security Administration, Office of War Information Photograph Collection, used in a 1974 exhibition at the University Art Gallery. The photographs are by Jack Delano, John Collier, Edwin Locke, Carl Mydans, Arthur Rothstein, Marion Post Wolcott, Russell Lee, Edwin Rosskam, Fenno Jacobs, Walker Evans, Herbert Mayer, Gordon Parks, and Walter Payton. Places represented include: in Maine, Aroostook County, Ashland, Bath, Boothbay, Caribou, Fort Kent, Fryeburg, Houlton, Lille, New Sweden, Presque Isle, Rockland, Saint David, Soldier Pond, and Van Buren; in Vermont, Bellows Falls, Brattleboro, Bridgewater, Castleton, Essex Junction, Hardwick, Lowell, Manchester, Morrisville, Orange …

Nexus, Spring 2018, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Gen Ms 06 Ben Shahn Photographs Finding Aid, Siobain C. Monahan

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Description:

Ben Shahn was an artist who used photographs primarily as a starting point for paintings. He was employed in the New Deal Resettlement (later Farm Security) Administration as an artist, but also assisted with the photographic projects. The collection consists of reproductions from the Library of Congress, Farm Security Administration, Office of War Information Photograph Collection, used in a 1976 exhibition at the University Art Gallery.

Size of Collection:

4.5 ft.

Gen Ms 11 Leo Brooks Photographs Finding Aid, Siobain C. Monahan

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Description:

Leo Brooks was an artist who was also a linotype operator at the New York Times. He worked in a variety of media, including jewelry and painting. He worked for the Works Progress Administration in the 1930s, making a photographic record of life in the city during the Great Depression. The collection consists of reproductions of photographs taken in New York, in 1932 and 1933. Possibly acquired by the University Art Gallery for an exhibition.

Date Range:

1932-1933

Size of Collection:

4.5 ft.

Zephyr: The Nineteenth Issue, Zephyr Faculty Advisor, Anne Carbonier, Sara Costa, Tori Kitchens, Vic Wilbur, Jessica L. Stumper, Lilly Anderson, Jaymi Wood, Emily Morris

Zephyr

This is the nineteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Vistas, Volume 32, Spring 2018, Sacred Heart University

Vistas (Horizons)

An interdisciplinary, multi-cultural journal celebrating the creativity of Sacred Heart University during the academic year 2017-2018.

This year's issue of Vistas is titled "limit·less."

Processing The Unfamiliar: American Soldiers Processing Vietnam Through Photography, Anna Savery 18

Honor Scholar Theses

No abstract provided.

Orpheus, Spring 2018: Borderlands, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Canonical Poses And The Gaze, Sarah Oakley

Bachelor of Fine Arts Senior Papers

My work deals with the nude female form and the various depictions that it has taken on. From the early oil paintings from masters like Ingres and Titian, through Playboy centerfolds of the 50s-70s, and continuing all the way up to the contemporary nude iPhone selfie, I explore questions of the gaze, ownership, and commodification of the female form. Starting with my painted Selfie Series and ending with my embroidered pillows, I touch on a variety of framing devices for the female nude and its representation of sexuality in modern culture.

Volume 10, Taylor Hogg, Tiffany Carter, Brandyn Johnson, Haleigh James, Josh Baker, Tyler Cernak, Kirsten Bauer, Allie Snavely, Mary Zell Galen, Eric Powell, Thomas Wise, Katie Kinsey, Beth Barbolla, Maeleigh Ferlet, Rebecca Morra, Michala Day, Alexandra Evangelista, Max Flores, Harley Hodges, Clardene Jones, Harrison Samaniego, Jamesha Watson, Abby Gargiulo, Heather Green, Haley Klepatzki, Juan Guevara, Dani Bondurant, Michael Joseph Link Jr., Pamela Dahl, Maeve Losen, Charlotte Murphey

Incite: The Journal of Undergraduate Scholarship

Introduction Dr. Roger A. Byrne

An Analysis of Media Framing in Cases of Violence Against Women by Taylor Hogg

Writing in the Discipline of Nursing by Tiffany Carter

Photography by Brandyn Johnson

The Hidden Life of Beef Cattle: A Study of Cattle Welfare on Traditional Ranches and Industrial Farms by Haleigh James

Bloodworth's by Josh Baker and Tyler Cernak

Prosimians: Little Bodies, Big Significance by Kirsten Bauer

Skinformed by Allie Snavely

Coopertition and Gracious Professionalism: The Effects of First Robotics Folklore and Culture on the Stem Community by Mary Zell Galen

Tilt by Eric Powell And Thomas Wise

The Millennial …

Emily, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape and Trauma; Public Memorials and Conflict Histories, Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This image depicts an elaborate and clearly heartfelt roadside memorial to “Emily”, which is an extraverted display of sadness and loss that is an increasingly familiar contemporary lament. We know not who Emily was, nor what happened to her. The story is unclear if the tragedy unfolded on the road outside the house, or inside the house itself, thus the house could have been either witness or host to her demise. The composition directs, but most certainly does not invite us via the gate to …

Mandurama Storm, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This urban landscape, Mandurama Storm, highlights our resistance to the forces of nature. The photograph is underpinned by a similar sentiment to artist Laura Glusman, who writes, “the concept of landscape is not an isolated portion of land that exists only to be contemplated, but [is] a being imprinted with the traces of culture, storms, commerce and climate change”.

The image depicts an anonymous building behind a nondescript façade in the main street of a small town. It is of unknown purpose, but appears to be a former business. There are signs …

The Beholder, Allan Lake

Landscapes: the Journal of the International Centre for Landscape and Language

A poem on the effect of landscape on the emotions.

Shifting Rurality American Gothic, Iowa Nice, Biotech And Political Expectations In Rural America, William D. Nichols 890252

Landscapes: the Journal of the International Centre for Landscape and Language

This paper traces the linkage between heritage landscape within the context of the election of Donal Trump. Trump's invocations of heritage riled certain regions of the US which had a distinct connection to Regionalism, both as a political idea and as an aesthetic practice. Focusing on Iowa, home to the quintessential American painting, American Gothic, the paper looks at modernity and agriculture, and how the two categories seem to rely on (but also negate) heritage. By examining what a genetically modified landscape might mean in relation to the historical image of the pastoral/provincial farmer, a network of frictions and …

Two Tides, Jamie Holcombe

Landscapes: the Journal of the International Centre for Landscape and Language

Landscapes of/in Memory: Frontiers, Promised Lands, Lost Edens

This interior landscape finds its only cheer in the idyllic brackish waters depicted in a picturesque painting reproduction. The ideal coastal estuary adorning this space serves to highlight that our interior-orientated habitats often rest uncomfortably at odds with the natural landscape. There was a time when people who lived by the sea measured their lives by the tides, not clocks. Now ruled by the clock however, our working lives are often tied to a different tide, occasionally only punctuated by melancholic reminders, in this case provided by a painting on the gritty …

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

Coffin Bay, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This landscape, photographed at Coffin Bay, contributes towards a solution to Glenn Albrecht’s solastalgia, which he terms soliphilia. It expresses my concern that we live too much in the shadow of fear and helplessness, needing to reclaim our relinquished responsibility for our own condition. To do this, we must first realise that we are heading towards a demise of our own making. This image metaphorically depicts exactly that, by suggesting that the highway of denial of our ancient rhythms, which carves its way through nature’s own warnings, careers relentlessly towards the …

Microcosm, Luciano A. Duran

Toyon: Multilingual Literary Magazine

N/A

Naturaleza Y Humanidad | Nature And Humanity, Christina R. Córdova

Toyon: Multilingual Literary Magazine

beginning photography

Visual Influence And Youth Empowerment, Rebecca A. Cote

Lesley University Community of Scholars Day

During adolescence, youth start to look outside of their spheres of family to explore the greater world and they are often left with visual media as the go-to source of information. Media images are contrived to provoke meaning through the use of signs and how they are presented and they manipulate images to impart messages. Youth need to be literate in visual language in order to discern the implied influence.

Hashtag Meta- Dissecting The Ways Social Media Mimics Aspects Of Mental Illness, Britney Segermeister

Lesley University Community of Scholars Day

Life as a millennial means by the end of our lifetime the internet and our existence in it will have had a presence throughout the majority of our life. For most their participation would have begun in pre-teen to adolescent years, our most transitional stage before reaching physical and legal adulthood. Has social media had an impact on our society and are Millenials the most susceptible? This project explores a visual response to the effects of social media, with the creation of visual personalities and intersection between the tangible and the digital.

Making Visible: More Of The Picture, Sarah Slavick

Lesley University Community of Scholars Day

In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …

Trisha, Gilbert Hu

Forces

No abstract provided.

The Chinese Ghostbuster, Peizhao Li

Forces

No abstract provided.

2018 Forces, Scott Yarbrough

Forces

No abstract provided.

Menshen: Qong Qin (Left) And Chigong Yu (Right), Peizhao Li

Forces

No abstract provided.

Light Ghost, Kateri Whitfield

Forces

No abstract provided.

Fun In The Botanical Garden, Gilbert Hu

Forces

No abstract provided.

Horror Of My Life, Trishal Varma

Forces

‘Horror of my Life’ is a poem about the atrocities that took place during the holocaust in Germany and parts of Europe. The Nazi party successfully conquered and opened several concentration camps, imprisoning the Jewish people. The poem follows a chronological order of how the Nazi party slowly implemented hate, and forced the Jewish people to be different from the Aryan society created by Hitler. A decade after the night of the broken glasses, eighty four percent of Jews from Germany were in concentration camp.

Introduction, Scott Yarbrough

Forces

No abstract provided.