Photography Commons^™

Riding To Devil’S Kitchen, Donna L. Emerson

Westview

I ride Moose today,

A Nice Boy, Austin Watford

Westview

Across the street lives a very nice boy with brown eyes like muddied brick and teeth like tiny fence posts.

Asylum, Lauro Palomba

Westview

The Hospital for Idiots and Imbeciles

Gazebo In The Park, Dennis Ross

Westview

Walnut shells are centered

Drought, Richard Luftig

Westview

Out in the back of farms,

Last Day, Richard Dinges Jr.

Westview

Gray hair and bald

Feminist Typology-- I Am A Feminist

AWE (A Woman’s Experience)

No abstract provided.

Fashionable Child Labor (Artwork), Lupita Herrera

AWE (A Woman’s Experience)

photography

Cada Día Por Dios (Every Day For God): A Look Inside La Luz Del Mundo And The Expansion Of Hispanic Evangelicalism, Jennifer King

Mahurin Honors College Capstone Experience/Thesis Projects

“Cada día por Dios,” which translates to English as “Every Day for God” tells the story of the local congregation of the Hispanic evangelical church Iglesia del Dios Vivo, Columna y Apoyo de la Verdad, La Luz del Mundo. More commonly, the church is referred to as La Luz del Mundo or the Light of the World church. The local congregation of La Luz del Mundo is part of a larger trend of evangelical expansion in the Hispanic population and serves as a microcosm of the international church community.

The doctrine of the Light of the World church hearkens back …

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.

Foxes Have Dens, And The Birds In The Sky Have Nests, But The Son Of Man Has Not Place To Lay His Head.—Mathew 8:20 A Photographic Project, Alex Morel, Joseph De Rege, Sieta C. Leon, Noah J. Letcavage, Wesley T. Martinez, Stefanie M. Perrotte, Nicholas F. Proscia, Fernando Zelaya

Journal of Vincentian Social Action

No abstract provided.

Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette

The Qualitative Report

Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …

Between Gods And Animals : Deconstructing Heteronormative Masculines Pursuit To Sustain Power, Shawn Bush

Masters Theses

Between Gods and Animals is a multi-angle exploration of the Caucasian heteronormative male’s endless pursuit to sustain power and inability to live by their own set of codes. Using the Grecco Roman period as an origin point, this work examines the forces that have historically perpetuated the myth of masculinity. Relating past ideals of maleness to contemporary standards this thesis illuminates patriarchal structures that are systematizing masculinity while providing a space to normalize a gamut of masculines. The visual works included act as an introspective approach in accepting the complacency of my existence as a man who has operated within …

Pretend Power, Rosemary Engstrom

Masters Theses

This is an anti-thesis about being a tender and tuff queer femme bitch with mental illness trying to exist in this shitty world by creating worlds of their own. With bright colors, video performance, dress up, collage, and a lot of feelings, I turn power structures on their upside. They become a game of pretend where queers run the show. It’s ok to be sick. It’s ok to be vulnerable. It’s ok to be queer. You’re not alone.

Shoes @ The Krasl: Photographs, Michael R. Hill

Department of Sociology: Faculty Publications

The Krasl Art Center, in Saint Joseph, Michigan, is not only an energetic organization but also an ever evolving physical space replete with exciting sculptural experiments. My longtime Krasl favorite, Michael Dunbar’s dramatic Allegheny Drift, was the setting for the initial photograph (inset) in what became my visual explorations with the Blue Shoes (documented in The Year- Long Adventures of the Blue Shoes and Their Friends (Lincoln: Zea Books, 2016); available gratis as a PDF download from the University of Nebraska-Lincoln Digital Commons: https://digitalcommons.unl.edu/zeabook/49/). Inspired by the recent transformations of the Krasl’s grounds, the eight plates in this portfolio …

Visualizing Grief: An Exploration Of The Stages Of Grief Through Image And Design, Audra L. Rygh

Masters Theses

Grief is an emotion that people have felt since the beginning of time, but in modern culture, there is a lack of visual representation of the five stages of grief. Because grief is a highly personal and unique experience, it can be difficult to visualize what those stages may look like for the mass population. However, if one could develop an understanding of what each stage includes, as well as a study of the thoughts and feelings of those who have experienced grief, this research could aid in the creation of an accurate representation of the stages of grief. The …

A Place Of Gemütlichkeit: The Holden Village Of Augustana German Professor Erwin Weber, Julia Meyer

Celebration of Learning

Lying in Augustana’s Special Collections are three insignificant looking items. Two three-inch black binders with white labels which read “Holden I Copy” and Holden II Copy” in red ink. These two binders along with a plastic spiral-bound paper compilation are photographs and memories of former Augustana German professor Erwin Weber’s summer at Holden Village in 1977. Titled “My Days at Holden,” this compilation is an unpublished photo-book detailing the wilderness and the people of the community of Holden Village. This isolated village situated in the Cascade Mountains of Washington State draws many individuals, including Erwin Weber who in the summer …

Private Rainbows, Mikey F. Estes

Theses and Dissertations

I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Dorothea Lange: Capturing The Reality Of The Great Depression And The New Deal Era, Laura Vandemark

James Madison Undergraduate Research Journal (JMURJ)

Dorothea Lange created some of America’s most enduring and influential images as she documented the reality of the Great Depression in the 1930s and early 40s for the Farm Security Administration. Featured in government publications, printed on postage stamps, and used by social activists, Lange’s photographs helped define the era and the emerging field of photojournalism. This paper examines Lange’s motives and process as she tried to capture her subjects’ most intimate moments without exploiting their lives. It draws on Lange’s field notebooks and interviews and surveys the existing body of scholarship to assess how Lange’s life impacted her work …

Steve Mccurry In India: A Balanced Approach To A Complicated Country, Sam Taylor

James Madison Undergraduate Research Journal (JMURJ)

Steve McCurry has worked as a National Geographic photographer for over thirty years and has captured some of his most important images in India. These two photographic narratives—National Geographic, often criticized for its exotic portrayals of other countries, and India, long subject to Eurocentric perspectives and historicizing—frame McCurry’s effort to present the human condition in the far corners of the world. McCurry exploits these tensions as he seeks a more truthful, accurate, and ultimately complex representation of India and its people. This paper analyzes two of McCurry’s most well-known photographs—Dust Storm (1983) and Holi Man (1996)—arguing that …

Four Sights Of The Patient (Ophelia), Cecily Ann Fergeson

Graduate School of Art Theses

I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to reckon with the following subjects: a reclamation of the notion of the so-called medical gaze and its historical record in photography; the idea that receiving the medical gaze transforms patients’ bodies; the idea of illness as an uncanny and intimate experience; and, finally, the act of metaphorically retracing the body’s material journey through the medical institution as it exists today. In this text, I discuss my practice in the context of critical theory, a recent observation …

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

A Meditation In Three Parts, Brent Nakamoto

Graduate School of Art Theses

I’m interested in the way we read images—they way we see through an image’s surface in order to perceive its illusion, in the same way that we see through words in order to understand their meaning. I’m interested in this relationship, in both images and texts, between surface, illusion, and meaning. In Buddhist philosophy, the source of suffering is in our attachments to the self-as-image. The function of Zen meditation practice is to bring attention to this process of perception and, in doing so, to help see through the illusions of self-hood and ground our understanding in the reality of …

Volume 83, Issue 1: Full Issue, Manuscripts Staff

Manuscripts

No abstract provided.

Contributors, Manuscripts Staff

Manuscripts

No abstract provided.

Paper Lanterns, Katherine Marquam

Manuscripts

Poetry by Katherine Marquam.

Thought., Maggie Regan

Manuscripts

Illustration by Maggie Regan.

One Of These Men, Kathleen Berry

Manuscripts

Prose by Kathleen Berry.