Photography Commons^™

Ua1c2/84 Tate Page Hall Photos, Wku Archives

WKU Archives Collection Inventories

Images of Tate Page Hall.

Ua1c2/85 Taylor Agricultural Center Photos, Wku Archives

WKU Archives Collection Inventories

Images of Taylor Agricultural Center.

Ua1c2/83 Structures Photos, Wku Archives

WKU Archives Collection Inventories

Images of structures on WKU campus. These include the bridge at the fort, the Cherry Sundial, Cherry Statue, Creed Monument, Diddle Statute, Guthrie Bell Tower, proposed Memorial Tower and the Spoonholder.

Ua1c2/86 Bell Observatory Photos, Wku Archives

WKU Archives Collection Inventories

Images of the Bell Observatory.

Ua1c2/11 West Hall Photographs, Wku Archives

WKU Archives Collection Inventories

Images of West Hall which became Southwest Hall.

Ua1c2/13 Cherry Hall 1937+ Photographs, Wku Archives

WKU Archives Collection Inventories

Images of the Cherry Hall.

Ua1c2/12 Unidentified Building Photos, Wku Archives

WKU Archives Collection Inventories

Images of unidentified buildings and structures on WKU campus.

Ua1c11/91 Wku Police Photo Collection, Wku Archives

WKU Archives Collection Inventories

No abstract provided.

Ua1c11/90 Mildred Mcgaw Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Mildred (Willett) McGaw's scrapbook.

Ua1c11/88 Jamie Daly Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs taken of and by Jamie Carlyle Daly during her time with the Gemini Jazz Band.

Ua1c4/4 Band Photos, Wku Archives

WKU Archives Collection Inventories

Images of WKU marching band, orchestra, symphonies, etc.

Ua1c4/16 Southern Normal Photos, Wku Archives

WKU Archives Collection Inventories

Images of Southern Normal School students.

Ua1c4/2 Faculty/Staff Photos, Wku Archives

WKU Archives Collection Inventories

Images of faculty and staff groups and associations of Western Kentucky University and its founding institutions.

Ua1c4/9 Sororities Photos, Wku Archives

WKU Archives Collection Inventories

Images of sorority groups.

Ua1c5/8 Fans Photos, Wku Archives

WKU Archives Collection Inventories

Images of fans and crowds at various sporting events.

Ua1c5/11 Tennis Photos, Wku Archives

WKU Archives Collection Inventories

Images of tennis teams and games, includes images from Ogden College tennis team.

Ua1c5/3 Basketball - Womens Photos, Wku Archives

WKU Archives Collection Inventories

Images of women's basketball teams and games.

How To Make A Cyanontype, Maria Politarhos

Open Educational Resources

How to make a Cyanotype or Blue Print

Nevenka Vazgec, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Jagoda Duvnjak & Ana Komso, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Calliope, Georgia Southern University

Calliope Magazine

Volume 36

Black Box 2019, Shane C. Baskit, Jon Haass, Alan Malnar, Ryan Mahoney, Eileen Landis-Groom, Tom Perkins, Gary L. Griffith, Patricia Watkins, Courtney Turner-Rathbone, Hugo Fonck, Kelvin Russell, Martin Kurkchubasche, Jordan King

Black Box

The Black Box is a student based creative publication serving the Embry-Riddle Prescott campus. It is our goal to provide a showcase for the creativity and talent of the Embry-Riddle students. Creative works by members of Embry-Riddle's faculty and staff are included.

Forum Magazine, Fall 2019

Forum Magazine

No abstract provided.

Photography, Visual Culture, And The (Re)Definition/Queering Of The Male Gaze, David Nicholas Martin

Theses and Dissertations--Art and Visual Studies

The traditional notion of the Male Gaze, first conceptualized by feminist film critic Laura Mulvey in 1975, focused on the objectification of women through depictions structured to gratify a male heterosexual perspective. In this chapter we will revisit this concept and investigate how that gaze may have shifted away from a primarily heterosexual perspective to a socially dominant male perspective (maleness here referring to dominance rather than specific gender, just as “whiteness” might refer to privilege rather than race). With gender roles in an increasingly global and mobile society becoming more fluid and complex, opening up visibility to LGBTQ communities, …

In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley

Theses and Dissertations--Art and Visual Studies

The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding recontextualization of Confederate monuments.

Recontextualization of the monuments should not …

Nuanced Narratives: Reporting With Critical Race And Feminist Standpoint Theories, Emily Margaret Pelland

Graduate Theses, Dissertations, and Problem Reports (ETD)

The Google Expedition titled WWI Era Through the Eyes of the Chicago Defender explores African American experiences during the early years of the Great Migration (1910-1970). Conventional journalism relies on the false idea that journalists are meant to be, and can be, objective, outside observers. This report provides tools for journalists to create more nuanced, thorough storytelling endeavors. This report describes the theoretical framework and intent of the Virtual Reality (VR) project for students in grades 8 and above. It utilizes Feminist Standpoint Theory (FST) and Critical Race Theory (CRT) to cultivate a VR experience that acknowledges particular, overlooked aspects …

Digital Image Retouching – Evaluation Assignment [Photography], Thierry Gourjon

Open Educational Resources

“Digital Image Retouching: Evaluation Assignment” was developed in the context of a 2017-18 CTL sponsored mini-grant where the course HUA 231 Digital Photography II, which was formerly an elective, was redesigned as a required course in the Photography program. As part of the mini grant work, program’s curriculum map was also adjusted to reflect the changes. The students in HUA 231 are usually in their second to last semester as this is an advanced digital class. They have taken the pre-requisite HUA 131 (Digital Photography I) in earlier semesters. The assignment will be implemented for the first time in Fall …

Forum Magazine, Spring 2019

Forum Magazine

No abstract provided.

Forum Magazine, Summer 2019

Forum Magazine

No abstract provided.

"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette

English Faculty Publications

A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute …