Photography Commons^™

Swan Lake Sky, Hanna King

The Echo

No abstract provided.

Spider Legs, Macy Petty

The Echo

No abstract provided.

Reflection, Ella Chesney

The Echo

No abstract provided.

On Snow Time, Laura Dame

The Echo

No abstract provided.

Fellowship, Laura Dame

The Echo

No abstract provided.

Vase In Chun Blue, Cecilia Mcginnis

The Echo

No abstract provided.

Revelation, Savannah Jones

The Echo

No abstract provided.

Melted Sugar, Emily Clancey

The Echo

No abstract provided.

It's Magic, Alice Tyszka

The Echo

No abstract provided.

Food, Liron Golan

The Echo

No abstract provided.

Intrusive Thoughts In Academic Settings, Grayson Jarrell

The Echo

No abstract provided.

Preface & Table Of Contents

The Echo

No abstract provided.

Echo 2023 - Complete Issue

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Spring In Cambridge, Arina Petrova

CLAMANTIS: The MALS Journal

No abstract provided.

Ideas On Fire, Ken L. Davis

CLAMANTIS: The MALS Journal

No abstract provided.

Elephant Trunk Nebula, Ed Ting

CLAMANTIS: The MALS Journal

No abstract provided.

Is There A Role For Conflict Photography In Conflict Resolution? It's Complicated, Joseph Clift

Pepperdine Dispute Resolution Law Journal

In this essay, I argue that conflict photography has an important and useful role in conflict understanding and resolution. While conflict images’ usefulness has been debated, I argue that its importance has not. I start with a description of conflict photography and then provide a short historical account of the camera and its use in documenting conflicts. Next, I discuss conflict resolution and present examples of conflict resolution strategies. I then present evidence of how conflict photography can be a useful tool to support some of those strategies. Afterwards, I discuss the complicated nature of conflict photography’s usefulness. I conclude …

In A Condition Of No Light, Alana Perino

Masters Theses

In a Condition of No Light is an autofictional investigation into lineages of familial domesticity. The performances therein circumnavigate one family in one domestic environment, yet are in dialogue with repertoires learned and rehearsed within legacies of myth, literature, theater, film, music, and image; as well as through the otherwise untraceability of embodied memory and inherited trauma. The methodologies used are primarily photographic but also encompass practices reaching towards sculpture, installation, and performance. The line of questioning reserved for this inquiry is how a home, its objects, and inhabitants generate, spacialize, and embody the conditions of wealth, whiteness, and gender. …

Mercy Buckets: Country Music, Southern Fiction, And The Limits Of Rewriting The South, Andy Oler

Study the South

"During World War II, GIs began saying “mercy buckets” as an intentional, joking mispronunciation of the French “merci beaucoup.”1 In the 2011 song “Mercy Buckets,” the southern rock and alt-country band Drive-By Truckers rewrite the phrase’s origin by treating it as an idiom of the American South. As might be expected, however, DBT do not reinforce stereotypical notions of the ignorant southern redneck. Instead, songwriter and lead singer Patterson Hood takes the phrase seriously, explaining just what it would mean if bringing someone “buckets of mercy” were a recognized part of southern culture. . . . In this article, I …

Photography In Executive Protection, Alan Saquella

Publications

Photography plays a crucial and multifaceted role in the field of executive protection, encompassing a range of applications that contribute to the development of threat assessments, security plans, real-time surveillance, incident documentation, and training. The use of photography as a visual tool enables executive protection professionals to identify vulnerabilities, monitor potential threats, gather evidence, and improve their overall protective strategies. One of the key applications of photography in executive protection is the identification and monitoring of individuals who may pose a threat to the client.

New Mapping, Dowon Yoo

Masters Theses

Tools determine the shape of most of the worlds that are manufactured or measured. Taking the Earth as an example, territory is shaped and transformed by the tools of the earth's plate movement, the sea, and humans. A map, a recognized territory, is represented through numerical instruments, mathematical formulas, and visual devices such as lenses.

The instrumental perspective is one of the powerful lenses that will work effectively into the past, present, and future. So I started to apply an instrumental perspective to digital space. Digital space which is Non-physical has become one of the most important worlds for contemporary …

Intertidal No. 1, Adriana Dutra, Anna Madruga, Ashley Lang, Asmahan Karam, Brigitte Kim, Chloe Kelly, Claire Chan, Dana Craighead, Elizabeth Brown, Elsie Wordal, Gavin Hart, Gazelle Chen, Alexandra Hardcastle, Ian Pines, Isaac Rudnick, Jack Fowler, Jade Stankowski, Janae Pabon, Jenna Dierkes, Joshua B. Venz, Josie Doan, Maddie Stein, Madison Gonzalez, Malia Weingarten, Noah Ackerman, Noelle Amey, Maxwell H. Johnson, Rebekah Lee, Rebekah Shane, Sam Mosteller, Sarah Chayet, Sarina Vachhani, Shelby Anderson, Sophie Stoll, Sydney Lehr, Taylor Lozano

Intertidal

For the first year ever, Intertidal has surfaced to showcase the art of Cal Poly's students and faculty. An 'intertidal zone' is an area where the ocean meets the land--hidden during the high tide and exposed during the low. Our journal embodies the moment where the tide recedes, revealing stories previously hidden.

Garden Etiquette, Kai Wasikowski

Masters Theses

Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.

With British, German and Polish settler ancestry, born and raised on …

Entrelazados, Agustina Markez

Masters Theses

Entrelazados is composed of a series of photographs from my trip to Argentina summer of 2022. I explore my immigrant Argentine identity and displacement in relation to turmoil, thinking about political disruption of everyday life, within the passage of time This work aims to give an inside look on the mundane daily life of my family, capturing the quiet moments in our everyday life. I used film and collage to have a closer connection to the medium I was using to capture these moments. Through sewing, inks, and physical collage of materials, I got to form an intimate relationship with …

Mistranslated, Hee Young Cha

Masters Theses

Mistranslated is an essay based on my research on the patriarchal structure that is inherent in the translation, and an attempt to challenge them through the perspective of a colored woman with a transnational background. I focus on the cognition of cultural identity that is otherwise a subject of oblivion when living in a homogenous nation. Moving between countries that predominantly share the same racial ethnicity and languages, I began to be categorized with the modifier only after I stepped into dynamics of the diasporic community – America. As my presence of cultural identity becomes increasingly apparent after being positioned …

Landscape De/Re-Construction Through Art, Manuel Gonzalez

Masters Theses

Contemporary landscape architecture practice and education primarily focus on ecological and technical interventions. The climate crisis we find ourselves in demands scientifically informed decisions and well-engineered execution of projects, but, more importantly, creativity and innovation.

The fine arts, which were once integral and foundational to design, are today largely unappreciated and appropriated. The spiritual power of Art, Aesthetics, and Beauty, explored at length through art history and theory, are often viewed as indulgent or secondary to execution. The gap between Art & Design has widened. As a result, designers face challenges in fostering in individuals the kind of care and …

You're Making Me Sentimental, Chris Geng

Masters Theses

My project is a personal search for a different way to see the footprint we have left on the landscape. A way of seeing that finds potential in existing buildings without placing the building in the background, that instead engages sentiments in order to approach reuse as an act of layering that retains the memories of before. I went about uncovering the memories of a site through film photography, a process equally rooted in nostalgia and sentimentality. These images attempt to capture the beauty of melancholy and in turn, ask the architect and audience to slow down and contemplate as …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

Moretheless, Abdelghani Alnahawi

Masters Theses

material investigations becoming questions with interjections