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Association For Documentary Editing Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona And 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Association for Documentary Editing:

• Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona
• 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Review Of The Moravian Springplace Mission To The Cherokees, Volume I, 1805–1813 And The Moravian Springplace Mission To The Cherokees, Volume Ii, 1814–1821. Edited And With An Introduction By Rowena Mcclinton; Preface By Chad Smith., Angela Pulley Hudson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Noted historian William G. McLoughlin once observed that in addition to mirroring U.S. political structures, the nineteenth-century Cherokee Nation shared two other trends with the young Republic: slavery and Christianity.1 Indeed, even as Cherokee people fought to retain their eastern lands in the first decades of the nineteenth century, they often adopted the ideologies of the land-hungry Americans they tried to resist. Few sources document this complex and contradictory process more vividly than The Moravian Springplace Mission to the Cherokees. Rarely do Cherokee, Christian, and slave histories appear in such intimate relation to one another. In the secondary works on …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter -- Officers -- Publication Committee -- Editorial Staff -- Table of Contents -- Contributors

In The Beginning: Ade And The Big Bang Revolution, Roger Burns

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Documentary Editing. Some people have compared the origins of the ADE with the American Revolution. Others have linked it to the big bang theory. I prefer to think of it as a Big Bang Revolution. Anyway, today you will get a little of the inside story of the creation of ADE. You see, I was there. And with me today are three individuals who have joined the ADE at different times in its history. Charlene Bickford, editor of the First Congress Project, who was also …

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I come to you from the digital world. I am president of the Digital Americanists; I recently received a Digital Humanities Start-Up grant; I edit a digital archive on the life and work of Willa Cather; I am a faculty fellow at the Center for Digital Research in the Humanities; and I even have the word “digital” in my official job title: Assistant Professor of Digital Projects. I don’t begin this way in order to impress you with my credentials, but as a confession: my current professional identity is absolutely entangled with the digital medium. That said, I want to …

President’S Letter 2009 : Documentary Editing Is Alive And Well, Cathy Moran Hajo

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

As experienced editors, we sometimes see change as a negative—complaining about the paucity of funding, or about the new requirements that digital publishing has forced on our projects. But when you meet so many enthusiastic newcomers, it is hard to remain a pessimist.We have made great strides in the last thirty years, bringing our editions to a far broader segment of the public than the founders of ADE had ever thought possible.We have honed our practices, paving the way for new editors to follow using our publications in microfilm, book, and digital format as examples of best practices, a massive …

A Bibliography Of Editions Prepared By Ade Members, Karen Mylan, Linnéa Caproni, Harriet Simon, Richard Leffler

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The following is a listing of the many editions and volumes that have been published by members of the ADE. Each edition contains at least one editor, and usually more, who is or has been a member of the Association. It is a remarkable record of scholarly productivity in a wide range of disciplines. These many volumes, microfilms, microfiche, and electronic editions have added greatly to the resources available to scholars and laymen alike. It should also be noted that this list is incomplete. There are many other editions that have escaped the attention of those who prepared this list.

Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The publication of the first volume of the Eleanor Roosevelt Papers Project (ERPP), edited by Allida Black and her associates at George Washington University, is an event of the utmost significance to documentary editors and historians alike. Nothing like this pathbreaking volume exists in the ER literature, and this resource will forever change the research landscape. This volume stands for documentary editing at its best, and the larger ERPP itself, with its informative website and teacher training workshops, is a model of the highest editorial scholarship applied innovatively to the mission of public education.

Review Of Emma Goldman: A Documentary History Of The American Years, Volume One: Made For America, 1890–1901 And Emma Goldman: A Documentary History Of The American Years, Volume Two: Making Speech Free, 1902–1909. Edited By Candace Falk; Barry Pateman, Associate Editor; Jessica M. Moran, Assistant Editor., Nancy Marie Robertson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

For more than a quarter of a century, Candace Falk and her comrades at the Emma Goldman Papers Project (EGPP) have worked to make the records of the turn-of the-century anarchist, lecturer, and social critic available.With the assistance of the National Historical Publications and Records Commission (NHPRC), they joined with papers projects for Jane Addams, Elizabeth Cady Stanton and Susan B. Anthony, and Margaret Sanger to form the Consortium for Women’s History, part of an effort to diversify the people represented in historical editing projects. Funded by individual contributions as well as support from NHPRC and the National Endowment for …

Association For Documentary Editing 2008–9 Annual Plan

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The ADE is at an important crossroads. Much has changed in the documentary editing profession in the past three decades. New methods of publication have emerged; the era of the large projects is diminishing; and the number of users of published historical documents has exploded as a result of the Web. Many more people are engaged in the practices that we call documentary editing (the selection, transcription, and explication of documents), but these same individuals don’t define their work or their profession as such. Scholars use new and changing tools to produce their work in ways that weren’t imaginable when …

A Collection Of Micrographs: Where Science And Art Meet, Vuk Uskoković

Pharmacy Faculty Articles and Research

Micrographs obtained using different instrumental techniques are presented with the purpose of demonstrating their artistic qualities. The quality of uniformity currently dominates the aesthetic assessment in scientific practice and is discussed in relation to the classical appreciation of the interplay between symmetry and asymmetry in arts. It is argued that scientific and artistic qualities have converged and inspired each other throughout millennia. With scientific discoveries and inventions enriching the world of communication, broadening the space for artistic creativity and making artistic products more accessible than ever, science inevitably influences artistic creativity. On the other hand, the importance of aesthetic principles …

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

University of Nebraska-Lincoln Libraries: Faculty Publications

In our current professional environment, there is a lot of energy and attention paid to the digital humanities and the dreamy new world it is ushering in, and it is becoming increasingly difficult to finance and publish large, sophisticated scholarly editions in print. Funding agencies are now demanding that editions be published in digital format, and the success of certain editorial projects in drawing in funds and attention--Ken Price's Walt Whitman Archive, for example--suggests that future developments in the field will likely require sophisticated engagement with computers.

The Bone Folder By Ernst Collin, Peter D. Verheyen

Librarian Publications

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Beverly Runge--Larry I. Bland--John Y. Simon

President’S Letter 2008: Moving Forward, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This past summer, the ADE’s Planning Committee met in Madison for three days to discuss the Association’s future. The group had previously developed background papers, and while in Madison they built on that work. The conversations were stimulating, and participants’ opinions changed as the pros and cons of different ideas were weighed. In the end, the group agreed upon a strategic direction and an action plan for the Association. The plan is printed elsewhere in this issue as well as at www.documentaryhistory.org. I urge you to give it a close read and to think about ways you might want to …

One-Dimensional History, Denton L. Watson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I began attending the annual ADE conference on a regular basis in 2000. Since then, I have often wondered how many of you have been aware of my distinction? The lone black in a sea of white. Not the first, of course, just the lone one. Nevertheless, I have always reveled in my distinction, even though, to be truthful, I would have welcomed some company. My distinction, I am sure, has been due to the reality that I am one of just a tiny handful of black documentary editors, which has been the result of a combination of factors. I …

Maya Sutedja-Liem (Ed.), De Njai; Moeder Van Alle Volken; De Roos Van Tjikembang En Andere Verhalen. Dengan Kata Pengantar Dari Henk Maier. Leiden: Kitlv Uitgeverij, 2007, Ilustrasi + 347 Hlm. (Series Boekerij 'Oost En West'). Isbn 978-90-6718-301-7. Harg, Christina T. Suprihatin

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

Russell Jones (General Ed.), C.D. Grijns, J.W. De Vries (Eds), Loan-Words In Indonesian And Malay. Compiled By The Indonesian Etymological Project. Leiden: Kitlv Press, 2007, Xxxix + 360 Pp., Map, Incl. Dvd With Amoy Dictionary And Supplement. Isbn 978-90, Don Van Minde

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

Rob Van Albada Dan Th. Pigeaud, Javaans-Nederlands Woordenboek. Leiden: Kitlv Uitgeverij, 2007, Xxxii + 1.086 Hlm. Isbn 978-90-6718-308-9. Harga: Eur 49,50 (Hard Cover)., Lilie Suratminto

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

Literature As A Source For History; The Case Of The "Repen Ripangi" (1886), Willem Van Der Molen

Wacana, Journal of the Humanities of Indonesia

Teks sejarah berbeda dengan teks sastra. Teks sejarah menceritakan apa yang benar-benar terjadi di masa lalu sementara teks sastra tidaklah demikian. Oleh karena itu, sejarawan sering menghindari penggunaan teks sastra dalam penelitian mereka. Saya berargumen bahwa teks sastra dapat menambahkan dimensi lain pada wawasan sejarah, yang tidak ditemukan dalam dokumen sejarah. Analisis puisi Jawa berjudul Repen Ripangi dari abad kesembilan belas menunjukkan bahwa teks ini, selain memberikan laporan yang sangat menarik tentang pendamaian ideologis seorang reformis muslim, juga membuka jalan bagi penulisnya dalam menyuarakan kritiknya terhadap kekuasaan kolonial Belanda.

FrançOis Valentijn; Antara Etika Dan Estetika, R. Z. Leirissa

Wacana, Journal of the Humanities of Indonesia

A controversial book on the history of the VOC in the seventeenth century was written by Fran ois Valentijn, a preacher in the payroll of the Dutch East India Company (VOC). The book (eight volumes), published in 1724-1726, was known by its popular title Oud en Nieuw Oost-Indi n. Most of the materials in the book were pirated from other sources without acknowledging their authors as is the proper practice of historiography. But as to its style, a number of Dutch writers appreciated its esthetic qualities. Beside that, the book is indeed useful to historians today because some of the …

Dejima; Voc Dan "Rangaku", Bambang Wibawarta

Wacana, Journal of the Humanities of Indonesia

Japan and the Netherlands have maintained a special relationship for about 300 years since the adoption of the National Seclusion policy, the so-called sakoku by the Tokugawa shogunate (1603-1867). The Dutch began trading with Japan and engaging with Japanese society in 1600, when a Dutch ship, De Liefde, arrived in Kyushu. The Tokugawa government measures regarding foreign policy included regulations on foreign access to Japan and a prohibition on Japanese going abroad. Between the middle of the seventeenth to the early nineteenth century, Japan was characterized by a stable political pattern in which representatives of the VOC (Dutch East India …

Cerita Dari Timur Genre Dan Tema Dalam Sastra Hindia-Belanda Dari Masa Voc, Christina T. Suprihatin

Wacana, Journal of the Humanities of Indonesia

This article attempts to give a brief picture about the genre and themes in the Dutch-Indies Literature from the VOC period. During the VOC-period, more than six months was needed to embark on a journey by sea from the Netherlands to Batavia. Undertaking this journey meant encountering many obstacles which occurred through the work of man as well as nature. In addition, a successful landing on the shores of the East did not always ensure a friendly reception. Due to these obstacles which they encountered, only a small number of those who had set sail from Europe were able to …

Menghapus Citra Buruk Njai Dalam Karya-Karya Fiksi Berbahasa Melayu (1896-1927), Maya Sutedja-Liem

Wacana, Journal of the Humanities of Indonesia

In the Dutch colonial literature of the mid nineteenth century, the njai (Asian concubine) is the symbol of degeneration and of undermining colonial society in the Dutch Indies. Opposed to this portrayal, in Malay literature the image of the njai is on the whole positive: she is faithful and loyal to her partner, intelligent, and economical. However, she easily falls victim to external powers, which is often the masculine power of the society she belongs to. In many Malay texts she is represented as ready to fight back, primarily for the sake of the future of her offspring(s) or herself. …

Media Dan Monopoli Dagang; Percetakan Dan Penerbitan Di Indonesia Pada Masa Voc, Kasijanto Kasijanto

Wacana, Journal of the Humanities of Indonesia

This article addresses the research on media history in Indonesia. The VOC (Vereenigde Oost-Indische Compagnie) period of the seventeenth/eighteenth century, also known as the early modern period, is regarded as a starting point in this study. It was during this time that printing machines were imported from Europe by the VOC authorities. The availability of paper and printing ink also made it possible for the production of printed matter such as forms, books, and other material. The first known printed media was the Bataviasche Nouvelles, which served as a kind of newspaper. This period saw three types of publishing houses: …

Mengabadikan Estetika; Fotografi Dalam Promosi Pariwisata Kolonial Di Hindia-Belanda, Achmad Sunjayadi

Wacana, Journal of the Humanities of Indonesia

When the first technology of photography came to the Netherlands-Indies in the nineteenth century, it was only used for government purposes and was not yet meant for public consumption. On the other hand, the rise of colonial tourism in the Netherlands-Indies in the early twentieth century required a medium for promotion. Photographs were the right choice because, as the saying goes, pictures could tell more than words. Photographs for colonial tourism promotions were produced in various forms such as postcards, illustrations in magazines and guide books, and were published by the colonial government as well as by private publishers. This …

Wacana Kolonial Dalam Film "Moeder Dao, De Schildpadgelijkende", Jugiarie Soegiarto

Wacana, Journal of the Humanities of Indonesia

Documentary maker Vincent Monnikendam compiled the film Mother Dao, the turtlelike (1995) from more than 200 titles of archived films of the Dutch-Indies, shot between 1912 to ca. 1933. This film is neither a remake nor an edited version, but a kind of collage from those hundreds of archival films, all were silent. Monnikendam re-arranged the images and provided them with a new sound frame, consisting of songs, chantings and poems, in Indonesian, Old Javanese, and Sundanese. This new composition is not just creative but also quite provocative. With this arrangement the cineast wanted to show that there was something …

Yohanes Manhitu, Kamus Indonesia-Tetun, Tetun-Indonesia. Jakarta: Gramedia Pustaka Utama, 2007, Xxvi + 487 Hlm. Isbn: 979-22-2954-X. Harga: Rp90.000,00 (Soft Cover)., Aone Van Engelenhoven

Wacana, Journal of the Humanities of Indonesia

No abstract provided.