Literature in English, North America, Ethnic and Cultural Minority Commons^™

Tolkien, Cline, And The Quest For A Silmaril, Tom Ue, James Munday

Online Midwinter Seminar (OMS)

J. R. R. Tolkien has had a significant influence on American writer Ernest Cline. In Ready Player One (2011), the character Ogden Morrow invites Wade and his friends to his mansion, which is modelled after Rivendell from Peter Jackson’s The Lord of the Rings films (2001- 03). Cline goes further in his sequel Ready Player Two (2021) by staging a part of Wade’s virtual quest on Arda I, the First Age of Middle Earth. In this paper, we focus on this episode and, in so doing, argue for Cline’s insights into how we approach fantasy. First, we attend to the …

Who’S His Daddy? Approaches To Merlin’S Father In Children’S And Ya Media, Michael Torregosa

Online Midwinter Seminar (OMS)

In the 1130s, Geoffrey of Monmouth originated the character of Merlin, setting him upon the world stage as a wonder-working youth fathered (in the tradition of Greek and Latin authors of the past) by a daemon. However, later writers of the Middle Ages, beginning with Robert de Boron, reconceived Merlin within a more Christianized world, altering his heritage and transforming his sire into a demon from Hell. This shift from benign daemon to malevolent demon has impacted the representation of the wizard of Camelot for centuries. Contemporary fiction for the page as well as for the screen has adopted and …

"Shivering Trees": Horror Monstrosity In Selected Stories From Tolkien’S The Silmarillion, Elise Mckenna

Online Midwinter Seminar (OMS)

In The Silmarillion, Tolkien used conventions of horror within the setting of Arda. To begin with, the entire world, which is monstrous, is in upheaval with mountains being raised and valley being delved, lanterns of light created, and huge beings walking the land. Then, these landscapes are torn down, the lights are smashed and go out, and new creatures of horror prowl the world. The differences between the portrayals of monstrosity on a grand scale border the grotesque and the sublime. Monstrous beings, Valar and Maiar, command the elements of earth, air, fire, water. They have pre-ordained roles that …

The Story, The Narrator And The Reader: Mediated Horror In C.S. Lewis’S Narniad, William Thompson

Online Midwinter Seminar (OMS)

In her introduction to Reading in the Dark: Horror in Children’s Literature and Culture, Jessica R. McCort defines horror for children and young adults as a hybrid genre, one having its roots in both the gothic and the nineteenth-century fairy tale. She explains that the exploration of dark forces in children’s books is often not limited to those tropes traditionally associated with the horror genre for adults: “Think of the books that are considered children’s classics. The best of them contain dark forces of one kind or another, as well as internal battles between the light and the dark: …

Environmental Horror And Restoration: Tolkien And Today, Jessica Dickinson Goodman, Caitlin Rottler

Online Midwinter Seminar (OMS)

J.R.R. Tolkien never forgot the felling of a willow tree that had overlooked the mill-pool in Sarehole, nor how his former climbing companion had been left to rot in the grass. His horror at that small environmental violence bleeds through his works, from poems like “From the many-willow’d margin of the immemorial Thames” (1913) to the Party Tree in The Hobbit (1937) to a letter to The Daily Telegraph in 1972 when he decried the modern “torture and murder of trees.” This presentation will draw on the excellent foundations laid by Dinah Hazell, as well as the father-son pair of …

Nature And Horror In Tolkien’S Legendarium, Julia Bowers

Online Midwinter Seminar (OMS)

Tolkien incorporates horror in his legendarium through the twisting of the natural world in order to signal upcoming dangers to his characters. This creates a dichotomy between the idyllic natural world that represents good in his works and the twisted natural world that has been tampered with by evil. Most of the focus on Tolkien’s portrayal of nature looks at the conflict between nature and technology; the natural world of Middle-earth is portrayed as more complex than merely all nature being good. His natural settings take on an eerie tone to convey a sense of horror to the reader as …

Charles Williams' P'O- L'U - The Cthulhu Connection, Eric Rauscher

Online Midwinter Seminar (OMS)

This presentation delineates the connections between horrific elements in the work of H.P. Lovecraft and the situation of P’o-L’u from Charles Williams.

Delight In Horror’: Charles Williams And Russell Kirk On Hell And The Supernatural, Camilo Peralta

Online Midwinter Seminar (OMS)

Charles Williams has always been one of the more overlooked members of the Inklings, and the continued neglect of his poetry and “supernatural thrillers” suggests that he is not likely to experience a dramatic increase in popularity anytime soon. Similarly, Russell Kirk is an American historian who will always be better known for writing The Conservative Mind in 1953 than for any of the dozens of short stories and novels he wrote, many of which deal with ghostly or supernatural themes. In fact, Kirk acknowledged Williams to be an important influence on his fiction; this influence is perhaps most evident …

White Shadows, Black Riders And Restless Wights: Undead Horror Monsters In The Fantasy Worlds Of J.R.R. Tolkien And George R.R. Martin, Franz Klug

Online Midwinter Seminar (OMS)

The proposed essay aims at comparing J.R.R. Tolkien’s Nazgûl and barrow-wights with the white walkers (also known as “the Others”) and wights from George R.R. Martin’s A Song of Ice and Fire. To begin with, the folkloric/mythological templates for these sub-created monsters would be scrutinized. The introductory ascription of source material would be followed by an analysis of these creatures as horror monsters and gothic elements within the fantasy worlds of Tolkien and Martin. This analysis would also be linked to addressing the question of how the gothic/horror genre influenced the fantasy worlds of both authors, and as in …

Adoring The Head Of Alcasan: Posthuman Horror And Anticipatory Corpse In Lewis’S That Hideous Strength, Mark Brians

Online Midwinter Seminar (OMS)

At the pinnacle of Lewis’ That Hideous Strength (2003) is the reanimation of the decapitated head of Francois Alcasan. The sheer biological persistence that is afforded to it by the biosynthetic technics of medicinal artifice, allows the head to be possessed by “macrobes”— maleficent spiritual beings imprisoned within the circle of the moon. The goal of this reanimation project is purportedly “the conquest of death […] to bring out of that cocoon of organic life […] the man who will not die, the artificial man, free from Nature. Nature is the ladder we have climbed up by, now we kick …

The Overlooked Vampire: Might Macdonald’S Lilith Be Repopularized?, A. J. Prufrock

Online Midwinter Seminar (OMS)

Lilith (1895) is George MacDonald’s premier work of symbolic fiction. W.H. Auden asserts that Lilith is “equal, if not superior, to the best of Poe." A cursory reading of the novel reveals much in Narnia can be traced directly to passages. Why has MacDonald’s Lilith received so little commentary and why is it picked up and then put down by even avid readers of fantasy? Universalist theology and chauvinism have been blamed, but literary style is unarguably the main stumbling block. C.S. Lewis, who says of MacDonald, “I fancy I have never written a book in which I did not …

Tolkien As A Folk Horror Author, Monica Sanz

Online Midwinter Seminar (OMS)

Folk Horror, although being identified as a cinematographic genre quite recently, sinks its roots in an undeniable tradition of English writers who used English rural landscapes, ancient beliefs and culturally differentiated communities as humus for their prose and poetry. From the literary tradition of the 8th Century on, creatures and beliefs belonging to dark times have left their mark on our literature, traditions and folklore. Tolkien, as a philologist, was well aware of the hints and bits of these almost unknown legends and creatures left in our language, in the form of loose words, etymologies and fragmentary texts. In this …

Committed To The Fragment: Feminist Literature And The Promise Of Wellness, Lynne Beckenstein

Dissertations, Theses, and Capstone Projects

“I have never been able to blind myself” to the cruelty of a world that “destroys its own young in passing…out of not noticing or caring about the destruction,” Audre Lorde tells us in her 1980 “mythobiography” Zami: A New Spelling of My Name. This quality, Lorde says, “according to one popular definition of mental health, makes me mentally unhealthy.” In rejecting psychological self-possession as a sign of wellness, this passage also rejects it as one of sovereignty’s conditions. At the time of Lorde’s writing, this version of sovereignty already dominated the landscape of therapeutic culture in the United States, …

Women Of Power: Mapping The Spiritual Journeys Of Caribbean Women Across Regional Fiction As Portrayed In The Book Of Night Women, Texaco, And Erzulie's Skirt, Natalie Sandy D'Auvergne-Lamotte

LSU Doctoral Dissertations

Contemporary Caribbean fiction serves as an active agent for refining and expanding definitions of Caribbeanness. This study aims at demonstrating how Caribbean writers use representations of Caribbean women to contribute to an opaquer regional vision that argues against homogenizing ideas of Caribbeanness. The Book of Night Women, Texaco, and Erzulie’s Skirt, respectively written by Marlon James (Jamaica), Patrick Chamoiseau (Martinique), and Anna-Maurine Lara (Dominican Republic), work by making space for more historically accurate and locally representative images of Caribbeanness through the Caribbean women they portray. Though characters live on different islands (at different times), they still manage to represent …

Purple Rose, Chandra Mountain

Department of English and Foreign Languages

Chandra Lynn, also known as Chandra T. Mountain, is Dean of the School of Arts and Sciences and Professor of English at Oakwood University. Though much of the writing she does these days is “scholarly and serious,” she has been writing almost her entire life. The proof is in the trove of notebooks and millions (slight exaggeration) of poems and drafts her husband “discovered” a few years ago. The poem above was written when she was 18; it is part of a collection she is curating entitled, Musings from My Younger Self.

El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias

Publications and Research

En su relato “Lost in the Museum of Natural History” Pedro Pietri se inserta en la narración como personaje y como fuente de historias inspiradas en la violencia de los géneros del western, los biker films y los melodramas. Esta aproximación a la experimentación literaria, la alteración sensorial y fílmica escenifica una crisis en la enunciación y la representación que hecha luces sobre las relaciones entre las desigualdades sociales, la violencia y la subjetividad.

Regardless, ‘I’ And ‘You’: Lessons From Black Feminist Literature, Jasmine Veronica Sauceda

Electronic Theses and Dissertations

This thesis analyzes Toni Morrison’s Beloved, Octavia E. Butler’s Parable of the Sower, and Alice Walker’s The Color Purple from a Black feminist perspective to demonstrate oneness as capacious being. This project explores an I-You dialogue that works toward future-making through the notion of regardless, an idea from Walker’s definition of Womanist, deployed through sustained engagement with Kevin Quashie’s notion of oneness. Thus, this work extrapolates lessons found in the selected texts to demonstrate what it means to embody a capaciousness of being and how this then fosters healing in the face of trauma. In so doing, …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Contained Identities: Forms Of Resistance In Theresa Hak Kyung Cha's Dictee And Pamela Lu's Pamela: A Novel, Zohra Qazi

Honors Undergraduate Theses

This thesis analyzes groundbreaking experimental texts by Asian American writers that employ genre-bending formal innovations to resist the uneasy containment of social hierarchies and aesthetic categories. After a brief discussion of Monica Youn’s 2019 poem, “Study of Two Figures (Pasiphaë/Sado),” I trace such experimentation back to the late twentieth century, focusing on two other texts that explore similar strategies of literary experimentation and that present themselves as novels but, as Youn does with poetry, resist that classification at the same time. The experimental expansions of form in both Theresa Hak Kyung Cha’s Dictee (1982) and Pamela Lu’s Pamela: A Novel …

Contesting Imagined Communities: Minor Feelings, Opacity, And Spectrality In Ling Ma’S Severance, Christine Marks

Publications and Research

This article foregrounds pandemic fiction’s subversive and visionary potential through the example of Ling Ma’s dystopian pandemic novel Severance (2018). Emphasizing fiction’s capacity for symbolic intervention in a pandemic era, I argue that the text undermines tropes of nation-building through strategic employment of minor feelings, opacity, and spectral liminality. My analysis focuses on the Chinese American protagonist’s conflicted relationship with imagined communities forged in the conventional “outbreak narrative” (Wald) as her unhomely positionality places her at odds with unifying ideological responses to the catastrophic upheaval of the pandemic. At the intersection of pandemic and diasporic literature, Ma’s novel constitutes a …

A Form Of Our Own: An Examination Of Black Sonnet-Samplers, Lavonna D. Wright

College of Graduate Studies: Theses & Dissertations

This study responds to the need for understanding and terminology regarding Black poets’ engagement with the sonnet form. Referring to sampling strategies in Hip-Hop to analyze Black sonnets, this study disputes limiting ideas about sonnets as ineffective mediums to portray Black narratives and honors strategies maintained in Hip-Hop culture that define Black narrative expression, resistance to assimilation, and social reflection. Black sonnets are an ever-evolving vehicle of resistance to elitist ideas about traditional forms, Black aesthetics, and the ways that poetic strategies can be defined. This study names past and present Black sonneteers’ adherence to, remixing in, and rejection of …

Racial Spatial Relationships In Claudia Rankine’S Citizen, Thomas Jenson

Criterion: A Journal of Literary Criticism

In Citizen: An American Lyric, Claudia Rankine addresses topics from segregation to police brutality to indicate the extreme spatial relationships between racial groups. Her work reveals the geographic mechanisms that confine African Americans to certain locations as well as the coerce them to violently share space with their white counterparts. Drawing upon spatial theory, which exposes the structures of unjust geography, my analysis also considers language as an additional spatial force that harms the black community as much as more physical phenomena.

Genre Fluidity In Black Speculative Fiction As An Exploration Of Blackness, Jake Upton

English Honors Papers

No abstract provided.

Capitalocene Imaginations: Settler Colonialism, Capitalism, And The Environmental Crisis In Twenty-First-Century U.S. Literature, Zoe F. Pellegrino

English Honors Papers

This thesis, a study of climate fiction novels and Indigenous knowledge and poetry, argues that these texts use the power of imagination to open up alternative possibilities, otherwise foreclosed by the ideological hegemony of the capitalist climate crisis. I first explore the United States’ settler colonial history, and how the perpetuation of settler ideology over time justified the exploitative values of the capitalist system, resulting in the slow violence of our environmental crisis.

The central texts explored in this thesis are the climate fiction novels Chang-rae Lee’s On Such a Full Sea and The Ministry for the Future by Kim …

Nature, Magic, And Healing: How Leslie Silko Builds Her Native World, Ashton Q. Record

Student Publications

An essay examining how Leslie M. Silko utilizes the relationship between Nature and Native American Mystic Arts to create a full and vibrant world in her novel Ceremony.

Sacramental Ethnicity: Women’S Culture And Vernacular Religion In Twentieth-Century America, Aaron J. Rovan

Graduate Theses, Dissertations, and Problem Reports (ETD)

This project examines the reciprocal and evolving relationship between American women’s culture, vernacular religion, and the social development of American ethnicity. This project focuses on the roles of white ethnic women, both literary and real, in the construction, maintenance, and transmission of ethnic identity. The project highlights the connections between the folkloric performances of vernacular religion and the discursive articulation of ethnicity by focusing on two women writers and two groups of Slovak American women. The fiction of Kate Chopin and Anzia Yezierska illustrates how literary authors bring their contemporary concepts of folklore into their writing. The writings of these …

Colonial Prehistories Of Indigenous North America, Mark A. Mattes

Faculty and Staff Scholarship

One of the most common inquiries received by Filson Historical Society librarians concerns the myth of Prince Madoc and the Welsh Indians. Of the myth’s many versions, the one most familiar to Ohio Valley History readers goes like this: Madoc, a Welsh prince escaping an internecine conflict over political rule at home, supposedly sailed to North America in the twelfth century. His force either landed at the Falls of the Ohio or made it there after landing further south and being driven north by hostile locals, possibly Cherokee people. Madoc and his contingent intermixed with Indigenous populations, whose fair-haired, blue-eyed, …

Amplifying Agency And Presence Of Native American Women In 21st Century Literature, Rachel Mitchell

Dissertations and Theses

This project analyzes Native American women's voices and agency through their presence in a variety of 21st-century literary genres. The texts illuminate a clear presence of Native American authors who actively write Native American female characters that are powerful and take agency over their bodies and stories. The examples of Native American female characters allow readers to see more realistic and relatable figures within literature. Chapter one focuses on the empowering Native American female protagonists in Larissa FastHorse’s What Would Crazy Horse Do? (2019) and Mary Kathryn Nagle’s Sovereignty (2020). The playwrights offer crucial insight into more empowering and complex …

Demonstratives In Nsélišcn ‘Montana Salish’, Aspen A. Decker

Graduate Student Theses, Dissertations, & Professional Papers

This thesis presents a detailed analysis of the Nsélišcn ‘Montana Salish’ demonstrative system. I propose that there are three features encoded in the demonstratives that I examined in this thesis: (i) proximity of the speaker in relation to the referent, (ii) common ground between the speaker and addressee, and (iii) visibility of the referent. I further propose that the Nsélišcn demonstrative system distinguishes three degrees of proximity: proximal, medial, and distal. Nsélišcn is a member of the Southern Interior branch of the Salishan language family. The data analyzed in this thesis was collected from native Nsélišcn speakers.

Disrupters:Three Women Of Color Tell Their Stories, Dulce María Gray, Denise A. Harrison, Yuko Kurahashi

The Seneca Falls Dialogues Journal

This essay is an amplified version of the presentation we made at the 7th Biennial Seneca Falls Dialogues. Our aim is to story back into the world our first experiences and motivations for investing in suffrage and democratic activism. We are three American professors of disciplines in the humanities, who for decades have taught and lived across the United States and have traveled the world. Yuko Kurahashi’s essay tells the story of how Raichō Hiratsuka and Fusae Ichikawa, Japanese activists in their suffrage and peace movements, helped shape her personal and professional life. Denise Harrison talks about the first wave …