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Articles 1 - 19 of 19
Full-Text Articles in Literature in English, North America, Ethnic and Cultural Minority
The Impact Of Slavery And Colonialism On The Black Consciousness: Narrative Of The Life Of Frederick Douglass, The Confessions Of Nat Turner, And Incidents In The Life Of A Slave Girl, Mariam Badawi
Theses and Dissertations
According to the German author, essayist, and empirical psychologist Karl Philipp Moritz, to be able to analyze someone psychologically, we have to be able to analyze ourselves as one would know oneself better than one would know anyone else. Therefore, he proposed the study of autobiographies to be able to delve into a writer's "innermost soul"; through their knowledge of themselves" (qtd. in Schlumbohm 32). Moreover, "the psychological effect that the ideology of white supremacy and European imperialism, in the form of slavery and colonialism, has had on Africa and her people has never been fully addressed and understood" (Nobles …
Emancipatory And Retributive Labor: Conflicting Representations Of Enslaved Labor In Us And Caribbean Literature, 1830–1855, Michael Druffel
Emancipatory And Retributive Labor: Conflicting Representations Of Enslaved Labor In Us And Caribbean Literature, 1830–1855, Michael Druffel
Dissertations, Theses, and Capstone Projects
Emancipatory and Retributive Labor follows the development of a concept that I call emancipatory labor as it appeared in the US and Caribbean during the period 1830 to 1855. Emancipatory labor is a subversive tactic in which enslaved people in the United States and Caribbean redefined a portion of their labor in capitalist terms. Re-theorizing a portion of enslaved labor stakes a claim to agency and humanity according to Western, humanistic logic. Examples of the types of labor being redefined include selling commodities, hiring time, and working “extras” for wages. I use enslaved person Lunsford Lane’s 1842 narrative as a …
Revisiting History: Anti-Racialist Afrofuturism In Octavia Butler's Kindred, Brad C. Kelly
Revisiting History: Anti-Racialist Afrofuturism In Octavia Butler's Kindred, Brad C. Kelly
Graduate Theses/Dissertations
Popular understanding of history is dominated by racial binaries that suggest the Black past and the white past are wholly antithetical to one another. In Kindred, Octavia Butler uncovers interconnections between Black and white Americans that complicate this understanding by having her characters travel to the antebellum period. By uncovering these interconnections, Butler is able to envision a future in which Black and white Americans are reunited through the recognition of their shared, yet vastly differing, sufferings under white supremacy. I have termed this idea anti-racialist Afrofuturism because Butler seeks to dismantle the social construct of race through her illumination …
Women Of Power: Mapping The Spiritual Journeys Of Caribbean Women Across Regional Fiction As Portrayed In The Book Of Night Women, Texaco, And Erzulie's Skirt, Natalie Sandy D'Auvergne-Lamotte
Women Of Power: Mapping The Spiritual Journeys Of Caribbean Women Across Regional Fiction As Portrayed In The Book Of Night Women, Texaco, And Erzulie's Skirt, Natalie Sandy D'Auvergne-Lamotte
LSU Doctoral Dissertations
Contemporary Caribbean fiction serves as an active agent for refining and expanding definitions of Caribbeanness. This study aims at demonstrating how Caribbean writers use representations of Caribbean women to contribute to an opaquer regional vision that argues against homogenizing ideas of Caribbeanness. The Book of Night Women, Texaco, and Erzulie’s Skirt, respectively written by Marlon James (Jamaica), Patrick Chamoiseau (Martinique), and Anna-Maurine Lara (Dominican Republic), work by making space for more historically accurate and locally representative images of Caribbeanness through the Caribbean women they portray. Though characters live on different islands (at different times), they still manage to represent …
From Camp Meetings To Crusades: African American Religious Songs In Context, Konner B. Smith
From Camp Meetings To Crusades: African American Religious Songs In Context, Konner B. Smith
Honors College Theses
The images found throughout African American religious songs are timeless, yet they reflect the realities of their particular historical and cultural contexts, explaining those circumstances from the view of the African American community. Despite the differences in sound, there is a strong sense of continuity between each era, as compositions from slave songs to rap use certain passages from scripture to emphasize the themes of freedom, hope, and perseverance. From the spiritual to the gospel to contemporary religious rap, both history and hope have been lifted up and transformed in the voices of oppressed and enduring African Americans.
The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin
The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin
Boise State University Theses and Dissertations
This thesis examines three novels all communicating ideas about race, gender, and slavery under the conventions of Gothic literature. Nathaniel Hawthorne’s The House of the Seven Gables (1851) show how patriarchy oppressed and haunted women while keeping slavery at the margins. Beloved (1987), by Toni Morrison, fictionalizes the account of a female slave who murdered her child to assert her power and reject slavery. However, Morrison rewrites and defies aspects of the Gothic mode by bringing the ghost of the murdered child back to life, and later showing steps the community can take to heal from their collective trauma. The …
Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas
Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas
ABO: Interactive Journal for Women in the Arts, 1640–1830
The History of Mary Prince, a West-Indian Slave, Related by Herself (1831) is the first published woman’s slave narrative. In her History, Prince describes horrendous physical violence to which she and other enslaved peoples of African descent are subjected as well as the corresponding psychological and sexual abuse they endure. While Prince “speaks” the sexual abuse to some extent, how she knows what she knows goes unspoken. She expresses her knowledge of reading and writing and, at times, of the law, but she does not explain how she obtains this knowledge or knows what she knows. Her optimism to …
“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch
“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch
Theses and Dissertations--English
My dissertation, titled “I’ve Known Rivers”: Representations of the Mississippi River in African American Literature and Culture, uncovers the impact of the Mississippi River as a powerful, recurring geographical feature in twentieth-century African American literature that conveys the consequences of capitalist expansion on the individual and communal lives of Black Americans. Recent scholarship on the Mississippi River theorizes the relationship between capitalism, geography, and slavery. Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, Sven Beckert’s Empire of Cotton: A Global History, and Edward Baptist’s The Half Has Never Been Told: Slavery and the …
Douglass’ Reply To A. C. C. Thompson’S ‘Letter From Frederick Douglass,’ As Reprinted In The Anti-Slavery Bugle: A Critical Edition Of Both Letters, With A Summary Of Maryland’S Fugitive Slave Laws, Kayla Hardy-Butler
Nineteenth-Century Ohio Literature
Kayla Hardy-Butler presents a famous letter by Frederick Douglass, as it was published in Ohio, with the letter that prompted it. This edition also includes a summary of Maryland slave statutes from the time to better explain the day-to-day experience of slavery debated in this correspondence.
Searching For "Free Territory" In Saidiya Hartman's Lose Your Mother, Tisha Brooks
Searching For "Free Territory" In Saidiya Hartman's Lose Your Mother, Tisha Brooks
SIUE Faculty Research, Scholarship, and Creative Activity
This essay locates Saidiya Hartman’s travel and writing in relationship to a longer and multifaceted legacy of black travel that includes the forced/coerced movement of black people across the Atlantic during the slave trade, the migratory travel of black diasporic peoples, and African American tourism to Africa, Ghana in particular. This essay argues that Hartman's text challenges us to build bridges across the boundaries we often construct between these various types of movement, enabling us to see the ways in which these journeys intersect in tenuous ways. Pushing beyond narrow definitions of travel, this essay questions singular frameworks that focus …
The Representation Of Fatherhood As A Declaration Of Humanity In Nineteenth-Century Slave Narratives, Andrea A. Dhanraj
The Representation Of Fatherhood As A Declaration Of Humanity In Nineteenth-Century Slave Narratives, Andrea A. Dhanraj
Theses and Dissertations
While motherhood in slave narratives is widely discussed, black fatherhood is often overlooked. As is the case for enslaved mothers, fatherhood for enslaved men entailed its own unique challenges and needs. Enslaved men are both hyper-masculinized and put into positions of traditionally “feminine” subservience, where their ability to carry out their roles of provider and protector are hampered. For black fathers in slave narratives, fatherhood is a choice that is independent of social obligation or legal bonds, whereas white fathers within these texts shirk their emotional and social responsibilities to their families and are fathers in name and not much …
“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno
“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno
Theses and Dissertations
Running a Thousand Miles for Freedom unapologetically challenges traditional nineteenth-century notions of race and gender by way of its treatment of spectacle, anecdotal use, and assertion of authorial choices that contradict the expectations of a white abolitionist audience. Its most challenging feature is what I will call Ellen’s “curated identity.”
Shakespeare And Black Masculinity In Antebellum America: Slave Revolts And Construction Of Revolutionary Blackness, Elisabeth Mayer
Shakespeare And Black Masculinity In Antebellum America: Slave Revolts And Construction Of Revolutionary Blackness, Elisabeth Mayer
Scripps Senior Theses
This thesis explores how Shakespeare was used by Antebellum American writers to frame slave revolts as either criminal or revolutionary. By specifically addressing The Confessions of Nat Turner by Thomas R. Gray and "The Heroic Slave" by Frederick Douglass, this paper looks at the way invocations of Shakespeare framed depictions of black violence. At a moment when what it means to be American was questioned, American writers like Gray and Douglass turned to Shakespeare and the British roots of the English language in order to structure their respective arguments. In doing so, these texts illuminate how transatlantic identity still permeated …
The Novel Of Sentiment In A Short Story: Reflections On Teaching “Theresa”, Adam Kotlarczyk
The Novel Of Sentiment In A Short Story: Reflections On Teaching “Theresa”, Adam Kotlarczyk
Faculty Publications & Research
I introduced “Theresa” in between units on “The Age of Reason” and “American Romanticism.” Thus it was foregrounded by works like Benjamin Franklin’s Autobiography and Phyllis Wheatley’s “On Being Brought from Africa to America,” and followed by stories by Irving, Hawthorne, and Poe. Strictly speaking, this puts “Theresa” slightly out of sequence; its serialization in 1828 precedes by at least ten years the works of Poe, Hawthorne, and Irving that we study. Despite this, the text functioned well as a transitional piece, although I would consider moving it deeper into the Romantic unit. The exotic setting, relative to our other …
Features Of Independence: Teaching “Theresa - A Haytien Tale”, Michael P. Dean
Features Of Independence: Teaching “Theresa - A Haytien Tale”, Michael P. Dean
Faculty Publications & Research
One of the core beliefs of the Illinois Math and Science Academy (IMSA) states that we believe that “diverse perspectives enrich understanding and inspire discovery and creativity,” and in keeping with that aim, I chose to participate in the Just Teach One: Early African American Print project. As a school primarily focused on STEM subjects, IMSA still offers a robust English curriculum that values and supports a diverse literary canon, and our incoming sophomores are asked to complete a two-part Literary Explorations course that features America texts from colonial era up to the 21st century.
Back To The Future: Taking A Trip Back In Order To Move Forward In Octavia Butler’S Kindred, Zakary H. Lafaver
Back To The Future: Taking A Trip Back In Order To Move Forward In Octavia Butler’S Kindred, Zakary H. Lafaver
Undergraduate Honors Theses
Slavery is something that cannot be taken lightly. Even Butler says no matter how harsh the slavery in her novel is, it does not compare to how gruesome actual slavery was: “As a matter of fact, one of the things I realized when I was reading the slave narrative…was that I was not going to be able to come anywhere near presenting slavery as it was. I was going to have to do a some-what cleaned-up version of slavery, or no one would be willing to read it” (qtd. in Kenan 497). Octavia Butler knew that if she presented slavery …
Signs, Symbols, And Slave Culture: Representations In Black Thunder, Sandra M. Grayson
Signs, Symbols, And Slave Culture: Representations In Black Thunder, Sandra M. Grayson
Trotter Review
Black Thunder (1936), by Arna Bontemps, is a historical novel that recreates Gabriel Prosser's 1800 slave revolt. This novel is useful in reviewing some of the historical and cultural linkages between Black slaves in the U.S. and African cultures. Thematically, Black Thunder does more than represent Black people's self-assertion through revolt, it also shows their assertion of identity through practicing Atlantic (or western) African traditions, especially those of the Kongo. This is a topic that continues to be significant in light of greater contemporary political and economic linkages between U.S. Blacks and Africans, as well as increasing African immigration into …
"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance
"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance
English Faculty Publications
Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …
Wit And Humor In The Slave Narratives, Daryl Cumber Dance
Wit And Humor In The Slave Narratives, Daryl Cumber Dance
English Faculty Publications
This passage suggests something of the nature of Black humor and the function it has served, not only in the slave narratives, but in the folk tales and throughout the history of recorded literature from William Wells Brown to Amiri Baraka. The life revealed in all of these sources is shown to often be alternately degrading and courageous, tragic and absurdly comic, hopeless and yet enduring; indeed that life could hardly ever be termed merely amusing. And the Black character, though he may be seen to laugh, can hardly be deemed carefree, unbothered, satisfied, even truly happy. Indeed the paradox …