Literature in English, North America, Ethnic and Cultural Minority Commons^™

Trauma And Stigma In Aids Literature: Tony Kushner’S Angels In America (1995) And Colm Tóibín’S The Blackwater Lightship (1999), J. Javier Torres-Fernández

Journal of Franco-Irish Studies

This paper explores the representation of trauma and stigma tied to HIV/AIDS in The Blackwater Lightship (1999) by Colm Tóibín and Angels in America (1995) by Tony Kushner. Both works arguably respond to the socio-political and biomedical crisis that affected queer identities and international politics. These experiences of health and illness highlight the silenced and marginalized voices of those infected with HIV during the 80s and 90s. HIV/AIDS-related stigma and shame marked the LGBTQ+ community under the illness as punishment metaphor for their sexuality. The role of politics and religion remains fundamental in the historical silence around this illness and …

Finding The Why: Trauma's Origins And Effects In Morrison's The Bluest Eye, Hope Lopez

Theses and Dissertations

This thesis analyzes the effects of Toni Morrison’s first novel, The Bluest Eye, on its readers and the public discourse surrounding the central issue of systemic racism and incest. The central focus of the analysis is trauma in the novel: how Morrison captures that trauma in writing, how the reader encounters and interprets that trauma, and the effects of that trauma on the narrative and the reader. To construct this argument, I apply the lenses of reader response criticism, psychoanalysis, and trauma studies to the novel.

Morrison expressed concern that readers would miss the crucial message of why the …

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu

Publications and Research

No abstract provided.

Rather Than To Seem: Black And Indigenous Narratives In A Stormy, Swampy South, Jennifer Denise Peedin

Graduate Theses, Dissertations, and Problem Reports

I examine the narratives of the South that have been historically overlooked, ignored, or hidden in order to establish a dominant narrative of the region. The narratives examined here are by southern Black and Indigenous authors who restore lost knowledge and offer histories that help complete the South culturally and ecologically. The conceptual methodology develops from LeAnne Howe’s tribalography which explains that Indigenous people create stories and histories that transform the space around them and offer an understanding of the world around us. Another methodology used is Anthony Wilson’s ecocritical swamp studies; each chapter analyzes a narrative centered around a …

Lyrical Rapturing In Danticat’S Work: Transcending Haitian Cultural Silence Through Narrative, Johanna M. Piard

FIU Electronic Theses and Dissertations

Edwidge Danticat’s work has been praised for the visceral, deeply personal ways she writes violence, suffering, death, and loss, leading scholars to theorize that dehumanization is a central motif in the Haitian and Haitian diasporic experience. This causes Haiti to be generally considered, as Jerry Philogene describes, “a socially dead space”. Danticat ventures into this “socially dead space” in her recent memoirs, reflecting on the traumatic experiences of her two paternal figures, her father and Uncle Joseph, her complex feelings around her mother’s death, and the value of Haitian art in the aftermath of the 2010 earthquake. Danticat creates a …

Regardless, ‘I’ And ‘You’: Lessons From Black Feminist Literature, Jasmine Veronica Sauceda

Electronic Theses and Dissertations

This thesis analyzes Toni Morrison’s Beloved, Octavia E. Butler’s Parable of the Sower, and Alice Walker’s The Color Purple from a Black feminist perspective to demonstrate oneness as capacious being. This project explores an I-You dialogue that works toward future-making through the notion of regardless, an idea from Walker’s definition of Womanist, deployed through sustained engagement with Kevin Quashie’s notion of oneness. Thus, this work extrapolates lessons found in the selected texts to demonstrate what it means to embody a capaciousness of being and how this then fosters healing in the face of trauma. In so doing, …

Graphic Nonsense And Historical Trauma In Fred Chao’S Johnny Hiro, Jin Lee

CLCWeb: Comparative Literature and Culture

This article introduces the concept of “graphic nonsense” to explain nonsense in Fred Chao’s graphic narrative, Johnny Hiro, which features figures of monster (Godzilla and King Kong) as well as real U.S. political figures (Michael Bloomberg and John P. O’Brien). Focusing on transpacific trauma, this article articulates a counter-history using Fredric Jameson’s terms to expose the process of silencing the other and “retextualizing” history. Although puzzling at first, if not silly at best, the nonsensical elements in the graphic narrative can prompt the reader to find out historical allusions in Godzilla and King Kong to make sense out of …

Mitigating Black Claustrophobia: Space, Trauma, And Healing Modalities In The Postcolonial Narrative., Saleema Mustafa Campbell

Electronic Theses and Dissertations

This dissertation examines the space or spaces of blackness and the black body in the United States. This nation was shaped by the institution of slavery, and its greatest legacy is the trauma that still resonates in social structures and spaces complicating the lived experiences of many. The various responses to these traumas are documented in literary form by authors who serve as cultural witnesses. The narratives featured in this research project, collectively and individually, offer a voice to the traumatic plight of individuals in the U.S. who struggle to contemplate and rectify the traumas of this nation’s past. This …

Critiquing Psychiatry, Narrating Trauma: Madness In Twentieth-Century North American Literature And Film, Sarah Blanchette

Electronic Thesis and Dissertation Repository

This dissertation explores representations of trauma and mental distress in twentieth-century novels and films. Drawn on research that emphasizes the ways that marginalized communities—in particular women-coded, racialized, and Indigenous persons—have historically been pathologized, the thesis considers how select novels and films query biomedical approaches to mental illness and critique psychiatric contexts, which prioritize social control more than they provide substantive and humane forms of support and care. How might representations of trauma and mental distress be understood without confirming regimes of psy-authority or psy-power? The thesis takes up this core issue by building on theories drawn from Mad Studies, illuminating …

Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert

Doctoral Dissertations

This dissertation explores the affective impacts of historical trauma around slavery and segregation in the US South, arguing for the importance of understanding US Southern history through the ways in which it has lived and continues to live in and on the bodies of Southerners marked by race and gender and class and within emotional life in the South. The texts in this study—Gayl Jones’ Corregidora (1975), Dorothy Allison’s Trash (1988), Ellen Gilchrist’s Net of Jewels (1992), and Natasha Trethewey’s Native Guard (2006)—engage the affective impacts of intergenerational and insidious trauma through portrayals of Southern women struggling to give voice …

What's Past Is Prologue: Transforming Trauma, Rewriting Identity In Gloria Anzaldua's "Borderlands/La Frontera" And "Light In The Dark/Luz En Lo Oscuro", Richard Edward Riley

FIU Electronic Theses and Dissertations

Gloria Anzaldua’s Borderlands/La Frontera and Light in the Dark/Luz en lo Oscuro are widely acknowldged as groundbreaking texts across Latinx literary canons, invoking selfhood, spirituality, activism, and politics as a queer woman of color writer.

Her language around self-dispersion is still undertheorized in what it owes to traumatic experiences discoverable in the self, body, world, and culture Anzaldua hails from. The extent of colonizing and kyriarchal damage in her work has been recognized; but the exact character of how these breakages and corresponding imperatives to regenerate oneself resemble a traumatic shock remains to be written about.

This thesis sketches frameworks …

Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu

Publications and Research

Chu, Seo-Young. “Translator of Soliloquies: Fugues in the Key of Dissociation” (chapbook). Black Warrior Review 46.2, Spring 2020.

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

"Free Indirect Suicide: An Unfinished Fugue In H Minor", Seo-Young J. Chu

Publications and Research

In this lyric essay/work of creative nonfiction (listed among “Notable Essays & Literary Nonfiction” in Best American Essays 2020), Seo-Young Chu uses poetry, autotheory, and creative nonfiction to explore the generational trauma/postmemory han she inherited from her parents and the importance of destigmatizing mental illness through dialogue.

"I Refuse To Die:" The Poetics Of Intergenerational Trauma In The Works Of Li-Young Lee, Ocean Vuong, Cathy Park Hong, And Emily Jungmin Yoon, Helli Fang

Senior Projects Fall 2019

This project explores how trauma and violence within immigrant and refugee narratives are preserved and embodied in the poetry and prose works of four Asian American writers, Li-Young Lee, Ocean Vuong, Cathy Park Hong, and Emily Jungmin Yoon. In this examination arises the question of how trauma from a historical event can be passed down to people who have not witnessed them firsthand, such as the children of war refugees. I argue that these works are written not solely with the intention to remain truthful to the informative or factual history of these inherited traumatic events, but rather, to preserve …

Meera Atkinson. The Poetics Of Transgenerational Trauma. Bloomsbury, 2017., Katie Lally

Studies in 20th & 21st Century Literature

Review of Meera Atkinson. The Poetics of Transgenerational Trauma. Bloomsbury, 2017.

Remembrances Reconsidered: Site-Specific Affective Retellings, Melanie W. Lozier

Theses and Dissertations

This thesis is an examination of the ways in which strong affective feelings, trauma, and memories are written about by women through diverse narrative forms. Through storytelling, writers engage with the relationship between deep feelings, significant places, and language, such as the frequent employment of words containing the prefix "re."

A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu

Publications and Research

"A Refuge for Jae-in Doe: Fugues in the Key of English Major"

Author(s):

Seo-Young Chu (see profile)

Date:

2017

Subject(s):

Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma

Item Type:

Essay

Tag(s):

#MeToo, Stanford, women in academia, early american

Permanent URL:

http://dx.doi.org/10.17613/cp82-8f39

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller

Asian American Literature: Discourses & Pedagogies

In my essay entitled “Speaking and Mourning: Working Through Identity and Language in Chang-rae Lee’s Native Speaker,” I argue that the novel’s protagonist Henry Park finds himself at a critical juncture in his life at the novel’s beginning. I analyze the protagonist’s relationship to language acquisition and identity, which have been developed by Lee to be associated as traumas. Furthermore, these topics are complicated by the death of his son, Mitt. This loss is a trauma of the heart and of the self for the main character who sees a successful navigation of language and immigration lost by his …

Birth Family Search, Trauma, And Mel-Han-Cholia In Korean Adoptee Memoirs, Katelyn J. Hemmeke

Department of English: Dissertations, Theses, and Student Research

“Birth Family Search, Trauma, and Mel-han-cholia in Korean Adoptee Memoirs” analyzes the connections between adoption trauma and birth family search by examining three Korean-American adoptee memoirs: The Language of Blood and Fugitive Visions: An Adoptee’s Return to Korea, both by Jane Jeong Trenka; and Ghost of Sangju by Soojung Jo. I draw links between their work and studies on trauma by critical scholars Cathy Caruth, Dori Laub, Margaret Homans, and Jennifer Cho. According to Caruth, the pathology of a traumatic experience lies in the victim’s inability to fully experience the traumatic event as it happens; only …

Chasing Ghosts: A Memoir Of A Father, Gone To War [Table Of Contents], Louise Desalvo

History

When literary biographer and memoirist Louise DeSalvo embarked upon a journey to learn why her father came home from World War II a changed man, she didn’t realize her quest would take ten years, and that it would yield more revelations about the man—and herself—and the effect of his military service upon their family than she’d ever imagined. During his last years, as he told her about his life, DeSalvo began to understand that her obsession with war novels and military history wasn’t merely academic but rooted in her desire to understand this complex father whom she both adored and …

Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers

Publications and Research

This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …