Literature in English, North America, Ethnic and Cultural Minority Commons^™

Grey Town: The Practical Theology Of The Great Divorce, Reggie Weems

Online Midwinter Seminar (OMS)

As one of the most-read Protestant authors of the last two centuries, the legacy of C.S. Lewis is surprisingly rooted in his various writings about Hell. And yet, even though his works are permeated with the mysterium tremendum et fascinans, Lewis rarely spoke directly or clearly about Hell, such as he did in a single chapter in The Problem of Pain (1940). He nonetheless attempted to demythologize Hell from God’s viewpoint in The Pilgrim’s Regress (1933), Satan’s outlook in The Screwtape Letters (1942), and the human perspective in The Great Divorce (1945), his last and perhaps, most insightful …

The Road To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado

Online Midwinter Seminar (OMS)

Adapting Greek mythology provides a framework to reapproach classic works through a contemporary lens to better understand the present. Of particular interest is the depiction of characters traveling to Hell in search of a better future. Looking at two myth-inspired musicals—The Frogs by Stephen Sondheim and Burt Shevelove and Hadestown by Anaïs Michell—we see two disparate journeys to the Underworld given contemporary relevance. The Frogs (1974) depicts Dionysus’ journey to Hades to bring back a poet (originally Euripides, now George Bernard Shaw). However, it was not until the 2004 Broadway adaptation that overtly anti-authoritarian messages were added, aimed at …

Re-Visioning Underland: C. S. Lewis’S The Silver Chair As Dystopian Fiction, William Thompson

Online Midwinter Seminar (OMS)

In C. S. Lewis’s The Silver Chair, Jill, Eustace, and Puddleglum follow the four signs given to them by Aslan and descend into the underworld in order to rescue the lost prince. They find the enchanted Prince Rilian, along with thousands of Earthmen, enslaved to the Green Lady, who has a plan to subjugate the people and creatures of Narnia. Michael Ward, in Planet Narnia: The Seven Heavens and the Imagination of C. S. Lewis, takes a primarily Christological approach to the Narnia series, but finds a further analogue to Underland of The Silver Chair in the underworld …

Thinking Makes It So? Hell As A (Fixable) State Of Mind In The Good Place And Lucifer, Erin Giannini

Online Midwinter Seminar (OMS)

While different in genre, sitcom The Good Place and drama Lucifer share a certain irreverent tone and a somewhat unique approach to the afterlife. In The Good Place, there is no mention of gods or devils, only demons, a Good Place committee, and a judge. Lucifer, loosely based on Neil Gaiman’s graphic novels, however, features angels, demons, God, and the Devil, providing its own spin on established cosmology with embodied versions of prominent figures such as the archangel Michael and biblical brothers Cain and Abel. Yet what ties The Good Place and Lucifer together is a focus on …

Panel: “Hell Is Other People: Looking At The Political Rage Machine In Tolkien Fan Spaces And Media”, Alicia Fox-Lenz, Grace Moone, Cara Marta Messina

Online Midwinter Seminar (OMS)

Following the backlash against the Tolkien Society’s “Tolkien and Diversity” seminar and the airing of the first season of Rings of Power, social media fan spaces for Tolkien remain politically charged and reactionary. Building on the foundation of Mythcon 51’s Roundtable “Race, Racisms, and Tolkien,” and Craig Franson’s work showcased there and on the podcast “American Id,” we will discuss the current state of Tolkien discourse on social media and how to navigate the landscape as safely as possible.

Substance Abuse: C.S. Lewis And The Symbolic Geography Of Hell, Richard Angelo Bergen

Online Midwinter Seminar (OMS)

The Marriage of Heaven and Hell by William Blake the Romantic, proffers a Romantic vision of hell, and a geographical representation of capacity and scope with an energetic apology. On the other hand, C.S. Lewis’s vision of hell in The Great Divorce is that of a land without substance: a land of addiction to mental maladies, an endless mental substance abuse, an emptying of presence. As one surveys the conversations throughout the book, one gets an increasing sense of the importance of understanding place correctly, as a matter of eternal consequence. One chapter concerns a well-travelled ghost who repeats his …

“Hell Is Only A Word. The Reality Is Much, Much Worse”: Black Holes As Fantasy Gateways To Hell, Kristine Larsen

Online Midwinter Seminar (OMS)

Black holes are frequently described as the scariest objects in the universe, even by the normally staid scientists who study them. Like the warning on the gate of Hell in Dante’s Inferno, any (hu)man or matter that dares to cross the event horizon abandons all hope before literally being ripped to shreds by the object’s extreme tidal forces. As the heart of the beast is approached, the laws of physics break down, time loses its simple everyday meaning, and mathematical madness reigns supreme. It is no wonder that Hollywood has repeatedly adopted the black hole as more than merely …

Hell On Earth In Garth Nix’S Old Kingdom, John Rosegrant

Online Midwinter Seminar (OMS)

I explore psychological meanings embedded in the Old Kingdom. Its River of Death is a hell impinging on life: Like Dante’s Inferno it has nine sectors; the dead take hideous Boschian forms; and helped by necromancers wielding “free magic” they often return to life. On this metaphor Nix builds the insight that desiring to live deeply and joyously risks turning hellish if early life was loveless. Necromancers and Free Magic are battled by Abhorsens and others wielding “Charter magic,” Free Magic transformed by symbols. Immersion in the Charter gives a joyous experience of connection to all life. Symbolization must …

Those Queer Devils: Queercoding Villains, Devils, And Demons In Mythopoeic Film And Media, Grace Moone

Online Midwinter Seminar (OMS)

In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable …

Animated Dancing To Hell And Back: Disney’S Fantasia, Matthew Elfenbein

Online Midwinter Seminar (OMS)

Imaginative images of Heaven and Hell capture the sociocultural engagement with Walt Disney’s Fantasia (1940), which demonstrates animated dancing bodies to represent the descent and passage of the hero’s journey. This journey is presented with many different forms of conflict and images that become unique through the qualities of the animated screendance. This form of dance on film is accentuated by the visualization of imaginative bodies, a conflict between knowledge and curiosity, and the spectacle of layering images on top of symbolic meanings to emphasize the power of identification with the audience. The spectators of this film are engaged with …

From Hell (Or Not): Representations Of Merlin And His Origins In The Comics, Michael A. Torregrossa

Online Midwinter Seminar (OMS)

The Arthurian figure of Merlin has a long literary history, but he never seems able to shake off the effects of his parentage. In medieval tradition, Merlin is sired by inhuman powers: first a seemingly benign dæmon and then a decidedly wicked demon. This preternatural aspect to his conception grants Merlin the skills and powers he uses to support the realm, yet it also taints him as someone potentially dangerous. Although Merlin’s background cannot be changed, creative artists often choose to ignore or alter his origins, especially when retelling his story for mass audiences. In contrast, other creators, usually those …

Denethor’S Descent Into Hell, Craig Boyd

Online Midwinter Seminar (OMS)

One character in Tolkien’s Legendarium stands out as one of the more morally sad and complicated individuals: Denethor, the Steward of Gondor. Although he tries to defend the kingdom he cares for, his own significant moral weaknesses subvert even the best of his intentions. His despair, provoked by the death of his favorite son—and the apparent death of his other son—sends him into a spiral of self-destructive harm from which there is no return. What accounts for this are three factors. First, his self-imposed isolation from others cuts him off from the necessary fellowship that could sustain his character; his …

Feasting At The Threshold: Transubstantiation, Queer Desire, And Homonationalism In Diane Duane’S The Tale Of The Five, Taylor Driggers

Online Midwinter Seminar (OMS)

Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess …

The Underworld As The Heroine’S Journey Home: Marvel, Xena, And Mythic Reimaginings, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

Hell is traditionally a place of torment, where the young heroine, like Persephone or Eurydice, is kidnapped by the patriarchy, leaving others to rescue her. The last few decades, however, have offered a model closer to Sumerian Inanna, in which the heroine is enlightened by hell or even conquers it. Angela, Queen of Hel: Journey to the Funderworld by Marguerite Bennett (2016) gives its heroine this path. Winning back her beloved, Angela, sister of Thor and Loki, becomes queen of the underworld but then prefers to bring Sera back to earth in a flip on Eurydice. The Xena episode “Fallen …

Infernal Landscape In Jacob’S Ladder (1990) In Light Of Carl G. Jung’S Theory Of Individuation, Fryderyk Kwiatkowski

Online Midwinter Seminar (OMS)

Carl G. Jung’s conception of the human psyche as an inner realm that gives access to profound, numinous experiences inspired many artists and popular culture authors to portray heaven and hell as symbolic expressions of the opposite forces within the human psyche rather than cosmological or supernatural regions. In my paper, I will concentrate on how the Hollywood film Jacob’s Ladder (1990) directed by Adrian Lyne, by portraying the main character’s descent into a deathbed vision depicted as hellish reality, reflects Jung’s theory of individuation, a process of self-realization that aims at reconciling various elements of the psyche and achieving …

Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino

Online Midwinter Seminar (OMS)

Season three of Supernatural (2005-2020) closes with a shot of Dean Winchester (Jensen Ackles) in Hell. The place has no discernible features and resembles neither the long waiting line nor the gothic castle of later seasons. The few elements that do characterize it, however, make it look like a brain, the labyrinth of ropes reminiscent of neurons. This association introduces Hell as a place that exists first and foremost in Dean’s dead. The lack of establishing shots and the abstract terms used to discuss Hell, damnation, and Dean’s experience further support this claim, working in its favor. After all, the …

The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui

Online Midwinter Seminar (OMS)

The paper will examine the nature of the damned in Jeffrey Konvitz’s 1970s pulp horror novel The Sentinel by using a framework utilized by C.S. Lewis in The Great Divorce, wherein damnation involves a species of spiritual blindness that masquerades as righteousness and shields the damned (for a time) from an awareness of their ultimate condition. Specifically, the paper will provide a character analysis of the co-protagonist Michael, arguably one of Konvitz’s more complex literary creations, and the role he plays in briefly elevating a generic genre-contrived plot into the realm of true spiritual horror. While making such a …

Welcome And Announcements, Mythsoc Stewards

Online Midwinter Seminar (OMS)

Welcome and Announcements

Join us for a screening of the Welcome and Announcements video, and have a cup of coffee before we get started!

Resistance Narratives: Storytelling Of Transnational Insurgencies In 1960-70s Us And Mexico, Tania Libertad Balderas

English Language and Literature ETDs

Resistance Narratives: Storytelling of Transnational Insurgencies in 1960-70s US and Mexico emphasizes how the narratives from the Mexican Insurgency, the American Indian Movement (AIM), and the leftist faction of the Chicana/o Movement in the 1960s and 1970s articulate intersecting notions of resistance, liberation, and transnational solidarity. The comparative analysis of the testimonial novel Las mujeres del alba (2019) by Chihuahuan novelist Carlos Montemayor, the autobiographies Lakota Woman (1991) and Ohitika Woman (1993) by Sičháŋǧu Lakȟóta writer and AIM militant Mary Brave Bird (formerly Crow Dog), and the memoirs and plays by the San Diego-based group Teatro de las Chicanas, collected …

The Texture Of Everyday Life: Carceral Realism And Abolitionist Speculation, Shea Hennum

English Theses and Dissertations

Exploring the ways in which prisons shape the subjectivity of free-world thinkers, and the ways that subjectivity is expressed in literary texts, this dissertation develops the concept of carceral realism: a cognitive and literary mode that represents prisons and police as the only possible response to social disorder. As this dissertation illustrates, this form of consciousness is experienced as racial paranoia, and it is expressed literary texts, which reflect and help to reify it. Through this process of cultural reification, carceral realism increasingly insists on itself as the only possible mode of thinking. As I argue, however, carceral realism actually …

Adam Binder Series (White Trash Warlock, Trailer Park Trickster, & Deadbeat Druid) By David R. Slayton, Phillip Fitzsimmons

Faculty Articles & Research

Book review of the Adam Binder Series by David R. Slayton. Book review by Phillip Fitzsimmons.

Finding The Why: Trauma's Origins And Effects In Morrison's The Bluest Eye, Hope Lopez

Theses and Dissertations

This thesis analyzes the effects of Toni Morrison’s first novel, The Bluest Eye, on its readers and the public discourse surrounding the central issue of systemic racism and incest. The central focus of the analysis is trauma in the novel: how Morrison captures that trauma in writing, how the reader encounters and interprets that trauma, and the effects of that trauma on the narrative and the reader. To construct this argument, I apply the lenses of reader response criticism, psychoanalysis, and trauma studies to the novel.

Morrison expressed concern that readers would miss the crucial message of why the …

Fake Italian: An 83% True Autobiography With Pseudonyms And Some Tall Tales [Book Review], George Guida

Publications and Research

No abstract provided.

Transcorporeal Habitus: Adapting Sociological Embodiment To The Self-Conscious Anthropocene, Trevor Bleick

Department of English: Dissertations, Theses, and Student Research

The knowledge that humans have become a geological force necessitates a reimagining of what it means to be human. This thesis explores the ways in which bodies (both human and nonhuman) are represented within the self-conscious Anthropocene. This tripartite analysis, synthesized in the term ‘transcorporeal habitus,’ presents a framework through which we can better understand the ways bodies are entangled within a greater ecosystem. By drawing on the works of scholars in the fields of sociology, ecocriticism, and traditional ecological knowledge (TEK) this thesis provides the groundwork for reimaging humanness in a period of immense change. Pierre Bourdieu and Stacy …

The Impact Of Slavery And Colonialism On The Black Consciousness: Narrative Of The Life Of Frederick Douglass, The Confessions Of Nat Turner, And Incidents In The Life Of A Slave Girl, Mariam Badawi

Theses and Dissertations

According to the German author, essayist, and empirical psychologist Karl Philipp Moritz, to be able to analyze someone psychologically, we have to be able to analyze ourselves as one would know oneself better than one would know anyone else. Therefore, he proposed the study of autobiographies to be able to delve into a writer's "innermost soul"; through their knowledge of themselves" (qtd. in Schlumbohm 32). Moreover, "the psychological effect that the ideology of white supremacy and European imperialism, in the form of slavery and colonialism, has had on Africa and her people has never been fully addressed and understood" (Nobles …

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

“Come Think With Me”: Finding Communion In The Liberatory Textual Practices Of Kameelah Janan Rasheed, Jehan L. Roberson

Criticism

Defining text as anything that can be read, self-identified learner and artist Kameelah Janan Rasheed explores reading as radical communion within her multifaceted textual practice. A 2021 Guggenheim Fellow, Rasheed’s work spans vast bodies of knowledge and temporalities to interrogate both the aesthetic and the limits of the text. At times producing collages with letters cut out from books in her own expansive library, and at other times posting scans from various books that are marked up with her rigorous note-taking, Rasheed approaches the text as an invitation to commune with the author in order to collectively arrive at new …

Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa

Criticism

On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA’s inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine’s bestsellers’ list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of …

Trees And Texts: Indigenous History, Material Media, And The Logan Elm, Mark Alan Mattes

Criticism

Settler accounts of the Cayuga Native American Soyeghtowa (Logan), such as Thomas Jefferson’s Notes on the State of Virginia, interpret his famous mourning speech, “Logan’s Lament,” as the words of a melancholic, noble savage and vanishing Indian. This essay decolonizes settler accounts of Logan’s words and deeds such as Jefferson’s book by considering Indigenous relationships to a once-living memorial on Shawnee land in central Ohio, the Logan Elm, which nineteenth-century settlers apocryphally identified as the site of Logan’s speech. Drawing on scholarly work on Indigenous writing and historical media by Native American and settler intellectuals, as well as local …

The Politics & Poetics Of Audience Creation In Contemporary Epistolary Memoir, Sarah M. Davis

Electronic Theses and Dissertations

This thesis examines Ocean Vuong’s On Earth We’re Briefly Gorgeous and Kiese Laymon’s Heavy as works of life writing that leverage the epistolary form to engage their direct maternal addressees and audiences beyond them in revision and reconstruction of identity. Secondary audiences are considered in light of Michael Warner’s “Publics and Counterpublics,” and the social affordances of the epistolary form and self-constructive affordances of life writing are analyzed in tandem as a hybrid epistolary memoir form. Specifically, this project explores how the epistolary memoir form affords Vuong and Laymon opportunities for the process of personal, relational, and communal identity construction, …