Poetry Commons^™

The Accident, Victoria Melekian

Bryant Literary Review

I pass the stone walls
of the bridge. Bouquets

Clown School In France, Lee Kisling

Bryant Literary Review

How do these two things fit together--
the rain falls on the just and the unjust, and yet

A Rumba For Rothko And Other Poems, Dennis O'Connell

Seton Hall University Dissertations and Theses (ETDs)

Throughout the last few years, I have been examining the role that objects play within my poetic production. My hope was to notice my own interaction with objects more precisely and to pursue poetic questions (and philosophical implications about subjectivity and objectivity) that have been asked before by modernist writers such as Gertrude Stein and William Carlos Williams. These two writers in particular had their own reasons for pursuing, through their writing, basic questions about representation of the world in art and language.

Bowling, Brian Austin

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Bluegill // Our Disillusion In Three Acts, Savanah Skinner

Gandy Dancer Archives

No abstract provided.

American Pastoral With Warped Floorboards, Dante Di Stefano

Gandy Dancer Archives

No abstract provided.

Tap Shoe Memento Mori, Rachel Beneway

Gandy Dancer Archives

No abstract provided.

Lip Prints: Fuse My Genes With Fish Scales, Christina Mortellaro

Gandy Dancer Archives

No abstract provided.

[Unspecified Endocrine Disorder], Codie Hazen

Gandy Dancer Archives

No abstract provided.

Adirondacks, Devon Poniatowski

Gandy Dancer Archives

No abstract provided.

A Negotiation In Meaning: Identifying American Cultural Touchstones, Jayne Jaya Todai

Honors Theses

How can discussing a poem lead to a meaningful conversation? What if Americans used common poems as their nation's cultural touchstones? In my essay, I will explore how poems that serve as American cultural touchstones might develop better communicators within the United States. I will propose a template that determines which poems would qualify as these national touchstones.

Impact Of Ekphrastic Poetry Upon My Writing, Lacy C. Snapp

Honors Theses

This thesis contains an introduction in which I will define ekphrastic poetry and provide an explication of some ekphrastic poetry written throughout history, followed by a conclusion in which I will include my own poetry, both ekphrastic and non, followed by an explication of my progress. The first section will be about questioning how the selected poets use their chosen image to enhance their own writing, and the true purpose of ekphrastic poetry. The second section will show how my poetry has developed since this project began and I started focusing on ekphrastic poetry. When I write ekphrastic poetry, not …

The Ladies Here Have Topographic Hands, Mary Ardery

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Blue Girls, Jordan Lienhoop

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Orbiting, Mary Ardery

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Plum Undone, Zach Manges

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

I No Longer Hear The Wind, Robert Tyson Steele

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

I No Longer Hear the Wind is a collection of poetry that explores an unnamed narrator's relationship with nature and civilization. The poems follow this narrator through his fragmented journey of trying to find nature in its most authentic form. As the narrator jumps in and out of civilization, he realizes that he ultimately cannot find nature, even in the most wild of places. Understanding this dilemma, the narrator seeks to connect with society while simultaneously avoiding, resisting, and even undermining civilization, technology, and authority.

The collection draws its influence from nature poets like Rumi, Whitman, Thoreau, and many others …

Carlton Hill, November // Dream In Which Iquala Is The Genesee, Evan Goldstein

Gandy Dancer Archives

No abstract provided.

70mm, Robin Mendoza

Gandy Dancer Archives

No abstract provided.

Fish Boy // Anniston, Al, Jason Guisao

Gandy Dancer Archives

No abstract provided.

Anxiety In Motion, Michelle Lynn Pawlak

Gandy Dancer Archives

No abstract provided.

Review: Panorama Taken While Rolling Down A Hill, Joseph O'Connor

Gandy Dancer Archives

No abstract provided.

Police Erasure, Katryna Pierce

Gandy Dancer Archives

No abstract provided.

Vilnius // English Kills // Bushwick, Brooklyn, Monica Wendel

Gandy Dancer Archives

No abstract provided.

Azalea, Kimberly Renee Driggers

Graduate Theses and Dissertations

This collection of poems, with its focus on home and absence, is named for the azalea, the thinking of home bush.

The Sorcerer, William Carlisle Goehring

Graduate Theses and Dissertations

A collection of poems from 2011-2015.

Kania, Indrani Sengupta

Boise State University Theses and Dissertations

Kania begins as a poetic revision of fairy tales, an attempt to extract the potential female narratives buried within the source texts, in their stifling archetypes. In the spirit of Angela Carter, it attempts to manipulate the most recognizable fairy tale motifs in order to explore issues of violence, deviant desire, sexuality, and monstrosity. As the text evolves, the archetypal “monster” shifts in location, becoming increasingly internal to the woman/speaker. First “he” is the abuser, then “she” is the errant woman, then finally, “it” is the interior anxiety, the self”s nightmare, ungendered and constantly in flux. The manuscript strives, through …

Bleach, Cream, And Other Dolls, Elizabeth Diane Mackness

Boise State University Theses and Dissertations

Bleach, Cream, and Other Dolls questions current rape culture and the political power plays that take place behind it. As a whole, this work also investigates how the positioning of a speaker affects the ability to communicate, build and participate in relationships. Through this problem each speaker’s identity becomes skewed and the speakers struggle to find their identity through various mediums—revenge, death, penetration, definition, nature, skin and disintegration (among other possibilities).

Auto/Aura, Michael Wanzenried

Boise State University Theses and Dissertations

I will make the poems of materials, for I think they are to be the most spiritual poems, And I will make the poems of my body and of mortality

—Walt Whitman, Leaves of Grass, section 6

Auto/Aura attempts to follow through on Whitman’s project by literally using materials from the world to create a situation that challenges the traditional reader-poet relationship. The poems here diverge from the page into a three-dimensional setting to continue in a largely personal and arbitrary lineage (as all poet-historical lineages tend to be according to Jerome Rothenberg) of 19th and 20th century poetic …

Volume 17, Issue 2: Full Issue

Manuscripts

No abstract provided.