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Articles 1321 - 1350 of 21522
Full-Text Articles in Poetry
Shards Of Memories, Sevi Sapunar-Lahr
Scrabble, Brenden Kimpe
An Upward Trend, Brenden Kimpe
Land Of Improbable Dreams, Chris Erickstad
Grandma Betty, Jameson Ko Buckau
Abba, Jameson Kay-Olson Buckau
Library Magic, Clara Anderson-Cameron
Residual, Clara Anderson-Cameron
Touch, Or, Beautiful People, Clara Anderson-Cameron
Touch, Or, Beautiful People, Clara Anderson-Cameron
Floodwall Magazine
No abstract provided.
Son Of Abraham, Jasmine Patera
Aglaura & Cidippe Warn Their Captive Sister, Jasmine Patera
Aglaura & Cidippe Warn Their Captive Sister, Jasmine Patera
Floodwall Magazine
No abstract provided.
Ego, Maren Schettler
You Must Whisper This Poem, Maren Schettler
7am Breakfast, Maren Schettler
Solus, Chad Erickstad
To A Cabin In The Woods, Jacob Stanley
A Sonnet For Alaska, Jonathan Sladko
Borrowed Time, Chloe Piekkola
A Gold-Lined Barrel, Dani Ogawa
The Story About The Witch's Familiars, Maiken Møller-Andersen
The Story About The Witch's Familiars, Maiken Møller-Andersen
Floodwall Magazine
No abstract provided.
A Different Type Of Sickness, Tabitha Lee
Out Of That Darkness More Darkness Has Come, Casey Fuller
Out Of That Darkness More Darkness Has Come, Casey Fuller
Floodwall Magazine
No abstract provided.
Body, Rachael Erickson
The Jester, Jay Cummings
Observe, Feel, Reflect, Alexis Crane
The Reaper, Korbyan Chavez
A Cheers To Goodbye, Drake Carnes
어 리 다, Veronika Linstrom
Those Who Fail To Learn, Jasmine Patera
“Every Time I Write A Rhyme / These People Think It’S A Crime”: Persona Problems In Catullus And Eminem, Jesse Weiner
“Every Time I Write A Rhyme / These People Think It’S A Crime”: Persona Problems In Catullus And Eminem, Jesse Weiner
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
This essay interprets Eminem’s song, “Criminal” (2000, The Marshall Mathers LP, Track 18), as a Catullan project in establishing distance between the poet and poetic persona, accomplished through Catullan invective. Drawing upon pedagogical experience, I argue that Catullus (a Roman poet of the 1st Century BCE) and Eminem use analogous rhetorical tactics and structures to challenge accusations (real or imagined) of poor character stemming from their poetry. Catullus and Eminem vociferously articulate a separation of art from artist, using common transgressive poetics. Each poet disavows his own self-constructed stance of authenticity with similar threats of violence and postures of …