Art and Design Commons^™

Bodies In Design: Rethinking Norms, Materials, Technologies, And Methods, Gözde Göncü-Berk, Sarah Kettley, Elif Ozden-Yenigun, Theodore Hughes-Riley

DRS Biennial Conference Series

The Bodies in Design track deals with the ways design engages with the human body with an emphasis on critical and creative investigations into the role of the body in contemporary design. While the body remains implicitly central to design thinking, it can be rendered invisible by a focus on the rational user or the cognitively motivated actor, and unreflexively normalized through forms of conservative and market-driven design agendas. Advancements in wearables and soft systems however, are reshaping design as a practice that engages the body in more considered and complex ways. We therefore sought contributions across material domains that …

Design Technologies, Beatriz Itzel Cruz Megchun, Michael Stead

DRS Biennial Conference Series

The theme track, ‘design technologies’, includes eleven papers covering a wide range of approaches to human-AI collaborations, reflections, and resistances in the design realm, process, and outcomes. In this editorial, we identify two broad themes, human-AI design collaborations and critical discourse on AI in design, to unfold the different design stances and intents with regard to AI in praxis and education. We want to ignite a conversation in which we reflect on our stances as designers, while respecting and honouring the poise of other humans, on the AI emerging landscape, and question how each of us uses design-AI exchanges in …

Regenerating The “Sustainability Project”: Transitioning Design And Sustainability Research Into The 21st Century, Michael Stead, David Sánchez Ruano

DRS Biennial Conference Series

Design has been a key protagonist in the story of the “Sustainability Project.” Yet, with capitalism, emissions, biodiversity loss and social injustice increasing, it might be argued that ‘the project,’ and design’s role in it, have failed to engender the sustainable transitions the planet and its people urgently require – and indeed deserve. This theme track aims to counter this defeatist narrative. Emphasising the ever-evolving relationship between Design and Sustainability, the track reflexively recognises that although design can often find itself a main driver of environmental unsustainability, it can similarly be harnessed as a critical conduit for positive planetary change. …

Practical Ways Of Staying With The Trouble: Enacting Posthuman Ethics Through Design Practice, Marta Ferreira, Ana Henriques, Angelika Strohmayer, Valentina Nisi

DRS Biennial Conference Series

This paper explores how posthuman design researchers operationalise the values inherent to their research as an everyday practice of care, messiness, and partiality. Drawing on five in-depth interviews and employing diffractive analysis through posthuman and feminist care ethics lenses, the study highlights how practitioners enact plural, situated, and reflexive approaches to method. The findings distil theoretical commitments into actionable suggestions and everyday ethics, underscoring the significance of relational accountability in design research. Implications are discussed for legitimising care-centred methods, reframing design research, and supporting systemic change. In foregrounding posthuman approaches and ethics as ongoing attunement, this research offers practical strategies …

From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone

Binghamton University Undergraduate Journal

Like many Native people, the Haudenosaunee were subjected to culturcide and assimilation using residential schools like the Thomas Indian School in the late 19th and early 20th century. During this time, in 1925, the Seneca archaeologist Dr. Arthur C. Parker was hired as the director of the Rochester Museum and Science Center. Parker used his museum position to uplift and preserve Haudenosaunee arts and culture. This paper focuses on his Seneca Arts Project (1935-1941), which gathered art and artifacts from both ancient and contemporary Haudenosaunee members. This project explores how Parker’s work was used to help revitalize and honor Native …

Mic, Shanna Mcnair

CLAMANTIS: The MALS Journal

No abstract provided.

Reiss Hall, Caden Ide

CLAMANTIS: The MALS Journal

No abstract provided.

Chiron Return, Shanna Mcnair

CLAMANTIS: The MALS Journal

No abstract provided.

Et Tu Lily?, Shanna Mcnair

CLAMANTIS: The MALS Journal

No abstract provided.

The Orion & Running Man Nebulas, Ed Ting

CLAMANTIS: The MALS Journal

No abstract provided.

Beach Day, Ileana Knight

CLAMANTIS: The MALS Journal

No abstract provided.

Dolmen, Keehan White

CLAMANTIS: The MALS Journal

No abstract provided.

Viewing Machines, Janos Cseh

Theses and Dissertations

By sifting through personal memories, the contemporary media landscape, and seeing the world through the lens of painting, Cseh asks what it means to understand information through images.  The artist unpacks the interwoven relationships between images and memory, feeling and seeing, and the difficulty of seeking truth through an analysis of his paintings.

Radiance After Exile: Visionism And The Art Of M, Lola Montgomery

Staff Scholarship - Australia & Dubai

This essay introduces and critically examines Visionism, the artistic philosophy developed by contemporary Australian painter M. Emerging from a practice shaped by early success, prolonged creative exile, and eventual return, Visionism is presented not as a stylistic movement but as a visual philosophy concerned with atmosphere, symbolism, transcendence, and the persistence of intensity after critique. Situating Visionism within contemporary debates surrounding postmodernism and metamodernism, the essay argues that M's work occupies a distinctive position within a broader cultural shift toward renewed engagements with meaning, affect, and sincerity.

Drawing on the artist’s own reflections, alongside theoretical perspectives from David Sudnow, Timotheus …

The Effectiveness Of Workplace Experience Learning In Hnd Fashion Design (Tvet) Programmes: Insights From Host Organizations In Ghana, Phyllis Mensah, Harry Barton Essel, Benjamine Tawiah, Akosua Tachie-Menson, Abena Okyerewa Siaw

Journal of Art, Design and Music

Workplace Experience Learning (WEL) has emerged as a vital component of Technical and Vocational Education and Training (TVET) in Ghana, particularly within programmes such as the Higher National Diploma (HND) in Fashion Design. This study examines the effectiveness of WEL from the perspective of host organizations, recognizing their pivotal role in shaping student outcomes. Anchored in Kolb’s Experiential Learning Theory, the research employed a mixed-method approach, gathering both quantitative and qualitative data from 120 host organizations across the Greater Accra, Ashanti, and Western Regions. Findings indicate that although most students demonstrate basic skills in garment design and construction, many struggle …

Social Innovation In The Peacebuilding Sector, Michelle Helman, Phd, Katherine Ronderos, Mariafernanda Burgos-Ariza

Peace and Conflict Studies

Social innovation is an expanding practice in the peacebuilding sector. In this article, three peace scholar-practitioners reflect on our experiences as peacebuilders and consider the utility, tensions, and possibilities for peace and social innovation in theory and in practice. We draw insights gleaned through a focus group workshop with peacebuilding colleagues and highlight three case study examples from Colombia, the Philippines, and Kenya, each demonstrating the challenges and opportunities of social innovation in the peace sector. In doing so, we offer a reimagining of- and recommended action steps to engage innovation through a collaborative, feminist design approach. This article contributes …

Performance Of Illustrations And Images As Language In Sarnath Banerjee’S All Quiet In Vikaspuri, Akanksha Barthwal Ms

SANE journal: Sequential Art Narrative in Education

Sarnath Banerjee’s All Quiet in Vikaspuri, fictionalizes but at the same time addresses water wars and political ideologies in the city of Delhi. By the means of eco-critical approach in the name of Vi-kas (development) Banerjee discuss the acts of slow violence subverted on nature in the name of progress (vikas). Through text/ images the author depicts chaos and challenges for the readers in more direct and obscene ways. The current paper attempts to look at Banerjee’s illustrations and images as new form of language emerged in modern Indian literature with the possibly that illustrations have more effect on …

Prompted Props, Human Pipelines: Evaluating Ai-Generated 3d Assets For Game-Ready Environments, Andrew Begemann, James Hutson

Faculty Scholarship

Generative AI systems increasingly promise rapid 3D asset production for game development, yet their practical viability depends on whether generated models can move beyond visual preview into editable, optimized, engine-ready workflows. This article presents a practice-led comparative case study of a stylized fantasy tavern environment produced through two workflows: a human-authored Blender pipeline and an AI-assisted pipeline using Meshy 6 and Hunyuan 3D. Using a fixed asset list, shared visual theme, documented prompts, production-time tracking, visual comparison, topology inspection, UV-map analysis, and post-generation labor accounting, the study evaluates whether text-to-3D tools function as production substitutes, ideation accelerators, or conditional asset …

Cut And Cultivate: Process And Practice, Kailey Atkinson

Master of Fine Arts in Visual Arts

Using a candy-coated, flower-ridden, bright palette and maximalist sense of composition, my artwork builds community through narrative collage, photography, painting, sculpture, poetry, and social practice. Through a feminist lens, these bright works explore body image, gender roles, and social issues. Obsessively collecting and repurposing an archive of vintage imagery, my work draws parallels between traditional and contemporary topics through the language of collage and redaction.  My nascent social practice has led me to engage with narratives outside my own experience and offer my process as a healing modality to other women.

In a tumultuous political climate where art can serve …

Darkness Seen By Candlelight: Painting To Discover Feeling, Shelby Feltoon

Master of Fine Arts in Visual Arts

This thesis discusses the ways that a phenomenological experience can translate itself through the medium of painting. This translation evokes deep feelings through physical considerations of materiality, light, context, distance, and time. Through a series of intimate and abstracted oil paintings created in thin layers, the work conveys an interdependent relationship between light and darkness. This project draws from research on art movements like Suprematism, Minimalism, and Expressionism, as well as larger practices and philosophies about photography and the sublime. The body of work draws direct reference to Junichiro Tanazaki’s essay In Praise of Shadows. Ultimately, the work described …

Content Warning, Editorial Board

Intertidal

No abstract provided.

Editors' Note, Editorial Board

Intertidal

No abstract provided.

Copyright Information, Editorial Board

Intertidal

No abstract provided.

Custom Animatronic Puppet, Jake Schuman, Fredy Herrarte, Madison Reedy, Jackson Reynolds

Mechanical Engineering

This project involved the design, fabrication, and implementation of a custom audio-animatronic puppet modeled after Dr. Brian Davis for the California Polytechnic State University Mechanical Engineering Department. The objective was to create an expressive, lifelike character capable of synchronized speech, head movement, arm gestures, and seated-to-standing motion while demonstrating the integration of mechanical design, controls, manufacturing, and artistic fabrication.

The final system consists of an 18-degree-of-freedom animatronic platform utilizing servo-driven facial and upper-body actuation combined with a pneumatic standing mechanism. A modular aluminum and 3D-printed structural framework was developed using SolidWorks and validated through engineering analysis. Character shells were digitally …

A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart

Master's Theses

The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …

Ra Hub: Streamlining Resident Advisor Workflows Through A Mobile App, Samantha Danahe Gonzalez

Graphic Communication

This project explores the need to improve the workflow experience for Residential Advisors (RAs), specifically focusing on polychat logging and event planning workflows that currently rely on multiple disconnected software platforms. This fragmented system creates confusion and makes it difficult to complete responsibilities efficiently and accurately. Survey findings revealed frustrations with tracking tasks, managing workflows, and navigating between systems. In response, this project proposes a centralized workflow system designed to create a more organized, accessible, and userfriendly experience for RAs.

Materializing The Interface: Personal Data Feeds Generative Art, Erin Livingston

Dissertations, Theses, and Capstone Projects

Materializing the Interface: Personal Data Feeds Generative Art is a data-studio capstone project that reconstructs elements of desktop and mobile interfaces as handmade mixed-media artifacts, then digitizes them as an interactive website where generative text and images are fed by personal data flows. Twenty-one paper collage windows — built from cardstock, risograph-printed paper, and mixed media — were photographed, digitized, and activated using code to become the interactive surface of a desktop view driven by browser history. A corresponding mobile view renders a corpus of 500 Instagram advertisement screenshots through a risograph print aesthetic, fed by a hand-tagged emotion and …

Burning July, Elisha Lee

Intertidal

No abstract provided.

Tangerine, Owen Stokes

Intertidal

No abstract provided.

Memoir Of A Fruitfly, Arjun Ramanthan

Intertidal

No abstract provided.