Art and Design Commons^™

Making The Writer’S Project, Alex Calderwood

ELO (un)supervised 2026

The Writer’s Project is a series of playful text editors which intervene in the act of writing in unexpected, challenging, and unusual ways. Some of the editors are conceptual experiments in user interface design: What if the editor asked you if you were sure before committing to each word? What if the delete key was not functional? Others editors are provocations that take aim at the conditions and AI-mediated writing, built to create a tension between writerly agency and system resistance. These involve placing writers into different configurations with text streams, for instance by turning prior writings into a Tetris-like …

Water Scarcity On Arizona’S Navajo Nation, As An Environmental Justice Issue, Chenoa Marks

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

For the Navajo–or Diné, meaning ‘the people’ in Diné Bizaad (Navajo language)–water is not only a resource. It is life, story, and relationship. It is tied to origin, movement, and balance within the natural and spiritual world. Water exists not only in rivers and rainfall, but in teachings, ceremonies, and the way knowledge is passed down from one generation to the next. In this sense, water is both physical and cultural, shaping how people live, understand the land, and connect to one another.

At the same time, water on the Navajo Nation–known by the Diné as Diné Bikéyah, also translated …

Precious Pattern: The Dotted-Diamond Motif In Indigenous American Textiles, Explorations In Mesoamerica, The American Southwest, And The Andes, Billie J. A. Follensbee, Lois Martin

Zea E-Books Collection

No abstract provided.

Proceedings: Nownet Arts Conference 2019, Sarah Rose Weaver, Chris Chafe, Scott Oshiro, Margaret Schedel

Journal of Network Music and Arts

Proceedings of the 2nd Annual NowNet Arts Conference 2019 “Social Purpose in Contemporary Network Arts.” The conference was held November 7–10, 2019. The primary in-person site was the Institute for Advanced Computational Science (IACS), Stony Brook University. Satellite in-person sites included Center for Computer Research in Music and Acoustics at Stanford University, Edinburgh Napier University, Orpheus Institute in Belgium, and Electronic Studios at the Technical University, Berlin. More locations participated remotely via the internet.

Proceedings: Nownet Arts Conference 2018, Sarah Rose Weaver, Chris Chafe, Margaret Schedel, Min Xiao-Fen

Journal of Network Music and Arts

Proceedings of the NowNet Arts Conference 2018, “Network Music: Artistic and Technological Strategies for Public and Private Networks.” This was the first of the NowNet Arts Conferences, which have been held annually from 2018 to the present. The conference took place from April 19–22, 2018, at the Institute for Advanced Computational Science (IACS), Stony Brook University, and at multiple remote locations connected via the internet.

Comparing Text Score Strategies For Online Music Making, Craig Pedersen, Lindsay R. Vickery, Stuart James

Journal of Network Music and Arts

This paper investigates a range of approaches to using text scores in online and networked music performance, focusing on their alignment with strategies proposed by Wilson (2020) for aesthetic and technical approaches to networked music performance. Text scores, emerging from the experimental music movement of the 1960s, communicate musical ideas through words rather than traditional notation, taking instructional, allusive, and hybrid forms. Although there are many aesthetic and pragmatic approaches to text score composition, the temporal openness of many such works makes the medium well-suited to the latency-challenged practice of telematic performance. The study evaluates four text scores—Craig Pedersen’s July …

Listening Ahead Ever So Slightly, Chris Chafe, Mike Dickey

Journal of Network Music and Arts

This paper presents a novel packet loss concealment system called “Regulator,” designed for interactive network audio applications, particularly server-mediated “jam rooms” in the cloud, where large ensembles of musicians perform together synchronously. The system addresses the critical challenge of maintaining continuous high-quality audio output while minimizing latency penalties in unreliable network environments including Wi-Fi. The Regulator architecture combines four core components: a central Regulator class orchestrating packet loss concealment operations; a BurgAlgorithm class implementing maximum entropy autoregressive prediction to reconstruct missing audio samples; a Channel class providing per-channel independent modeling for multi-channel streams; and a RegulatorWorker class offering asynchronous processing …

Pulse Before Sound: Reimagining Presence And Liveness In Telematic Music Performance Through Midi-Native Collaboration, Matt C. Bray

Journal of Network Music and Arts

Telematic Music Performance heralds a new paradigm for human creativity, seeking to extend the practical limits imposed by physical co-presence and to permit the cooperative, simultaneous creation of music among geographically remote collaborators. This paper examines how MIDI-native interaction provides a structurally robust alternative to audio-centric telematic systems constrained by latency, bandwidth, and waveform fidelity. Drawing on practice-led research, including over 34 hours of documented improvisation across 91 networked sessions in the SHOALZ series—a longitudinal Telemidi performance research initiative (2022–2024)—the study examines how the Telemidi system employs MIDI as a primary substrate for remote musical collaboration by establishing a synchronized …

Editorial, Sarah Rose Weaver

Journal of Network Music and Arts

No abstract provided.

Vestirse Con Un Cuadro”: El Mantón De Manila En La Encrucijada Entre Tradición Y Modernidad En Fortunata Y Jacinta De Benito Pérez Galdós, Ines Corujo Martin

Publications and Research

Este artículo analiza la relevancia sociocultural que adquirió el mantón de Manila en la España de finales del siglo XIX, tomandocomo punto de partida las diversas representaciones de esta prenda en la novela Fortunata y Jacinta(1887) de Benito Pérez Galdós. Como se propone, el mantón, prenda de origen asiático cuyo surgimiento está ligado a la ruta comercial colonial de los Galeones de Manila, constituye en el texto galdosiano un objeto clave para explorar algunos de los debates centrales del imaginario cultural finisecular en torno a la identidad nacional, forjada entre el tradicionalismo y la modernidad. El llamativo accesorio, ligado a …

Acknowledgements

Calliope

No abstract provided.

We Turn, Ada Chen

Calliope

No abstract provided.

Self Portrait 02, Jimmie Lane

Calliope

No abstract provided.

Air To Surface, Laney Eichelberger

Calliope

No abstract provided.

Image01, Adasia Cousins

Calliope

No abstract provided.

Gazes, Ada Chen

Calliope

No abstract provided.

Are We Trapped, Ada Chen

Calliope

No abstract provided.

On The Horizon, Matthew Recker

Calliope

No abstract provided.

A Trapped Rainbow, Cala E. Palmer

Calliope

No abstract provided.

Obituary, Chloe Hale

Calliope

No abstract provided.

Swallowed, Rose Spangler

Calliope

No abstract provided.

Forest Offering, Theresa Appleyard

Calliope

No abstract provided.

Drowning In Heredity, Destinney Ringer

Calliope

No abstract provided.

Bathroom Trip, Ada Chen

Calliope

No abstract provided.

Where All I’Ve Been With A Harpoon Jutting From My Chest, Catherine Camenga

Calliope

No abstract provided.

Wistful For My Mountain’S Embrace, Katie Lynn Stewart

Calliope

No abstract provided.

Van Gogh, Van Gone, Sal Barrett

Calliope

No abstract provided.

Sister, Wife, Mom, Gran, Katie Lynn Stewart

Calliope

No abstract provided.

My Dad’S In Doddridge, Katie Lynn Stewart

Calliope

No abstract provided.

Like A Deer In Headlights, Destinney Ringer

Calliope

No abstract provided.