Art and Design Commons^™

Parnassus 2019

Parnassus

The 2019 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Mary Moffett "Portrait Of Avon Wallace", University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Framed oil portrait of Avon Wallace.

Pattern Project - Salmon, Yufei Zheng

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Emerson Bartch, Senior Art Exhibition Portfolio, Emerson Bartch

Senior Art Portfolios

This work included painting, printmaking, and sculpture exhibited at St. Norbert College from April 8, 2019 to May 3, 2019.

Catherine O'Brien, Senior Art Exhibition Portfolio, Catherine Grace O'Brien

Senior Art Portfolios

This is the Senior Art Exhibition Portfolio of Catherine O'Brien. The work was exhibited in the Baer Gallery in Spring of 2019.

Sarah Chojnacki, Senior Art Exhibition Portfolio, Norbert College 4059114

Senior Art Portfolios

This is a portfolio created for Senior Art Exhibition 2019. This work included painting, collage, and graphic design.

Katie Hopkins, Senior Art Exhibition Portfolio, Katherine Hopkins

Senior Art Portfolios

This document archives the senior art exhibition of Katie Hopkins ‘19. A reception for the 2019 Senior Art Exhibition occurred on Friday, April 12, 2019 in the Bush Art Center Galleries to celebrate the accomplishments of the graduating art class. Contained in the portfolio is Hopkins’ artist statement that accompanied her exhibition, a photo of her work in the context of the Baer Gallery taken on the night of the reception, and close ups of her three pieces: the oil painting Space Dog, four film stills and the tagline of the short film Withdrawn in lieu of the actual media, …

Julia Allen, Senior Art Exhibition Portfolio, Julia Allen

Senior Art Portfolios

Senior Art Exhibition presented in the Baer Gallery from April 8th to May 3rd. The work includes package design, printmaking, and graphic design.

Elizabeth Schaal, Senior Art Exhibition Portfolio, Elizabeth Schaal

Senior Art Portfolios

This portfolio is showing the work done for the senior art exhibition for the semester of Spring 2019. The art was shown in the Baer Gallery from April 8th to May 3rd.

Kayla Mitchell, Senior Art Exhibition Portfolio, Kayla M. Mitchell

Senior Art Portfolios

This is a portfolio of work shown in the Bush Art Center Galleries at St. Norbert College from April 8th through May 3rd, 2019. This work includes a series of four illustrations.

Joseph Donohue, Senior Art Exhibition Portfolio, Joseph C. Donohue

Senior Art Portfolios

Senior art exhibition for the semester of Spring 2019, shown in the Godschalx Gallery from April 8th to May 3rd. Two sculptural pieces and a photography piece are shown of my work.

Sam Kalies, Senior Art Portfolio, Sam Kalies

Senior Art Portfolios

This portfolio represents the works by Sam Kalies in the Senior Art Exhibition, exhibited in the Bush Art Center Galleries from April 8- May 3, 2019.

Carla Davila, Senior Art Exhibition Portfolio, Carla Davila

Senior Art Portfolios

This Senior Art Portfolio was created by Carla Davila, It consists of graphic design and package design for a mock cosmetic brand Culture Shadows. This work was displayed in the Baer Gallery, in the Spring of 2019.

Jennifer Han Senior Art Exhibition Portfolio, Jennifer Han

Senior Art Portfolios

it is a senior art exhibition for Jennifer Han, work with photography, stop motion and typeface design

Typographic Self Portrait, Jennifer H. Bowles

Open Educational Resources

No abstract provided.

Permissive Certificates: Collectors Of Art As Collectors Of Permissions, Peter J. Karol

Law Faculty Scholarship

Artists have been dramatically reshaping the fine art certificate of authenticity since the 1960s. Where traditional certificates merely certified extant objects as authentic works of a named artist, newer instruments purported both to authorize the creation of unbuilt artworks and instruct buyers how to manifest and install them. Such “Permissive Certificates” have fascinated contemporary art historians ever since. Prior scholarship has shown how such documents, essentially blueprints for art creation, force us to confront fundamental ontological questions on the nature of art, the relationship between artist, collector and viewer, and the influence of money and acquisitiveness on art generation. But …

Thirty Years Old, Shuyan Chen, Special Collections, Fleet Library

6th Baker & Whitehill Student Artists' Book Contest 2020

No abstract provided.

Marching Into The New Era, Xiaoyang Cheng, Special Collections, Fleet Library

6th Baker & Whitehill Student Artists' Book Contest 2020

No abstract provided.

No. 8, Geein Kim, Special Collections, Fleet Library

6th Baker & Whitehill Student Artists' Book Contest 2020

No abstract provided.

Vasilisa And The Witch's Fire, Joanna Robson, Special Collections, Fleet Library

Artists' Books

1 volume, 4 pages. Title from cardboard slipcase cover. Pattern cloth over cover boards. Lasercut silhouette illustrations, with pages that fold out concertina style. In paper box, 14 x 14 x 2 cm. Certificate of authenticity ([6] pages ; illustrations ; 10 x 10 cm) includes instructions on how to display the book. "A papercut re-telling of Vasilisa the Beautiful's flight from the hut of Baba Yaga the Witch"--Certificate of authenticity. "Book no. 16 of 30 was completed by Joanna Robson in Edinburgh, United Kingdom, on 11/1/2019"--Certificate of authenticity.

Pur-Suit, Naima Green, Special Collections, Fleet Library

Artists' Books

54 cards : color portraits. Edition of 2,500. Edition printing number statement from the artist's website. "Pur·suit is a deck of 54 playing cards features queer women, trans, non-binary, and gender nonconforming people."--colophon card. "Pur-suit is in the interest of queer and trans people, of people of color, and of groups that continue to be marginalized. Made over 9 days between October 2018 and January 2019, these photographs help complete an image of the world that we live in."--colophon card. In playing card box with title, photographer's name, "First Edition ; Made in ROC, Printed by Expert Playing Card Co., …

Plant Out Of Place, Sarah Nicholls, Special Collections, Fleet Library

Artists' Books

1 folded leaf . Cover title. "A special publication from Brain Washing from Phone Towers Information Pamphlets"--page [4] of cover. "Spring 2019 NYC" Pamphlet stitch, interior is printed on single folded sheet. Metal type and linocut printing.

Bound Tight, Taylor Anna Cox, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : 5 illustrations. Title, book artist's name, place of publication, and number of copies in edition from Vamp & Tramp Booksellers (distributor) website. Edition limited to 32 numbered copies. Text and decorations printed with metalic copper ink. "Letterpress printed on Suede Tex paper with photopolymer plates. Images of historic X-rays taken by Dr. Ludovic O'Followell in 1908 laser printed on Via Vellum papers."--Colophon. "In 1892 Benjamin Orange Flowers [that is, Flower] wrote the critical essay 'Fashion Slaves' chronicling the damaging effects corsets had on the female body. In 1908, the scientist Dr. Ludovic O'Followell took x-rays of …

Prism, Helen Hiebert, Special Collections, Fleet Library

Artists' Books

1 volume, 54 pages . Watermark and hand-stitching on page preceding title page. "A triangular prism is a transparent object, with ends in the shape of a triangle, which separates light that passes through it into the colors of the rainbow." "Helen Hiebert made all the papers in this book by hand. The colored text papers are all 100% premium abaca, colored with aqueous dispersed pigments mixed by Lata Gedala ... The cover is a cotton/abaca pulp blend with a pulp painting in abaca. All text was letterpress printed by Tom Leech at the Press at the Palace of the …

Follow Me, Ziqi Wang, Special Collections, Fleet Library

6th Baker & Whitehill Student Artists' Book Contest 2020

No abstract provided.

Picture Collection Art File Index, Fleet Library, Visual + Material Resources

Picture Collection Indexes

Art Files are arranged by artist and by country. There is a section for art movements and types of art, and a large collection of Illustrators. The mounted art prints include many rare black and white photographs of historic architecture.

Embracing The Humanities: Highlights From The Arthur E. Klauser '45 Japanese Art Collection, Hiroko Chiba, Craig Hadley, Pauline Ota

Galleries at Peeler Exhibition & Program Publications

EMBRACING THE HUMANITIES: Highlights from The Arthur E. Klauser ’45 Japanese Art Collection, DePauw University
Foreword - Dr. Hiroko Chiba
Acknowledgements - Craig Hadley
Embracing the Humanities: Remembering Arthur E. Klauser ’45 - Craig Hadley
Highlights of the Arthur E. Klauser ’45: Asian and World Community Collection (1994)
High Impact! The Arthur E. Klauser Collection of Asian Art in the University Classroom - Dr. Pauline Ota
Reflections from Klauser E. Klauser Fellows: Alexandra Chamberlain ’13, Tiffany Miller ’18, Taylor Zartman ’15
Catalog of Selected Works: Buddhism and Religious Artworks, Representations of Theater and Literature, Warrior Art and Artifacts, Woodblock Prints …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Vintage Book Shelves, Sarah An

Pattern Research Project

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Sarah An, VCU Interior Design BFA 2022, selected the ICA Elevator pattern for the 2019 Pattern Research Project. The text below is excerpted from the student’s work:

"Trompe-l’oeil is a style of painting that started in 1800s. This was started by artist Louis-Léopold …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Diamond, Mariana Alcala-Ramos

Pattern Research Project

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Mariana Alcala-Ramos, VCU Interior Design BFA 2022, selected the ICA Elevator pattern for the 2019 Pattern Research Project. The text below is excerpted from the student’s work:

"The design of this pattern says a lot of technology, it was created using vinyl (a …

Pattern Project - Linea Ferrovaria, Blake Sneed

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …