Art and Design Commons^™

Graphic Solidarity: The Internationalist Outlook Of The Cuban Revolution, Katherine E. Mccorkle

Student Scholarship

The purpose of this paper is to analyze the ways in which the internationalist outlook of the Cuban Revolution was promoted through the solidarity posters produced by the OSPAAAL organization. This includes an analysis of the ways in which Cuba was influenced by and spread their influence to nations throughout the world. Particularly interesting is Cuba’s relationship with the United States. While promoting a message of anti- Americanism and anti-capitalist consumerism, Cuba also borrowed heavily from 5 contemporary American artistic traditions, and utilized styles and symbols synonymous with American culture to promote their message of anti-imperialism. While ideologically the poster …

John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983), Everette Smith

Dissertations

In the years following World War II, several American composers began breaking from the confines of music notation relegated to five lines and four spaces. Of particular interest to this study, John Cage (1912–1992) began liberating his compositions from the restraint posed by traditional notation in 1951 with his work Imaginary Landscape No. 4. He continued to create and develop varying systems of graphic notation with his indeterminate works, which became increasingly influenced by his interest in the environment and in South and East Asian aesthetic and philosophical considerations, themselves environmentally influenced. One of the latest products of Cage’s coalescence …

Out Of Sight, Mei G. Buzzell

University Scholar Projects

Out of Sight, reveals the reality of the service industry that is often camouflaged from the front of the house. Over a two year period, my discoveries are the happenings of what transpires within communities that is repeated day and night all over this country. Only the text of my thesis book is displayed, the images can be found at my website at, meibuzzell.com.

Liable To Change, Jody Travis Thompson

Graduate Theses and Dissertations

Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …

Seeing Through Feeling, Christopher Mitchell Rodgers

Graduate Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value, …

Give Up The Ghost, Hannah T. Mcbroom

Graduate Theses and Dissertations

Give Up the Ghost is a series of six paintings created in Fall 2018 and Spring 2019. The paintings are an introspective examination of transgender subjectivity in visual narrative.

In this paper, I separate the personal and research through first and third person, similarly to how I separate imagery and mark making in my paintings. The paper is broken up into a description of the project, the history and theory which informs the work, and why painting is used to describe bodies and spaces.

Give Up the Ghost refers to giving up social expectations as determined by gender. The paintings …

Good Dyke Art, Sam M. Mack

Graduate Theses and Dissertations

The work in good dyke art visually expands upon conversations about institutional critique and its contradictions, specifically questioning who dictates the boundaries between institutions and bodies: how divisions are made between them and who enacts or receives force. One’s participation in this critique, however, indicates a participation in the problematics of the institution and by extension, a desire to critique may also be considered a desire to participate in that system.

Ceramic, glaze, and found objects manifest an allegorical formalism that utilizes coded languages of institutional spaces, traditions of queer-coding, and charged word-play. The ceramic vessel forms reference the Ancient …

An Echo From The Living Room, Makayla Nichole Songer

Graduate Theses and Dissertations

We are unable to interface with reality as it is. Everything that encompasses our understanding of reality and ourselves—from our physical perceptions to our memories—are subject to innate flaws that make a complete grasp of reality impossible. an echo from the living room is invested in the idea that reality itself is malleable, taking influence from altered states of reality such as dreams, nightmares, and memory. Drawing from the personal experiences of recurring nightmares and living in a haunted house, as well film, the uncanny, and the multiple, an echo from the living room strives to create space for these …

Zitrone, Chase Roy Young

Graduate Theses and Dissertations

The purpose of this thesis paper is to describe the elements and narrative associated with the exhibition, Zitrone, as well as the conceptual and theoretical ideas influencing the work. The exhibition is centered around an invented singular historical object in the form of a vehicle, and a museum display of artifacts, documents, and recreations intended to validate the existence of the central subject. Drawing on the work of artists Marcel Broodthaers, Damien Hirst, and David Wilson in conjunction with theoretical writings of Dave Hickey and Lewis Hyde, the exhibition seeks to address the perception and presentation of history as absolute …

Patronage And Portable Portraits: Early English Miniatures: 1520-1544, Ashley Owens

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis examines function and patronage of early sixteenth-century portrait miniatures by Lucas Horenbout (d. 1544) and Hans Holbein the Younger (1497/8-1543). Portrait miniatures, a unique form of portraiture emerging in the sixteenth century, have a long tradition in England, but hold an ambiguous place within art history because of their size, variety, and multifaceted function. Scholarship on the topic of early English portrait miniatures defines and discusses the tradition as it applies to the Elizabethan miniatures of Nicholas Hilliard (1547-1619), the first major English-born artist. Therefore, the miniatures prior to Hilliard have been studied as predecessors to his works …

Preying For A Miracle, Hannah Oakes

Undergraduate Honors Theses

For my BFA Capstone exhibition Preying For a Miracle I analyzed the Biblical book of Job found in the Old Testament in relation to my own life. My interest in the Book of Job stems from a human desire to understand suffering, especially suffering that is unprovoked. At the beginning of the book of Job, Job is described as “blameless and upright; he feared God and shunned evil”. (Job 1:1) As the first chapter of the book progresses, Satan comes to God and presents a wager. Satan insinuates that Job is only faithful to God because God has “put a …

Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox

Landscape Architecture Undergraduate Honors Theses

This capstone investigates the unique relationship between Vincent Van Gogh and planting designer Piet Oudolf's vibrant use of color and contrast in their work as it relates to their perception of the landscape. The project is mainly a comparison of the two artists, exploring Van Gogh's use of complementary colors and brushstroke techniques to create vivid contrast in his renderings of agrarian landscapes, and Oudolf's parallel approach to creating painterly meadows and prairie gardens. The project focuses on Van Gogh’s study of wheat field landscapes, which are essentially the same in structure and composition but can be used to compare …

Costume Design For Qui Nguyen’S She Kills Monsters, Tanner Neal Mcalpin

Graduate Theses and Dissertations

The following thesis details the process of creating costume designs and implementing them in the production of She Kills Monsters which was produced at the University of Arkansas Black Box Theatre in the Fall of 2018. Throughout this thesis I will explain how the costumes went from initial research and conversations with the director to the final products on the stage. The account of this includes an analysis of the script, collages of photos used for inspiration, portrait gallery, research, rough sketches, renderings with fabric swatches, production photos, and my evaluation of the process as a whole.

Satori 2019, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

Noah's Rocker, Leila Valencia

Calliope

No abstract provided.

Beach Party, Sofia Bunnell

Calliope

No abstract provided.

Too Woo A Wyrm, Jennifer Nava

Calliope

No abstract provided.

Lonely Apparition, Amaris Woo

Calliope

No abstract provided.

Great Red Spot, Mariana Núñez

Calliope

No abstract provided.

California Poppies, Christy Lenzi

Calliope

No abstract provided.

Uncertainty, Karley Ide

Calliope

No abstract provided.

Nauseous, Corinthian Machabie

Calliope

No abstract provided.

Still, Lillian Jiang

Calliope

No abstract provided.

Climbing Back Home To Mother Tree, Angelique Doty

Calliope

No abstract provided.

East Asia, Shaun Park

Calliope

No abstract provided.

After Degas, Madison Miller

Calliope

No abstract provided.

In The Light Of The Sun, Mackenzie Wieland

Calliope

No abstract provided.

Never Coming Home, Paola Baltazar

Calliope

No abstract provided.

A Way With Words, Kayla Phelps

Calliope

No abstract provided.

More Hair More Money, Olubori Babaoye

Calliope

No abstract provided.