Art and Design Commons^™

Luxurious Surfaces: Chinese Decorative Arts From The 15th To The Early 20th Century, William T. Caterham, Ashley E. M. Jeffords, Merlyn I. Maldonado Lopez, Sarah Paul, James H. Raphaelson, Megan N. Reimer, Shannon R. Zeltmann, Tianrun Zhao, Yan Sun

Schmucker Art Catalogs

Luxurious Surfaces: Chinese Decorative Arts from the Fifteenth to the Early Twentieth Century is a highly anticipated exhibition that highlights student learning in the art history program. The curators, William Caterham ’20, Ashley Jeffords ’20, Merlyn Maldonado Lopez ’22, Sarah Paul ’22, James Raphaelson ’21, Megan Reimer ’22, Shannon Zeltmann ’21 and Tianrun Zhao ’20, are students enrolled in the Art History Method class in Fall 2019. The exhibition examines the quintessential characteristics and the meaning of Chinese decorative arts embedded in the luxurious surfaces of sixteen carefully selected works from Gettysburg College’s Asian Art Collection.

Sink Hollow Volume 8

Sink Hollow

To make a magazine, we seek contrast and even the tension of contradiction.

We hunt for the words that defy experience, and experiences that defy words alone but must be captured by clever poetic contraptions and literary devices that violate the architecture of language and definitions in order to teach us what we can't know by conventional means. We crave the ingenious art of using words to drag meaning outside the semantic containment of words. There's contradiction! This is the skill of infusing words with the power to evoke emotion and connection. The work of the poet, the artist, the …

Letterforms As Visual Communication Elements, Tatiana Ribeiro

Publications and Research

The purpose of this research is to explore the value and objectivity of written language through investigating human perception of letterforms as abstract visual communication elements. While communicating with one another is not unique to humans, and other species have been observed to be able to produce, perceive and learn different forms of communication, the visual aspect of human languages, represented in a an organized system of symbols is uniquely human. Languages, as our primary way of communication, possess an enormous power which is used to create and destroy, unite and divide, facilitate progress and reflect.

This research will attempt …

Chattel House Series, Rena King

I2

No abstract provided.

Roots, Reva Dixit

I2

No abstract provided.

Eve, Mariama L. Dodd

I2

No abstract provided.

Venus Rising, Mariama L. Dodd

I2

No abstract provided.

Firm Roots, Noah J. Campbell

I2

No abstract provided.

Shiwonhada, Betty Kim

I2

No abstract provided.

Radicals Have Conquered The American University, Jasmine Collins

I2

No abstract provided.

Honey, Honey, Cia N. Gladden

I2

No abstract provided.

Red And Blue, Cia N. Gladden

I2

No abstract provided.

Untitled Poem, Mary L. Alvarez

I2

No abstract provided.

We Cool, Samuel M. Migwi

I2

No abstract provided.

All Smiles, Zoe F. Chen

I2

No abstract provided.

Roots, Zoe F. Chen

I2

No abstract provided.

Papercut, Zoe F. Chen

I2

No abstract provided.

Chinatown, Zoe F. Chen

I2

No abstract provided.

Tangerine, Karen Zheng

I2

No abstract provided.

Ciencia De Las Mujeres: Experiencias En La Cadena Textil Desde Los Ayllus De Challapata, Denise Y. Arnold, Elvira Espejo

Textile Research Works

En el contexto de la crisis económica que atravesó Bolivia en los años ochenta, una comunidad de puna de pastores andinos, Livichuco, que forma parte integral del ayllu mayor de Qaqachaka, emprendió por iniciativa propia un proceso de mejoramiento de su producción textil, con un programa de rescate de los tintes naturales de la región. Con recursos mínimos, los comunarios compraron ollas y bateas metálicas, y comenzaron a preguntar a las personas mayores sobre sus conocimientos prácticos tradicionales en el ámbito de la tinción de textiles. Durante un período de diez años, y en coordinación con varias instituciones —incluida la …

(In)Equality., Jongin Choi

Graduate Theses and Dissertations

(in)Equality. centers around my experiences as a transnational person and those around me who have affected my current concept of equality and cultural histories. My visual methodologies cover digital photography and editing, inkjet printing, and laser engraving: multimedia in a process of new discovery, translation between analog and digital, and rearticulation. The exhibition includes portraits peering down from above, illuminated by projected patterns and manipulated messages from Nike’s “Equality.” (2017). The purpose of this thesis paper is to describe the elements of identity, marginalization, and personal reaction to advertising, as well as the and theories which have shaped this project. …

When They Sing A Song Of Joy With Sorrow, Ziba Rajabi

Graduate Theses and Dissertations

As an Iranian female artist, my work revolves around my desire to reconcile my relationship with two distinctive places, Tehran (my native land) and Arkansas (where I reside now). In my paintings and installations, I re-create intimate moments culled from my home and neighborhood in Iran. Due to a situation where I am far away from my homeland and not allowed to return without being forced to remain in Iran, I can feel my memories of home fading away. By utilizing memories from my past, I take aspects of images that are no longer recognizable and, therefore, are abstracted into …

Japanese Paper And Paper Conservation, Kei Takahashi

Honor’s College Freeman Research Journal

Washi is a Japanese handmade paper which has very long traditions. There are many types of washi in Japan but there are three main types of paper which are the kozo, mitsumata, and gampi paper. Kozo paper is made of mulberry fibers and the most well-known and has the highest production in Japan. Mitsumata and Gampi paper are made of tree of daphne fibers but the process of these two papers are different and Gampi paper is the highest quality of paper compared to the other two types papers. Before washi was created, the handmade paper originally came from …

A Man In The Middle: Giuseppe De Nittis In Paris In The 1870s, Robert Jensen

Art and Visual Studies Faculty Publications

This essay charts de Nittis’ meteoric rise to commercial success via the commercial gallery of Adolphe Goupil as well as his public successes at the Paris Salon. De Nittis carefully negotiated his position between the Salon work and what best sold through Goupil while retaining close contacts with some of the key Impressionist artists. A fascinating connection, in particular, exists between Edgar Degas’ famous Place de la Concorde: Count Lepic and his daughters and de Nittis’ own Place de la Concorde, which was painted at nearly the same moment and was directly engaged with Degas’s picture. The central claim of …

Visual Identity: Cace, Sioux Center, Iowa, Vaughn Donahue

Pro Rege

No abstract provided.

Prism, 2018, David Versluis

Pro Rege

No abstract provided.

Understanding Judith In A Misogynistic World: Female Representations In 16th Century Florence, Annissa Conditt

Theses

Judith is a brave female biblical heroine that performs the courageous act of decapitating Holofernes to save the town of Bethulia. Many artworks of Judith provide a different perception of her, as artists portray Judith as weak, feeble, and indifferent; thus, stripping her of the courageous and heroic portrayal that she deserves. The action of a female dominating and overpowering a man is unusual for the time; however, Judith was considered a very significant symbol for Florence and the Medici family, as she represented liberty, virtue, and victory over the strong. Donatello’s Judith and Holofernes was commissioned and created for …

Elasa, Doug Burg

Pro Rege

No abstract provided.

Israel, Doug Burg

Pro Rege

No abstract provided.

Myself & Other, David Platter

Pro Rege

No abstract provided.