Art and Design Commons^™

Creating The Sensible: Weaving The Colonial Aesthetic At A Colonial Obraje, Maria Smith

Textile Society of America: Symposium Proceedings

When the Spanish arrived in the Andes, they encountered a rich textile production industry. The colonists quickly recognized the economic opportunity that skilled Andean weavers provided to colonists and in 1545 the first colonial obraje (textile mill) was established in Peru (Silva Santisteban 1964: 18). Roughly twenty-five years later Antonio de Oré established the Obraje de San Marcos de Chincheros outside the colonial city of Huamanga. There Indigenous and mestizo weavers produced textiles that were transported to Cusco to enter the global textile market. At the Obraje, forced Spanish techniques and technologies mixed with the Indigenous techniques and technologies that …

Ties That Bind The Daily Lives Of Carpet Traders: An Ethnographic Exploration Of The Everyday Lives Of Carpet Traders Through Their Kinship Ties, Moral Economies, And Acts Of Everyday Diplomacy In Iran, The Netherlands, Belgium, And Germany, Felix Van Den Belt

Textile Society of America: Symposium Proceedings

On August 6, 2019, international sanctions on Iran were reintroduced. Through my personal quest to understand the carpet trade, written as an ethnographic exploration, this thesis follows the everyday life trajectories of carpet traders in the context of Iran, the Netherlands, Belgium, and Germany. These life trajectories are made comprehensible based on the themes: Kinship Ties, Moral Economy, and Everyday Diplomacy. In doing this, it contributes to the understanding of global trade networks from the perspective of globalization from below. Few ethnographies are written on the social lives of contemporary carpet traders, but there are many assumptions and opinions on …

Project To Recover Prehispanic Textile Techniques In Peru: A Brief Review, From Its Initiation To Today, Yuki Seo

Textile Society of America: Symposium Proceedings

I have lived in Peru for approximately 20 years, devoted to research and the study of prehispanic textiles. Because of the rich heritage and enormous quantity of tangible textile patrimony that exists in this country, I have chosen Peru to be able to pursue several interests. Over time, I worked in different museums, which motivated me to promote the study, understanding and recovery of prehispanic techniques. I proposed to give them life, so that they would be appreciated in these times. Along the way, I have met admirable self-taught persons who come from my country, Japan. This led me to …

Wool Sells Itself: Tracing The Movement Of Navajo-Raised Wools, Emily Winter

Textile Society of America: Symposium Proceedings

Every June for the last eight years, a coalition of commercial wool buyers, the Diné College Land Grant Office, and the Black Mesa Water Coalition has hosted a multi-site wool buy in the Navajo Nation of New Mexico/Arizona. Historically, the primary outlets for Navajos to sell their wool were trading posts and border towns, which paid far below market price. Over the last several years, the wool buy has effectively doubled the price per pound paid to Navajo producers by bringing them into direct contact with buyers. In June 2019, an estimated 160,000 pounds of wool were purchased from over …

India In Situ: Textile History And Practice, A Team Approach, Annin Barrett, Carol Bier, Anna Jolly, Louise W. Mackie, Barbara Setsu Pickett

Textile Society of America: Symposium Proceedings

Five textile specialists from various backgrounds came together to explore shared interests in Indian fabrics, histories, and architectural patterns. Guided by Rahul Jain’s extraordinary scholarship and generosity, we visited weaving workshops producing exquisite fabric and metallic yarn in our quest to understand the naqsha system for drawloom patterning. In Cholapur and Varanasi, we studied drawlooms set up to weave velvet, lampas, and samite, and a distinguished naqshaband demonstrated the making of a naqsha that provides the design for drawloom lifts. We examined rare historic textiles in New Delhi’s National Museum, Ahmedabad’s Calico Museum of Textiles, Varanasi’s Bharat Kala Bhavan Museum, …

Clothing The Black Body In Slavery, Wanett Clyde

Textile Society of America: Symposium Proceedings

After suffering the traumas of capture, enslavement, and the ship’s journey from their homeland, newly arrived Black people, along with struggling to understand and cope with their reduced circumstances, were often pulled in multiple directions with regard to their appearance.

Stripped of garments that represented their native culture and forbidden to practice their personal grooming habits, slaves were now reliant on their owners for care. Once a slave was purchased, it was in the best interest of the master and mistress to protect their investment by providing them with the essentials. Chief among those necessities was clothing.

This presentation will …

The Arts Of Urgency: Textile Practices And Truth-Telling, Catherine Dormor

Textile Society of America: Symposium Proceedings

To think of the arts of urgency is to think about tactics for making public realities and ‘truths’. It is to ask how art and artists can express horror, suffering, collective and individual trauma with intelligence, rigour, truthfulness, integrity and ethics? In this paper I explore the role of textile as a set of practices deployed as acts of resistance, focusing on the work of Chinese artist Lin Tianmiao and the US artist collective behind the Pussyhat Project (Jayna Zweimann, Krista Suh and Kat Doyle). Both deploy a tactics of spatiality and collaborative action to produce discourse around female disempowerment …

The Nantucket Looms: Historicism And Modernism In An Island Cottage Industry, Jennifer Nieling

Textile Society of America: Symposium Proceedings

Social and political upheavals of the 1960s spurred many reactions in the arts, from optimistic modernism to nostalgic historicism, that resulted in a widespread revival of handcraft. On Nantucket, the 1960s craft revival coincided with a renaissance of the island itself, as it looked towards the past to shape its future. The wharf transformed and historical tourism was promoted, the island a time capsule of its nineteenth-century glory days as a whaling port. In 1961, the Nantucket Historical Trust renovated the Jared Coffin House, a historic whaling merchant’s mansion turned hotel, decorating it with custom reproduction interior textiles. A weaving …

The State Of Traditional Albanian Kilims, Their Motifs And Narratives, Alexis Zoto

Textile Society of America: Symposium Proceedings

Albania is a cultural crossroads. Its history is rooted in the ancient Greek and Roman worlds. It has been part of the Republic of Venice and part of the Ottoman Empire. It has maintained its own identity and language in spite of many occupiers. Like many of its neighbors, it also has a rich weaving tradition influenced by hundreds of years under Ottoman rule. However, the knowledge of the old ways of this craft is quickly dying out. There are splits in knowledge and documented information between pre-communist Albania and Communist Albania and post-Communist Albania.

In the mid twentieth century …

Four Artists: My Angels And Mentor, Polly Barton

Textile Society of America: Symposium Proceedings

Interwoven into my life at the loom are the stories of four women: a weaver, a painter, an embroiderer, and a fiber artist. Their histories have guided and pulled me forward in my own growth as an artist. Yet it is to their art that I feel a heartfelt, visceral, and almost spiritual resonance. I would like to present to the TSA conference in 2020 my research into the lives of Sumiko Deguchi (1883-1952), Helen Frankenthaler (1928- 2011), Adya van Rees-Dutilh (1876- 1959), and Pat Hickman (b.1935).

As an artist who has wound, tied, dyed, and woven silk into contemporary …

Intertwining The Past And The Present Through Textiles, Experiences In The Communities, A Vision From Peru, Rommel Angeles Falcón

Textile Society of America: Symposium Proceedings

In recent years in Perú, a number of initiatives have been independently developed by collective groups, taking prehispanic textile heritage as a reference and beginning to replicate and teach ancient techniques. These initiatives were born from diverse interests, in many cases based on the experiences of weavers from the Andean highlands, textile traditions of the coast and a notable interest on the part of young people. Resist dye techniques, warp-faced weaving and tapestry have been most fully developed. This presentation reviews the principle initiatives developed in the Lima region, the ‘norte chico’ region and the far north coast.

Contemporary Oneida Beadwork: Revitalized Identity Through An “Adopted” Art Form, Beverly Gordon

Textile Society of America: Symposium Proceedings

A relatively new type of raised beadwork has “become a way of life” for the Oneida people of Wisconsin. “Beading extravaganzas” are important social events, and beadwork adorns ritual objects such as graduation stoles. This examination of contemporary Oneida beadwork functions as an intriguing update to Ruth Phillip’s 1990 TSA paper, “Moccasins into Slippers: Traditions and Transformations in Nineteenth-Century Woodlands Indian Textiles.” Phillips documented how indigenous forms “morphed” into objects made for sale to non-natives at sites such as Niagara Falls. While even tourist art was part of native cultural identity, its greatest significance was as a source of income …

Protest Art, Mitchell Gregory

The Messenger

No abstract provided.

Light In The Dark, Nichole Schiff

The Messenger

Cover illustration for the Spring 2020 issue of The Messenger.

The Edge, Clarisse Liclic

The Messenger

No abstract provided.

Cat And Chair, Charles Mullis

The Messenger

No abstract provided.

La Ville De Paris, Nathan Burns

The Messenger

No abstract provided.

Untitled, Ellie Holdsworth

The Messenger

No abstract provided.

Seeds Of Doubt, Amber Hilson

Electronic Theses and Dissertations, 2020-2023

Seeds of Doubt is a two-dimensional (2D) animated film that explores how anxiety can stifle personal growth. The film demonstrates how accepting and coping with this anxiety can help you return to a place of calm and allow you to blossom. Roma, a young witch, struggles to use her magic to successfully make her crops grow. Her lack of confidence leaves her stuck inside the greenhouse until she is ready to move on to the tomato fields outside. She must first re-center herself and overcome her self-doubt before it consumes her completely. This idea is sourced largely from my own …

The Second Bible Of Charles The Bald: Patronage And Intellectual Community At St. Amand, Riccardo Pizzinato

School of Art & Design Faculty Publications

Among the manuscripts produced for Charles the Bald, King of West Francia (843-77) and Holy Roman Emperor (875-77), the so-called Second Bible (Paris, BnF, MS Lat. 2) holds a special place. Illuminated in the scriptorium of the abbey of St. Amand between 870 and 873, the Bible—unlike all the other manuscripts presented to the king during this period—contains no human figures or royal portraits. It exhibits instead large initials patterned with geometric and zoomorphic designs. In addition, the volume opens with a long poem dedicated to Charles the Bald and written by Hucbald (ca. 840–930), master of the monastery school …

Creating A Noise-Reducing, Wearable Intervention For Newborns In The Nicu, Mohammad Rasool, Alexandra A. Mccullough, Alison Romisher, Robert S. Pugliese, Pharmd, Bcps, Bon Ku, Md, Mpp

Phase 1

Background: Excessive auditory stimulation can have negative effects on the growth and development of newborn babies. The American Academy of Pediatrics states that newborns should not be exposed to sounds in excess of 45dB while they are in the hospital, however noise levels in NICUs across the country are often between 50-100dB. A design project was conducted to develop an intervention that could reduce infant exposure to excessive noise.

Methods: Neonatologists, nurses, audiologists, music therapists, sound designers, soft materials experts, and medical device designers were interviewed and consulted throughout the design process. A 24-hour sound recording using a REED-SD-4023 meter …

3d Printing Of Bone Spurs Before Surgical Removal, Matthew Chadwick, John Paul Prodoehl, Katelyn Koons, Chris Li, Lauren Schlegel, Jeffrey Henstenburg, Md

Phase 1

Project Background: In the US alone, total knee arthroplasty is the most common performed orthopedic surgery, with over 700,000 cases per year.1 Overall, 21-25% underwent revision due to instability.2 The stability of a TKA depends largely on soft tissue balance for proper alignment in flexion and extension. Soft tissue balancing in TKA depends on posterior femoral condylar osteophytes, which prevent full extension of the knee and increase tension posteriorly. Pre-operative soft tissue visualization is difficult and this leaves an increased chance for implant failure and revision surgery. Having a 3D model of the bone spur before and during the surgery …

Color Changing Device To Improve Adherence To Foley Catheter Replacement Protocols And Reduce Urinary Tract Infection Frequency, Bryn Cross, Kurt Hill, Alexander Straus, Ms, Jason M. Fields, Md

Phase 1

Background: Millions of hospital-acquired UTI’s are caused by indwelling urinary catheters. The longer a catheter is left in, the greater the risk for infection. Catheters are often left in longer than necessary because physicians are not aware of them or the original indications for placement are not reevaluated. We hypothesize our device will draw attention to indwelling catheters and prompt re-evaluation and removal if necessary.

Methods: We will design a light strip that can be attached to the catheter bag and will turn on to blue after 5 days of placement and purple after 8 days. This will call the …

Device For The Capture And Extraction Of Waste Anesthetic Gas, Jonathan Karp, Cary Hess, Delara Kiani, Corey Jameson, Robert S. Pugliese, Michael E. Mahla, Dietrich Gravenstein, Mary Herman

Phase 1

Background: Leaks occur often throughout the process of delivering inhaled anesthesia prior to and during surgery. Leaks typically occur around the patient’s mouth, nose, and eyes. Potent inhaled anesthetics (PIAs) include halothane, sevoflurane, desflurane, and isoflurane. All PIAs, to one degree or another, pose hazards to human health. PIAs are associated with reproductive toxicity, spontaneous miscarriages in pregnant persons as well as an increased risk of congenital abnormalities in offspring. In other words, PIAs are thought to be both abortifacients as well as teratogens. PIAs are also associated with hepatotoxicity, neurotoxicity, cognitive impairment, as well as increased incidence of malignancy. …

Lesson 13: Mirrors In Renaissance And Baroque Art, Marie Porterfield

Art Appreciation Open Educational Resource

This lesson covers mirrors in Renaissance and Baroque artworks by Johannes Vermeer, Diego Velázquez, Parmigianino, and Rembrandt van Rijn.

Lesson 16: What Shocks In 1863, Marie Porterfield

Art Appreciation Open Educational Resource

This lessons discusses Modern art with a focus on Édouard Manet.

Viseral Projects, Matthew Conrardy

Undergraduate Honors Theses

A brand’s image, its identity, is established through what the brand is, what it does, where it is going, and how it is unique. The representation of a brand’s identity materializes through the messaging, images, graphics, colors, and typography associated with it. Brand manuals are designed to establish and maintain both the consistency and flexibility of the brand identity.

This manual outlines the visual and verbal applications that currently embody the Viseral Projects brand across the multimedia environment. It includes information outlining the Viseral brand story, identity system,

platforms, and examples of executions. It has been constructed with the anticipation …

The Women Of The Bauhaus Weaving Workshop: Anni Albers' And Gunta Stölzl's Impact, Sophia Silane

Pitzer Senior Theses

This thesis discusses two female weavers, Gunta Stölzl and Anni Albers, and their critical works from 1920-1935 that shaped Bauhaus weaving and the artistic significance of the medium. Over the course of three chapters, the thesis discusses Stölzl's shift from pictorial to material interests, Albers' themes of mass production and industry, and the women's post Bauhaus years which involved Stölzl blending work and art and Albers expanding the capabilities and fine art presence of textile.

On The Cover: Artist’S Statement For A Glimpse Of Motherhood

The Graduate Review

No abstract provided.

Adhd, Andrew Zhang '22

Distinguished Student Work - Visual Arts

Painting