Art and Design Commons^™

Walking Through Chengdu, Mark Eastwood

The Quatrain

Mark Eastwood is a student at Louisiana Tech University studying English. He likes potatoes.

D Is For Depression, Morgan Mccullin

The Quatrain

Morgan Jeanette McCullin is an MFA candidate in studio art at Louisiana Tech University where she earned her BFA in 2018. McCullin has interned as a portrait painter’s assistant and as a conservationist restoring paintings from a museum’s permanent collection. As an oil painter, McCullin’s personal work incorporates art history, politics, feminism, and humor to address life for young women in the American South.

Neon Spirit, Tyler Nelson

The Quatrain

Tyler Nelson is a student at Louisiana Tech University. He likes to write.

A Different Perspective, Stevie Iseral

The Quatrain

Stevie Iseral is a junior majoring in interdisciplinary studies, with concentrations in photography, sociology, and marketing. She became interested in photography her freshman year of high school and started her own photography business the summer after her junior year. Stevie loves photography because it allows her to showcase the beauty of life through her lens.

I’Ve Come To Hate The Stars..., Grace Miholic

The Quatrain

Grace Miholic is a freshman at Louisiana Tech University. She’s been writing poetry since she was in the seventh grade, and is passionate about it. She hopes to one day publish her own poetry book, but until then she has a poetry account on Instagram: g.sinclairwrites.

My God, Sadie Seilhan

The Quatrain

Sadie Seilhan is a freshman at Louisiana Tech University studying Spanish. She loves to write, and hopes to minor in English. She aspires to be a professional translator when she finishes school. Sadie loves language and art, nature and photography, and food and culture.

Why Must I Remain In Shadows, Kayla O’Neal

The Quatrain

Kayla O’Neal is an MFA candidate in studio art with an emphasis in drawing and illustration at Louisiana Tech University. She earned her BFA in Game, Animation, and Simulation Design from Southern Arkansas University in Magnolia. After completing her undergraduate degree, O’Neal interned as a photographer through the Disney College Program. Her photographs have been exhibited in several galleries, including the LoosenArts Gallery in Rome, Italy. TeenInk, Emergence, and The Friend magazines have published O’Neal’s writings. She is currently writing and illustrating Noor, a children’s book featuring characters with chronic illnesses. O’Neal is a storyteller passionate about creating worlds through …

Kisses On The Subject, Evelyn Hinjosa

The Quatrain

Evelyn Hinjosa is a junior studio art major at Louisiana Tech University who enjoys playing with color and abstraction. She grew up in a family of artists, so expression through art was something that she learned pretty early on in her childhood. Evelyn spends equal amounts of time researching concepts and painting or acting on instinct when it comes to her work.

The Little Things, Sherpatrick Washington

The Quatrain

Sherpatrick Washington is an architecture student at Louisiana Tech University. In elementary school, she began drawing cartoon characters such as Spongebob, Mickey Mouse, and Scooby- Doo. She experimented with still life, which also enhanced her analog drawing skills. She took art classes until she reached high school, when it would no longer fit into her schedule, then began experimenting with PicsArt and digital art.

Table Of Contents

The Quatrain

No abstract provided.

Letter From The Editor, Katelyn Swanson

The Quatrain

No abstract provided.

From The Dean, Donald Kaczvinsky

The Quatrain

No abstract provided.

Legacy Of Ruth Bader Ginsburg

St. Norbert Times

News

• Legacy of Ruth Bader Ginsburg
• Presidential Madness as Election Looms
• Lovelee Talks Art and Community
• Fall Sorority Recruitment
• CAUGHT: COVID Cash
• Beto O’Rourke Calls on Gen Z

Opinion

• Reality TV is the New Reality
• The Mystery of Multitasking
• Goodbye, RBG
• Impending Apocalypse and Puppeteering
• A Screaming Good Time in Wisconsin

Features

• Green Bay Farmers’ Market
• Kayaking on the Fox
• Career and Internship Fair Goes Virtual
• New Faculty: Elizabeth Danka (Biology)

Entertainment

• Student Spotlight
• Weeb Corner: What’s New in Anime?
• Review of “Avatar: The Last Airbender”
• Four of the Most Anticipated October Book Releases
• Junk Drawer: Favorite Fall Beverage

Sports …

72 Orchids, Lilly Hinckley

Manuscripts

No abstract provided.

Underground Lipstick, Garrett Davis

Manuscripts

No abstract provided.

Paris, Lilly Hinckley

Manuscripts

No abstract provided.

What I Do, Miriam Berne

Manuscripts

No abstract provided.

Stirring Movements, Brian Clow

Manuscripts

No abstract provided.

Post Postblack: Rethinking Contemporary Black Art In 2020 Art Culture, Brooke Finister

McNair Research Journal SJSU

For this study, I will be exploring the importance of advocacy in the art culture community. My research question is: Do we still need a postblack lens to look at black art and content? Historically, the black arts community’s perspective following the civil rights era and leading to the rise of the Black Arts Movement had been left out of exhibition spaces. I intend to evaluate the impact of arts foundations and organizations that contributed to the success of artists and curators within New York City from the late 1960s onward. In the 21st century we have much more inclusive …

If We Had A Kid, - Darrel -

Manuscripts

No abstract provided.

Zine Group A, Hailey Aspinwell, Tyler Amato, Ashlee Anderson, Destiny Andrade, Allison Beck, Owen Lavelle, Kenny Dyson, Vishal Fatania

Bryant Zines

No abstract provided.

Creativity And The Arts, Jenna Gardner, Megan Skasen, Erica Barley, Carley Pearson, Abby Rae, Lucy Smith, Owen Lavelle, Adibhav Gupta

Bryant Zines

No abstract provided.

Lcs Group C, Abigail Rae, Conor Manning, Darian Ramos, Derek Frame, Gabrielle Weiner, Haozhe Li, Juliana Mandile, Kasey Thomas, Yiming Huang

Bryant Zines

No abstract provided.

Lcs Zine Group, Julia Robertson, Liam Peterson, Collin Acampora, Hannah Bloomwald, Megan Lawlor, Maya Nguyen

Bryant Zines

No abstract provided.

Fall 2020, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

Facing Others: Ray Johnson’S Portrait Of A Curator As A Network, Miriam Kienle

Art and Visual Studies Faculty Publications

Deploying various forms of art world communication (commercial, bureaucratic, and interpersonal), Ray Johnson made a portrait of the curator Samuel J. Wagstaff during the mid-1960s that unworked the singular and unified image of his subject and emphasized identity as contingent upon a person’s position in their social network. Although many have noted the networked character of Johnson’s mail art practice—wherein participants were connected to each other with and through continually circulated collaged correspondence—few have explored it in relation to contemporary network theory and none have examined how it relates to portraiture of the period. By analyzing the remains of Johnson’s …

Mexico And The People: Revolutionary Printmaking And The Taller De Gráfica Popular, Carolyn Hauk, Joy Zanghi

Schmucker Art Catalogs

During its most turbulent and formative years of the twentieth century, Mexico witnessed decades of political frustration, a major revolution, and two World Wars. By the late 1900s, it emerged as a modernized nation, thrust into an ever-growing global sphere. The revolutionary voices of Mexico’s people that echoed through time took root in the arts and emerged as a collective force to bring about a new self-awareness and change for their nation. Mexico’s most distinguished artists set out to challenge an overpowered government, propagate social-political advancement, and reimagine a stronger, unified national identity. Following in the footsteps of political printmaker …

Blanket Statements, Issue 145, Fall 2020

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 145, Fall 2020

Undocumented Migration And Political Community In Susan Meiselas's Crossings Photographs, Sarah Bassnett

Visual Arts Publications

In 1989, Magnum photographer Susan Meiselas (b. 1948) photographed irregular border crossings in southern California. At the time, it was relatively easy for undocumented migrants from Central America and Mexico to cross between ports of entry, even as there was growing pressure on American officials to address border security.1 One photograph in Meiselas’s Crossings series depicts a border patrol officer apprehending a migrant off the interstate near Oceanside (fig. 1). Two torsos fill the center of the image. The officer grasps the man’s clothing, propelling him toward the nearby vehicle. With heads cut off by the frame and backs turned, …

Manual / Issue 14 / Shadows, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, Andrea Achi, Emanuel Admassu, Anita N. Bateman, Makeda Best, Gina Borromeo, Rashayla Marie Brown, Shuriya Davis, Akwaeke Emezi, Tayana Fincher, Melanee C. Harvey, Kate Irvin, Sade Lanay, Dominic Molon, Oluremi C. Onabanjo, Kevin Quashie, Matthew Shenoda, Kelly Taylor Mitchell, Leslie Wilson

Journals

Manual, a journal about art and its making. Shadows. This anti-visibility is not the same as being invisible, rather it is the power to operate against systems of imperial domination, including the gaze. It asks: How do we force the gaze to surrender? What if explanation were off the table? By enabling a petit marronage that can be expressed in the visual and symbolic use of shadow, the gaze is challenged. This issue of Manual and the accompanying exhibition (opening at the RISD Museum Fall 2020) posit that the right to opacity de-burdens contemporary work by artists who identify as …