American Literature Commons^™

Drake, Leah Bodine, 1904-1964 (Sc 1575), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 1575. Letters from poet Leah Bodine Drake, Evansville, Indiana, to Fletcher and Grace Stewart, Santa Ana, California, related to the publication of her poetry, awards for her poetry, and possible television appearances.

Morton, David, 1886-1957 (Mss 50), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 50. Correspondence of David Morton, correspondence concerning Morton Collection, speeches, essays, MSS: "Entries for a Diary," and MSS: "The Amateur Listener" -- diary, poems, pamphlets, and miscellaneous items of Morton, a poet and English professor born in Elkton, Kentucky.

History Of Ricl: Research Institute For Comparative Literature, University Of Alberta 1985-1999, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Stuart, Jesse Hilton, 1907-1984 (Sc 1557), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 1557. Letter, 10 March 1976, from Kentucky author Jesse Hilton Stuart, W-Hollow, Greenup, Kentucky, to John Howard Spurlock, Bowling Green, Kentucky, related to "He Sings for Us", Spurlock's book about Stuart's writings.

Hochstrasser, Maud Adelaide, 1900-1994 (Sc 1552), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1552. Letters to Maud Adelaide Hochstrasser, many concerning the establishment of the Maud Adelaide "Addie" Hochstrasser Fund honoring Jesse Stuart at Western Kentucky University. Includes letters from Naomi Deane Stuart, Jesse Stuart's widow.

Elizabeth Bishop And Her Women:Countering Loss, Love, And Language Through Bishop's Homosocial Continuum, Donna Rogers

Electronic Theses and Dissertations

This thesis examines Elizabeth Bishop's seemingly understated and yet nuanced poetry with a specific focus on loss, love, and language through domesticity to create a poetic home. In this sense, home offers security for a displaced orphan and lesbian, moving from filial to amorous love, as well as the literary home for a poet who struggled for critical recognition. Further, juxtaposing the familiar with the strange, Bishop situates her speaker in a construction of artificial and natural boundaries that break down across her topography and represent loss through the multiple female figures that permeate her poems to convey the uncertainty …

Writing The Wrongs : A Comparison Of Two Female Slave Narratives, Miya Hunter-Willis

Theses, Dissertations and Capstones

This thesis compares slave narratives written by Mattie J. Jackson and Kate Drumgoold. Both narrators recalled incidents that showed how slavery and the environment during the Reconstruction period created physical and psychological obstacles for women. Each narrator challenged the Cult of True Womanhood by showing that despite the stereotypes created to keep them subordinate there were African American women who successfully used their knowledge of white society to circumvent a system that tried to keep their race enslaved. Despite the 30 years that separate the publication of these two narratives, the legacy of education attainment emerges as a key part …

Title Page (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Editor’S Foreword (Volume 8), Mark D. Miller

Robert Penn Warren Studies

No abstract provided.

Contents (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

The Box, The Glittering Strings, And The Unbearable Hillbillyness Of Being: Warren’S The Cave, Country Music, And Vanderbilt Fugitive-Agrarianism, H.R. Stoneback

Robert Penn Warren Studies

The Fugitive magazine and the evolution of Nashville Agrarianism were exactly coincident and contiguous, geographically and historically, with the Grand Ole Opry and the evolution of hillbilly and country music, yet at Vanderbilt, it was something called traditional balladry or true folksong that was highly respected, and taught in courses in the English Department curriculum. It was from within these contexts that singer/songwriter and then graduate student, H. R. “Stoney” Stoneback, first wrote about Robert Penn Warren’s The Cave. Forty years later, singer/songwriter and now Distinguished Professor Stoneback revisits the question of the guitar, the songs, and the hillbillyness of …

Brooks And Warren In Heaven: A Short Story With Endnotes, James A. Perkins

Robert Penn Warren Studies

A personal and professional friendship “made in heaven” continues there. What passions persist? How do these two old friends pass the timelessness? And how do you cite a visit to heaven?

Breathing New Life Into Warren Studies: A Project In Secondary Education, Wes Berry, Kristina Rice, Angela Sloan

Robert Penn Warren Studies

In his introduction to this pedagogy project, Wes Berry ponders how teaching Robert Penn Warren’s work in high schools could help to promote Warren’s overall literary status. The following essays outline efforts to teach Warren’s fiction in two Kentucky high schools. In spring 2007, Angela Sloan taught Warren’s All the King’s Men and The Cave to A.P. English students using a comparative, intertextual approach. She details the successes of her class and includes students’ responses to their study of Warren. Furthermore, Kristina Rice presents creative approaches to making Warren’s stories accessible to high school students, including comparative thematic studies that …

Notes On Contributors (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Where It All Began (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Rpw, Sibelius, And The Dream, Marshall Walker

Robert Penn Warren Studies

In All the King’s Men Jack Burden says, “I eat a persimmon and the teeth of a tinker in Tibet are put on edge,” but what could link a Finnish composer to a writer, forty years younger, from the American South? “The creations of American literature generally are no doubt more given to the speculative, − less given to the realistic, − than are those of English literature,” says Anthony Trollope in his essay, “The Genius of Nathaniel Hawthorne.” “On our side of the water we deal more with beef and ale, and less with dreams.” Both Sibelius and Warren …

Recreating Faulkner: Cleanth Brooks’ Use Of Faulkner As New Critical Exemplar, Dana W. Mcmichael

Robert Penn Warren Studies

Cleanth Brooks’ emphasis on textual structure helped move Faulkner criticism in new directions. Though early reviews and critical treatments of William Faulkner’s works frequently speculated on his literary intentions, combed his words for various ideologies, or sought a Jamesian realism, Brooks’ earliest studies of Faulkner insisted that his novels and stories be appreciated for their mastery of form. Although Brooks’ later studies have received much of the attention they deserve, his earliest essays on Faulkner have been largely neglected. Cumulatively, Brooks’ many articles and book-length studies of Faulkner’s fiction seek to repackage him as a Modernist writer whose works are …

An “Unreligious” Affair: (Re)Reading The American Civil War In Foote’S Shiloh And Warren’S Wilderness, Kyle Crews

Robert Penn Warren Studies

A comparative analysis of Robert Penn Warren’s Wilderness and Shelby Foote’s Shiloh reveals a similar historiography that both writers apply to the American Civil War. From a narratological standpoint, the novels are very different; however, the underlying theme is the same: the Civil War is an “unreligious” episode in an often oversimplified period in American history.

About The Center (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Wendell Berry (Encyclopedia Entry), Wes Berry

English Faculty Publications

No abstract provided.

About The Advisory Group To The Center (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

About The Circle (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

About The Birthplace (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Dedication Page (Volume 8), Robert Penn Warren Studies

Robert Penn Warren Studies

No abstract provided.

Progression And Cycles: Historical And Societal Change In James Fenimore Cooper’S The Pioneer, Jessica Martinho

Undergraduate Review

No abstract provided.

Ethnicity And Accountability: Recent American Fiction, Stephanie Lawrence

Undergraduate Review

No abstract provided.

The Sovereignty Of The Individual: Thoreau’S Call For Reformation In Walden, Bradford Vezina

Undergraduate Review

No abstract provided.

The Aridity Of Grace: Community And Ecofeminism In Barbara Kingsolver's Animal Dreams And Prodigal Summer, Richard M. Magee

English Faculty Publications

In both Animal Dreams and her later novel Prodigal Summer, Kingsolver constructs narratives of community inhabited by characters with a vivid awareness of the natural world and the threats to that world; furthermore, both novels feature strong female characters who long for a more harmonious life within nature. The novels develop and present forthright ecofeminist themes, with the women in the texts representing ideals of ecologically sensitive living who seek to educate their communities about threats to the environment and the defenses against those threats.

Kingsolver's ecofeminist vision, however, is frequently complicated and contradictory; just as the desert landscape …

Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones

English Faculty Publications

During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."