American Literature Commons^™

The Controlled Narrative Of “Jane Roe:” Norma Mccorvey’S Life Beyond The 1973 Trial, Eleanor G. Strickland

Honors College Theses

Norma McCorvey, Jane Roe of Roe v. Wade, 1973, wrote two memoirs twenty years after the Supreme Court trial that surrounded her third pregnancy. These memoirs (I Am Roe, 1994, and Won by Love, 1997), along with the recent documentary AKA Jane Roe (2020), provide an insight into McCorvey’s life and how she was used by politicians and civilians during and after the influential trial. McCorvey lived a complicated life and was constantly being pulled in different directions spiritually, politically, and personally. This thesis shows how McCorvey attempted to re-write the narrative of her life using …

Appealing To Truancy: How Mary Oliver Escapes Americana, John Wise

Student Writing

How the work of Mary Oliver disagrees with the American Cultural way of thinking.

The Impact Of The Gut-Brain Axis On Alzheimer’S Disease, Elissa Wakim

Best Integrated Writing

Elissa’s review for the Graduate Biomedical Review focuses on the links between the gastrointestinal tract and the brain; the gut-brain axis and the development of Alzheimer’s disease. As a student in the Microbiology and Immunology Masters Program Elissa was particularly interested in the gut microbiota and their connection to neurodegenerative disease. She tidily reviewed the literature and wrote a fascinating and compelling piece of work.

Best Integrated Writing 2024 - Complete Edition, Wright State University School Of Humanities And Cultural Studies

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. This is the first issue after a 5 year hiatus.

Women, Animals, Food: Planetary Perspectives On The Non-(Hu)Man, Samu/Elle Striewski

Comparative Woman

The paper comparatively reads Mahasweta Devi’s Pterodactyl, Pirtha, and Puran Sahay (1995) and Margaret Atwood’s The Year of the Flood (2009) to trace the ways in which both novels show the complex intertwinement of the climate crisis with gender, class, race, subalternity, anthropocentrism, and veganism. Bringing together Gayatri C. Spivak’s notion of “planetarity” with ecofeminist philosophy and literary criticism, the article proposes a planetary ecogender reading of the two texts and their representation of the non-man, non-human, and non-subject. Building up further on Jacques Derrida’s critique of carno-phallogocentrism, the pedagogy of a relational ethics of “nurturing” is hence presented …

Monstrous Matrilineage In Chinese American Literature, Leina Hsu

Asian American Literature: Discourses & Pedagogies

In this paper, I explore the monstrous relationships between Chinese American mothers and daughters in The Joy Luck Club by Amy Tan, Bone by Fae Myenne Ng, and Severance: A Novel by Ling Ma. I employ monsters as metaphors and motifs that illustrate the womens’ genealogical trauma and resistance. By putting Chinese American matrilineages in a monstrous context, I elevate them as alternative knowledge sources that haunt the margins of Western society. In The Joy Luck Club, ghosts reveal the invisibility and survivor mindset of Chinese American immigrant mothers. For Bone, skeletons represent the unspoken trauma that plagues Chinese American …

Her Precious White Body/Her Tender Black Flesh: The Gothic Link To Black Women's (Mis)Treatment In Real Life And On The Page, Madisty R. Thomas

English Theses & Dissertations

As a work in progress, this thesis explores the interplay between historical and contemporary devaluation of and violence against Black women, materially and discursively, including visual mediums and written text. Specifically, I focus on the gothic novel to illuminate the impact race-based inventions such as chattel slavery and human exhibitions, as well as the generic tropes of the Gothic, have had on Black women’s representation and lived experience via a wide-ranging introduction and close examination of Richard Marsh’s The Beetle. Additionally, the conclusion attempts to suggest how Black women and girls might survive in this antiblack world, thus escape …

Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa

Criticism

On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA’s inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine’s bestsellers’ list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of …

Woman Flytrap, Brianna Jo Hobson

Student Theses and Dissertations

Woman FlyTrap is a short story zine collection that explores the topic of sexual violence through the perpetrator and victim relationship with an explicit lens. Replete with cultural and entomological themes and motifs, Woman Flytrap seeks to remind survivors that we are not alone. In our bodies or in our lives. Neither in the world. There are over a million insects to every human, proving that there is strength in numbers. All five stories in the collection present different abstracts: revenge, transformation, justice, healing, body image, self-harm, mourning, etc. There is also a playlist and a section about the author. …

Bibliography, Cheryl Hopson

Faculty/Staff Personal Papers

Bibliography of publications by Cheryl Hopson.

Bibliography, Kristi Branham

Faculty/Staff Personal Papers

Bibliography of publications by Kristi Branham.

Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates

Presentations, Proceedings & Performances

I place the 2015-released film Suffragette within a context of the efforts Elizabeth Robins made to document and, by witnessing, to advocate, the early phases of the British Women’s Suffrage Movement in England. Robins wrote and participated across margins. An expatriate American living in England, she had no personal advantage to gain with a franchise. In her late forties and in ill health, she took perhaps only "safe" opportunities to thrust herself into the fray. But as Jane Marcus points out, with her research on the play that became Votes for Women, she took efforts to experience how working-class …

Conceive And Control: Cultural-Legal Narratives Of American Privacy And Reproductive Politics, Emily Naser-Hall

Theses and Dissertations--English

Law and literature share a foundation in narrative. The literary turn in legal scholarship recognizes that the law itself is a form of narrative, one that simultaneously reflects socio-cultural norms and creates social and political regulations with a complex matrix of power. Cultural narratives from the 1950s to the mid-1970s pertaining to reproductive politics, domesticity, and national identity both produce and are productive of legal rulings that govern and restrict private acts of sexuality and speech. The Supreme Court used cases concerning sex and reproduction to enumerate, explicate, and complicate the right to privacy, which appears nowhere in the U.S. …

Re-Visioning The Modern/Ist Body: Literature, Women, And Modern Dance, Marisa Higgins

Doctoral Dissertations

This project explores the connections between modern dance and modernism Though initially, these connections might seem inchoate, modern dance provides a way to consider how expressive movement in modernism and gender restrictions prompts a physical response. Dance is inherently stylistic movement, and it is vital to explore how movement offers women a way to engage or respond to modernity. By investigating the role of movement in modernist literature and the particular tension between constraint and freedom that characterized female movement during this period, I argue that expressive movement and embodied performance offers a means of self-exploration and self-actualization. Specifically, it …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

Fight Like A Ya Girl: Fourth Wave Feminism, Defense, And Weaponization Through The Lens Of Object Relations, Amanda Blakeman

Honors Theses

This thesis will discuss how the genre of Young Adult (YA) fiction, more specifically Fantasy YA fiction, reflects the major goals and objectives of fourth wave feminism, ultimately arguing for the need for more intersectional representation in heroine characters. YA Fantasy fiction consistently features a strong heroine in both spirit and body, one who uses weapons to take on systems of injustice in their respective worlds, from systematic child murder to modern slavery. What and how, then, are these books teaching the next generation about feminism? I attempt to answer this question with this thesis, looking at three YA female …

F. Scott Fitzgerald’S Homme Épuisé: Usurping The “Madwoman” In Tender Is The Night (1934) [2022], Emma Hill

Master's Theses

Nineteenth-century women writers commonly use themes of entrapment and madness in what are now classified as gothic novels. In texts such as Jane Eyre, Frankenstein, and The Yellow Wallpaper, confinement and madness are synchronous in developing the figure of “the madwoman.” These texts were written during a time when it was uncommon for female writers to seek publication, and many used pseudonyms to get their works published or to be taken seriously by critics. The “madwoman” emerged as a powerful trope to articulate what writing under a patriarchal system feels like. That is to say, confinement scenarios resulting from female …

Decolonizing Female Archetypes: Creating An Oppositional Consciousness In Contemporary Chicana And Iraqi Women’S Fiction, Semah Salih Hussein

Graduate Theses and Dissertations

In dominant imperialist discourses, women, such as Iraqi women and Chicanas, have been marginalized in political, social and economic structures and have been manipulated to maintain imperialist exploitation and processes. They have been frozen within certain archetypal configurations. Iraqi women have been misrepresented as victims of their culture and traditions, and Chicanas have been represented in derogatory terms or excluded from mainstream hierarchies of representation. This study examines some counternarratives and oppositional subjectivities/ consciousnesses provided by Iraqi and Chicana women writers through their utilization of the legacy of a number of fictional and historical female figures. The primary texts analyzed …

She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese

Master of Arts in English Plan II Graduate Projects

A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.

Reading The Traumatic Moment: The Role Of Socioeconomic Systems In The Color Purple And The Bluest Eye, Andrea Doll

Undergraduate Theses

There are many points of sameness between Alice Walker's The Color Purple and Toni Morrison's The Bluest Eye. Both novels occur in the mid-20th century and focus on protagonists within the same race, gender, and relative class. Of all the similarities between the texts, the most influential is the trauma, sexual and otherwise, shared between Pecola Breedlove and Celie. Most notably, both characters experience incestuous rape resulting in pregnancy shortly after their first menstruation. Despite their numerous shared events and attributes, what occurs after their sexual trauma differs drastically for each character. At the end of The Color Purple …

‘The Female Marine’ And ‘Clotel’: An Analysis Of Female Crossdressing To Escape Coercive Labor Situations In 19th Century American Literature, Kaelyn Ireland

Symposium of Student Scholars

Although illegal in many U.S. cities, crossdressing was a point of fascination for Americans of the nineteenth century. Stories of real women passing as men to serve in the military—for example, Revolutionary War veteran Deborah Sampson—enchanted readers and inspired writers, such as that of The Female Marine. Ostensibly written by its heroine, but most likely written by Nathaniel Hill Wright, The Female Marine was a popular story about a young woman who was forced to become a sex worker and cross-dressed to escape her situation, then enlisted in the Navy where she served abroad the U.S.S. Constitution. At …

Examining Katniss Everdeen's Gender Ambiguity In The Hunger Games : How Suzanne Collins Utilizes The Ya Genre To Resist Feminine Stereotypes, Moriah K. Mcdonald

Honors Theses

Even those who passively engage with modern media are likely to notice a binary frequently imposed on young adult women—that of the kind, reputable and trustworthy “good girl” or the mean, scandalous and deceitful “bad girl.” Such themes remain significantly featured in young adult (YA) literature, a genre specifically aimed at teenagers. Thus, in analyzing The Hunger Games trilogy by Suzanne Collins, I undertake a twofold analysis. I illustrate how Collins’s works tackle the specific issue of binary representation of women in the media, thereby validating the usefulness of the YA genre in commenting on current day issues facing teens.

Elgin's "Native Tongue": A "Me Too" Universe?, Amir Barati

Tête à Tête: Journal of Francophone Studies

Suzette Haden Elgin’s novel Native Tongue (1984) provides a fascinating critique of the ideologies inscribed into patriarchal language and evokes an extremely valuable linguistic and political awareness. This article will examine the liability of the ways the novel revolts against the patriarchal society via the introduction of a gynocentric linguistic intervention. I claim, Elgin’s novel showcases an invaluable instance of how it is possible for women to revolt against the pillars of patriarchy through manipulations at the gestalt and schematic level of language and most specifically, the bodily metaphoric quality of the English. This proposed transformation of the schematic and …

Two Trans-Atlantic Divorce Novels: In Camilla, Elizabeth Robins Counters Edith Wharton’S The Custom Of The Country, Joanne E. Gates

Presentations, Proceedings & Performances

This paper argues that Elizabeth Robins' reading of The Custom of the Country (recorded in her diary, 25 November 1913) impacted the way Robins drafted her very next novel, Camilla. Unlike Wharton’s Undine, whose careers with men might be characterized by the sequence of her last names (Spragg Moffatt, Marvell, de Chelles, Moffatt), Camilla undertakes one long reflective flashback on her early life with her ex-husband, Leroy Trenholme, as she crosses the Atlantic, east to west, having been proposed to by a deeply caring and comforting Englishman. This reliving of the unraveling of her marriage (especially the scene of …

Anonymity As A Bridge From Actress To Author: The Case Of Elizabeth Robins, Joanne E. Gates

Presentations, Proceedings & Performances

Any scholar working on the origins of the feminist journey of the actress turned writer Elizabeth Robins ought to be aware of her two earliest short works of fiction she wrote and published in The New Review under nearly perfect anonymity. This paper will profile these two earlier stories, published in 1894 even before her first novel, George Mandeville's Husband, attracted attention when it appeared under her perhaps thinly disguised pseudonym, C. E. Raimond.

Robins saw the potential and, yes, to her mind, the necessity, of establishing herself as a writer so that she could more securely support herself. …

In Search Of A Homeland: Jewish-American Women Writers And Their Struggle With Cultural Alienation, Alisa K. Burris

Graduate Research Theses & Dissertations

This study examines the lives and fictional works of five Jewish-American women writers of the twentieth century within the complex context of cultural alienation. Authors Anzia Yezierska, Dorothy Parker, Grace Paley, Cynthia Ozick, and Marge Piercy are each featured in separate chapters that examine how personal experiences of estrangement weave through and influence their texts. As a result of this dissertation’s scrutiny, meaningful connections emerge between these diverse Jewish women authors and the transformation of painful struggles into profound journeys to seek belonging. Through their works’ literal and figurative pilgrimages to reach an ultimate homeland, all five writers creatively illustrate …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Creating A Reverberating Beat: Digital Curation Of The Women Writers Of The Beat Generation, Elena Maria Rogalle

Electronic Theses and Dissertations, 2020-

The focus of my study is the creation of a special topics American literature or Women's Studies course about the women writers of the Beat Generation; this course provides students with a variety of explorations of women's writing during and after Post World War II America. This period saw many changes in terms of women's roles as they challenged the mid-20th century societal constructs. My research examines the women Beat writers by centering on their distinct women's discourse and how their voices challenged the patriarchally-driven canon of Beat Generation writers. To accomplish this task, my research focuses on expanding the …

(Dis)Possessed Black Youth: How America's Architecture Challenges Coming Of Age In Twentieth And Twenty-First Century African American Women's Literature, Margaret Frymire Kelly

Theses and Dissertations--English

This dissertation advances studies of Black childhood, particularly Black girlhood, by examining how African American women writers depict the troubled journey to adulthood in stories of segregation, immigration, and incarceration. I argue that authors of four representative literary works emphasize architectural structures as well as ancestral hauntings among which Black children grow up. Without examining the material structures, we cannot understand the strategies these haunted Black youth deploy to reach adulthood. Examining the architectural structures that the protagonists of Maud Martha (1953), Brown Girl, Brownstones (1959), Zami (1982), and Sing, Unburied, Sing (2017) grow up in and around, I demonstrate …