American Literature Commons^™

A Material Stratum: Black Bodies And Environmental Exploitation In Edward P. Jones' The Known World, Julia Woodward

The Quiet Corner Interdisciplinary Journal

This paper seeks to reckon with the entwined realities of black lives, environmental degradation, and the Anthropocene through engagement with Edward P. Jones’ 2003 novel The Known World and Kathryn Yusoff’s recent critical work on the Black Anthropocenes. Yusoff contends that, “Literally stretching black and brown bodies across the seismic fault lines of the earth, Black Anthropocenes subtend White Geology as a material stratum,” (xii). This paper will examine the ways in which Yusoff and Jones are in conversation, and try to elucidate the ways in which the Anthropocene is both built upon and a harbinger of mass death ...

"Delight In Horror": Charles Williams And Russell Kirk On Hell And The Supernatural, Camilo Peralta

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Charles Williams has always been one of the more overlooked members of the Inklings, and the continued neglect of his poetry and “supernatural thrillers” suggests that he is not likely to experience a dramatic increase in popularity anytime soon. Similarly, Russell Kirk is an American historian who will always be better known for writing The Conservative Mind in 1953 than for any of the dozens of short stories and novels he wrote, many of which deal with ghostly or supernatural themes. In fact, Kirk acknowledged Williams to be an important influence on his fiction; this influence is perhaps most evident ...

Questions Of Canon In Gilbert Hernandez's "Palomar" Comics, Martin Dolan

Alpenglow: Binghamton University Undergraduate Journal of Research and Creative Activity

While questions of misrepresentation are starting to be addressed in academia — acknowledging racial, cultural, gender, and artistic diversity — there is still much work to be done to close the gap between the literary canon and what contemporary literature actually looks like. These efforts have been a step in the right direction, but representation of unconventional literatures is often spotty, boiling down entire literary scenes into one book. This is especially true for those that offer formal or structural challenges – including multilingual and graphic narratives that don’t easily fit into a canonical “box.”

Gilbert Hernandez's Palomar comics, serialized in ...

The Textual Gutter: How Gene Luen Yang Redefines The Gutter In Boxers & Saints To Tell A Transnational Tale, David Lucas Jr

SANE journal: Sequential Art Narrative in Education

This paper attempts to provide a new understanding of the gutter and how it is used to significant effect in Gene Luen Yang's, Boxers & Saints. This research draws upon the work of Scott McCloud to establish a framework for the theoretical applications of the gutter. Most prior research focuses on the gutter within the page. This article demonstrates how Yang pushes the concept of the gutter further by creating a new type of gutter that moves beyond the pages and across texts. Then the research attempts to demonstrate how the idea of the textual gutter heightens the transnational elements ...

Reseña De Mundos Y Seres Poshumanos En La Literatura Contemporánea. Estudio Comparado De Kafka, Borges, Santa Cruz, Delillo Y Bellatin, De Sophie Dorothee Voo Werder. Medellín: Editorial Universidad De Antioquia, 2020, Luz Gabriela Hernández

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Reseña de Mundos y seres poshumanos en la literatura contemporánea. Estudio comparado de Kafka, Borges, Santa Cruz, Delillo y Bellatin, escrito por Sophie Dorothee voo Werder y publicado en Medellín por la editorial Universidad de Antioquia en 2020.

Introduction: How American Literature Understands Poverty, Clare E. Callahan, Joseph Entin, Irvin Hunt, Kinohi Nishikawa

English Faculty Publications

Together, the essays in this issue of American Literature stage what is at stake in how literature understands poverty, elucidating not only the problem of poverty but also, and especially, the problem of how we see it. To see poverty differently, they might conclude, is not only a matter of what we see. It is a matter of reflecting on how we see.

American Literatures Prior To 1865, Scott D. Peterson

Open Educational Resources Collection

This work was created as part of the University Libraries’ Open Educational Resources Initiative at the University of Missouri–St. Louis.

A web version of this text can be found at https://umsystem.pressbooks.pub/alpt1865/.

This anthology of American Literatures Prior to 1865, is organized chronologically into four units, focusing on Colonial Literature, Literature of Native American Perspectives and Discovery, Literature of Nineteenth Century Reform, and Literature of the New Nation. It includes introductions to the many authors included to enhance the reader's contextual understanding of the chosen texts. This anthology is essential reading for any student or ...

Re-Visioning The Modern/Ist Body: Literature, Women, And Modern Dance, Marisa Higgins

Doctoral Dissertations

This project explores the connections between modern dance and modernism Though initially, these connections might seem inchoate, modern dance provides a way to consider how expressive movement in modernism and gender restrictions prompts a physical response. Dance is inherently stylistic movement, and it is vital to explore how movement offers women a way to engage or respond to modernity. By investigating the role of movement in modernist literature and the particular tension between constraint and freedom that characterized female movement during this period, I argue that expressive movement and embodied performance offers a means of self-exploration and self-actualization. Specifically, it ...

Bildung And Flânerie: Aesthetics, Genre, And Modes Of Development In The Moviegoer, Sean P. Phillips

Theses and Dissertations

My thesis frames Walker Percy's The Moviegoer (1961) as a novel that pits the fading tradition of the Bildungsroman, aligned with what its protagonist calls the "vertical" throughout the text, against the supposed alternative of "the search", aligned with horizontal wandering. As the vast changes of modernity, namely technology and industrialization, transformed Western society throughout the nineteenth and twentieth century, many novelists began to see the Bildungsideal as incompatible with their new world. Walker Percy's novel begins with a similar conclusion, and I track how The Moviegoer engages with the Bildungsideal and its supposed failure to sustain itself ...

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates ...

Combating Narratives: Soldiering In Twentieth-Century African American And Latinx Literature, Stacy Reardon

Doctoral Dissertations

The neglect of the stories of African American and Latinx soldiers of color, combined with the relative absence of direct testimony by such soldiers, is very much on the minds of writers who achieve what Toni Morrison calls a “literary archeology” that fills in the gaps of the historical record. By closely examining John Oliver Killens’s And Then We Heard the Thunder, Alfredo Véa’s Gods Go Begging, and John Edgar Wideman’s Two Cities: A Love Story, in this study I argue that twentieth-century African American and Latinx war fiction penned between the start of the Civil Rights ...

The Burdens And Blessings Of Responsibility: Duty And Community In Nineteenth- Century America, Leslie Leonard

Doctoral Dissertations

The Burdens of Responsibility traces the emergence of moral responsibility as both a concept and problem in the nineteenth-century United States. Drawing on a range of sources –works of literature, philosophy, domestic manuals, newspaper archives – I show how many Americans began to conceive of moral responsibility as distinct from both duty and rules of behavior prescribed by traditional social roles. Although ethicists today take this distinction for granted, it was an emergent and problematic space in the nineteenth-century United States, brought into being by historical forces, including the rise of market capitalism, abolition, changing women’s roles, and increasing concern ...

Passing Down: Nella Larsen's Questioning Of Eugenic Ideology, Sky R. Mcleod

Anthós

This article looks at Nella Larsen’s 1929 novel Passing and examines how eugenic ideology of the time period are explored and critiqued through the story and characters. The novel follows two light skinned black women who grew up together and are reunited as adults. This reconciliation takes place under the backdrop of the Harlem Renaissance where the expectations of New Negro womanhood mix with a growing wave of eugenic thought and practices. In the 1920’s many influential thinkers, including black leaders such as W. E.B. Du Bois, were convinced that the only way to move the human ...

Review Of William Faulkner And Mortality; A Fine Dead Sound, By Ahmed Honeini, Routledge, 2021, Pp. Xi+ 194, $ 96,00 (Hardback), Isbn: 9780367501327., Marietta Kosma

Beyond the Margins: A Journal of Graduate Literary Scholarship

Book review of William Faulkner and Mortality; A Fine Dead Sound, by Ahmed Honeini, Routledge, 2021, pp. xi+ 194, $ 96,00 (hardback), ISBN: 9780367501327.

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility ...

Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria

Beyond the Margins: A Journal of Graduate Literary Scholarship

“Fantasizing a Free Black History: Post-Black Arts Movement Novels and Plays Re-Imagining Jim Crow” closely reads one novel and one play written in the early twenty-first century and set in the Jim Crow period. Analyzing how Toni Morrison’s novel Love (2005) and Lynn Nottage’s drama By the Way, Meet Vera Stark (2011) take up Jim Crow era Black history together, I find that both works intentionally offer incomplete, subjective and fictive narrations of black life during Jim Crow to deny readers a sense of realism. In doing so, these authors represent a group of African American novelists and ...

Fight Like A Ya Girl: Fourth Wave Feminism, Defense, And Weaponization Through The Lens Of Object Relations, Amanda Blakeman

Honors Theses

This thesis will discuss how the genre of Young Adult (YA) fiction, more specifically Fantasy YA fiction, reflects the major goals and objectives of fourth wave feminism, ultimately arguing for the need for more intersectional representation in heroine characters. YA Fantasy fiction consistently features a strong heroine in both spirit and body, one who uses weapons to take on systems of injustice in their respective worlds, from systematic child murder to modern slavery. What and how, then, are these books teaching the next generation about feminism? I attempt to answer this question with this thesis, looking at three YA female ...

Fulfilling The Search For Completeness In Harper Lee’S To Kill A Mockingbird And Delia Owens’ Where The Crawdads Sing, Kyra M. Sica

Seton Hall University Dissertations and Theses (ETDs)

Harper Lee’s To Kill A Mockingbird (1960) and Delia Owens’ Where the Crawdads Sing (2018), set in the 1930s and 1960s, respectively, portray coming of age stories narrated from the points of view of two female protagonists, Scout and Kya. In Mockingbird, Lee conveys Scout’s maturation via a first-person narrative, recounting the events she witnesses between 1933 and 1935 as a linear flashback when she is an adult, whereas Owens conveys maturation in Crawdads, which happens over the course of Kya’s life, from a roving third-person narrative point of view, between 1952 and 2009. Both novels immerse ...

Grotesque Masculinities In The Works Of Harry Crews, Barry Hannah, And Padgett Powell, Matt Brandon Blasi

LSU Doctoral Dissertations

“Grotesque Masculinities in the Works of Harry Crews, Barry Hannah, and Padgett Powell” explores how these authors use the grotesque to complicate, distort, and criticize hegemonic white Southern masculinity as represented in contemporary American literature. In “Grotesque Masculinities,” I argue that the presence of the grotesque mode in these author’s works offers a unique critical perspective by which to better understand how masculinity is constructed by and for white Southern men in literature, and how alternative configurations of identity are not only possible, but necessary to decenter whiteness and heteronormativity as dominant categories. Using what sociologists refer to as ...

Review Of The Man Who Thought Himself A Woman, Ed Christopher Looby, Carrie D. Shanafelt

ABO: Interactive Journal for Women in the Arts, 1640-1830

Christopher Looby's anthology of queer nineteenth-century American short stories is a fascinating collection of both obscure and familiar texts that together constitute a powerful argument for the queerness of the short story and for the centrality of queerness to American literary aesthetics.