American Literature Commons^™

Women Of The New Walden: Gender In Sound Culture, Now And Then, Phylis Johnson

Reconstruction: Studies in Contemporary Culture

Sonic diversity in the midst of wilderness, as original and untamed, can confound and discomfort the novice listener who becomes overwhelmed by its plethora of mysterious languages. Transcendentalist Margaret Fuller, author of Summer on the Lakes (1844), expressed sensory overload when she was confronted with the sights and sounds of Niagara Falls. Sound permeates our life, from conception, birth, and varied sonic spheres of influence that penetrate our physical space. Sound acknowledges its relevance as a cultural influence within the socialization of the individual. For instance, high-powered car stereos and subwoofers swimming in bass overtones have become associated with masculinity. …

Gestures Toward Cross-Species Reciprocal Relations In Contemporary Poetics, Mary Newell

Reconstruction: Studies in Contemporary Culture

In this essay, I explore some embodied bases of ethical attitudes toward human/ animal exchanges in the texts of three contemporary authors: Mary Oliver, Heller Levinson, and Adrienne Rich. Since other species share with humans varieties of agency, sentience, and purposive activity, I suggest that reciprocity is a fundamental aim in cross-species relations. Phenomenological philosopher Maurice Merleau-Ponty depicts the correlation between embodied actions and attitudes, for example, between the hand movement of grasping and an appropriative attitude toward the natural world. His concept of reciprocity, grounded in the experience of one hand touching another, provides a reference for encounters that …

American Fantasies Of Masculine, Physical Labor And The Dangerous Bodies Of Pacific Island Whalemen In Roger Starbuck's The Golden Harpoon And Herman Melville's Moby-Dick, Jennifer Schell

Reconstruction: Studies in Contemporary Culture

Throughout the nineteenth-century, writers, such as James Fenimore Cooper and Joseph C. Hart, fairly consistently appropriated the New England whaling industry for national purposes. They claimed the economic successes of the industry as American successes, and they positioned the whalemen as exemplary American workers. However, not all American whalemen were native-born Americans; some were foreign-born laborers. The presence of Polynesian workers and their racialized laboring bodies - often described as monstrous, grotesque, and repulsive - disrupted nationalistic appropriations of the whaling industry and its workers. What was so dangerous about these men was not just that were reputed to be …

Review Of Cursed From Birth: The Short, Unhappy Life Of William S. Burroughs Jr., By William S. Burroughs, Jr., Alan Clinton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

William S. Burroughs Jr. was the son of the author of Naked Lunch and Joan Vollmer, whom his father accidentally (at least consciously speaking) shot in a "William Tell act" in Mexico City. He was also, in his own words, "the author of two novels [Speed and Kentucky Ham] published in seven languages, and numerous articles in national magazines." The title of this latest incarnation from Soft Skull Press casts Burroughs Jr. in the tradition of the poètes maudites and, interestingly, in relation to a short story by Ernest Hemingway about a woman who "accidentally" shoots …

Review Of Dripping Dry: Literature, Politics, And Water In The Desert Southwest, By David N. Cassuto, Cory Shaman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Concentrating primarily on the environmental history of the last 100 years in the American Southwest, David N. Cassuto examines what he suggests is the nexus of political dispute regarding water in the region: the intractable tension between the ideologies of reclamation and restoration. After an initial chapter on John Wesley Powell and the 19th century origins of the hydraulic West, the book proceeds with an exploration of four representative texts in order to demonstrate what Cassuto has identified as the successive stages of the reclamation movement: "At the beginning of the twentieth century, Mary Austin believed in spite …

Review Of Fledgling, By Octavia Butler, Michael Dean Benton

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Review Of Mizora: A Prophecy, By Mary E. Bradley Lane, Melissa Purdue

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Oy Science Fiction: On Genre, Criticism, And Alien Love: An Interview With Marleen S. Barr, Marlene S. Barr, Ximena Gallardo C., C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph of Abstract]

Marleen S. Barr is a pioneer of feminist science fiction criticism and a leader in the fight against the ghettoizing influences of genre-labeling in literary criticism. While the noteworthy Feminist Fabulation: Space/Postmodern Fiction (University of Iowa Press, 1992) has been praised as Barr's seminal work in feminist science fiction criticism and theory, it is in Genre Fission: A New Discourse Practice for Cultural Studies (U of Iowa P, 2000) where she takes on literary critics' discriminatory practices against genre fiction in general and fantasy and science fiction in particular.

On Bill Brown's A Sense Of Things And Things, Alan Clinton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

If he were not already well-established within the academic world (George M. Pullman Professor of English at the University of Chicago, co-editor of Critical Inquiry), Bill Brown’s 2003 and 2004 might begin to look like Jacques Derrida’s 1967. A Sense of Things comes equipped with jacket praise from Simon During of Johns Hopkins, Alan Trachtenberg of Yale University, Julia Stern of Northwestern University, and Michael Taussig of Columbia University. Not surprisingly, two of these individuals (in addition to Bill) appear in the edited volume Things, based on a Critical Inquiry special issue devoted to the topic. …

On Kurt Vonnegut, Jr.'S Player Piano, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

I always get suspicious when a book I'm looking for is hard to find. If I'm feeling paranoid in a post-Patriot Act sort of way, I imagine vast memory holes being stuffed with the writings of people like George Orwell and Philip K. Dick by legions of aspiring yuppies-- fit, good-looking, and totally uninterested in anything that requires reading. A gaggle of Cheneyesque men do a walkthrough, to make sure that they are destroying our intellectual heritage efficiently, and to remind them all that if they destroy enough knowledge, they might get promoted (even as the suits make …

But Who Is Any Longer Interested In The Possible?: Kathy Acker In Hell Failing Fuck You, Jake Kennedy

Reconstruction: Studies in Contemporary Culture

In 'But who is any longer interested in the possible?': Kathy Acker in Hell Failing Fuck You I explore and celebrate Acker's use of a tropics of failure (plagiarism, pain, terror, gender-play, bad jokes, dumbness) as an inimitable strategy for achieving counter-cultural art and community. The prose style and scholarly apparatus of my article reflect not only my position as a poet/academic but also attempt to model an ethical, non-authoritative, Acker-informed critical language.

The Graveyard Of Genre: David Markson's Postmodern Epitaphs, Camelia Elias

Reconstruction: Studies in Contemporary Culture

David Markson is a writer who in a series of novels entitled Wittgenstein's Mistress (1988), Reader's Block (1996), and This is not a Novel (2001) explores some of our basic conceptions of genre. Can we call a book of fragments a novel? Is a novel still a novel when the characters are given names such as Author, Protagonist, Reader? What are we left with, when critics resort to labels such as novel of intellectual reference and allusion . . . minus the novel, or seminonfictional semifiction to categorise his texts? Through an apparently endless list of anecdotes and facts regarding …

One-Way Street In A Global City: Don Delillo And The Lugubrious Boredom Of The New Economy, Samuel Gerald Collins

Reconstruction: Studies in Contemporary Culture

[First paragraph]

few of the things we have fought against in cultural studies include the erroneous perceptions that the forces associated with globalization are 1) benefiting the world's peoples and 2) producing a homogeneous global culture. Against this, we have proffered endless texts documenting the sufferings of the world's peoples and critiquing the underlying assumptions regarding U.S. and Western hegemony as well as more hopeful tracts charting a more equitable future as an alternative to crushing regimes of neo-liberalism. In this, we have been joined by countless activists as well as others in women's studies, Latino/a studies, international relations and …

Cyborg Bodies And Digitized Desires: Posthumanity And Phillip K. Dick, Jennifer Attaway

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The interaction between human beings and intelligent machines has challenged the traditional understanding of what it means to be human. In his novel, Do Androids Dream of Electric Sheep?, phillip k. dick rethinks human identity through the positioning of human beings within a technologically mediated reality that displaces the biological body and the spontaneity of human sensation. Written in 1968, dick's novel anticipates the effect of a technologically mediated culture on the formation of a posthuman identity. dick's fictional juxtaposition of the human being and the organically anthropomorphic android complicates conventional implications of embodiment. Androids are physically …

Probing The Posthuman: Richard Powers' Galatea 2.2 And The Mind-Body Problem, Miranda Campbell

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In this paper, Miranda Campbell discusses Richard Powers' novel Galatea 2.2 and argues that this work is situated at the intersection of the posthumanist and humanist discourses. Campbell examines Powers' approach to the mind-body problem, his interrogation of the limits and limitations of posthumanism, and its dissolution of the importance of the body, difference, and agency. In the posthuman setting of the Center for Advanced Science of this novel, scientists integrate the mind into the body through its designation as a mechanically functioning brain. At the Center, the binary of human and machine begins to erode with the …

The Infinite Plasticity Of The Digital: Posthuman Possibilities, Embodiment And Technology In William Gibson's Interstitial Trilogy, Tama Leaver

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Ever since William Gibson coined the term cyberspace in his debut novel Neuromancer, his work has been seen by many as a yardstick for postmodern and, more recently, posthuman possibilities. This article critically examines Gibson's second trilogy (Virtual Light, Idoru and All Tomorrow's Parties), focusing on the way digital technologies and identity intersect and interact, with particular emphasis on the role of embodiment. Using the work of Donna Haraway, Judith Butler and N. Katherine Hayles, it is argued that while William Gibson's second trilogy is infused with posthuman possibilities, the role of embodiment is …

On Bret Easton Ellis's American Psycho, Andrew Miles Jacobsen

Reconstruction: Studies in Contemporary Culture

[First paragraph]

No book since American Psycho has created as much of a scandal. And few books have been as misunderstood. In 1990, months before it was set to be released, certain violent passages were leaked to the press that, taken out of context, made the book seem like a depth-less celebration of sexual violence. Right after Simon & Schuster canceled the book, an employee of the publishing house said, The most unfortunate thing about this whole controversy is that the book is a piece of shit. It's hard when something like this becomes an issue of censorship, because you …

The Night Gwen Stacy Died:' The End Of Innocence And The Birth Of The Bronze Age, Arnold T. Blumberg

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The time was 1973, and superheroes had some growing up to do.

The signs were already there as the genre eased into its fifth decade as the dominant force in American comic books. 1968 had seen the introduction of Robert Crumb's Zap Comics [1], an underground comic more concerned with counterculture trends and bucking the establishment than chronicling the exploits of spandex-wearing conservatives. The medium was testing its boundaries, finding flexibility where once there had been rigidity, and soon superheroes began to look like a timelost collection of crusaders who spoke to a generation long since past.

Review Of Writing Back: Sylvia Plath And Cold War Politics, By Alan Clinton, Alan Clinton

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Imperialism & Globalization: Lessons From Frank Herbert's Dune, Kevin Williams

Reconstruction: Studies in Contemporary Culture

[First paragraph]

These are the words of The Preacher (a character in Frank Herbert's Children of Dune who is simultaneously the metaphorical reincarnation of the fallen prophet, Muad'Dib, and the self-exiled Emperor, Paul Atreides) as he addresses the masses enslaved by their devotion to his messianic Empire. These words, culled from the pages of science fiction, are more than mere exposition from Herbert's narrative, they point toward several important conditions facing the political world today. These conditions concern certain failures of democracy and effects of globalization spawned, in part, by an intensification of imperialist expansion in the name of democracy.

Paratextuality And Economic Disavowal In Dave Eggers' You Shall Know Our Velocity, Sarah Brouillette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Dave Eggers' recent novel, You Shall Know Our Velocity (2002), concerns two friends who suddenly stumble upon a lot of money, feel guilty about it, and travel around the world trying to give it away. Like almost all of what Eggers is involved in producing, Velocity is profoundly self-justifying. In fact, if we follow Gerard Genette's model and understand a work's paratexts to be all the physical and social texts that attend its existence, controlling its dissemination and reception, then Velocity thematizes paratextuality and practices it, as a text about Eggers' career and his overriding concern with the …

Innovating Superheroes, Alvise Mattozzi

Reconstruction: Studies in Contemporary Culture

[Introduction]

Superhero comics have changed. They have passed through a Golden Age and Silver Age, they have been transformed, cancelled, revived, killed, deconstructed, reconstructed, revisited, etc. My aim is to account for part of these changes and show how superhero comics have been innovated. In order to track these changes I chose to compare different versions of a few DC Comics series, such as Doom Patrol, Swamp Thing, Shade, that had been cancelled and then revived and are known to have introduced relevant changes between the earliest and the subsequent versions.

Before tackling the series mentioned, I …

Review Of Nine Horses, By Billy Collins, Arthur Mcmaster

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Review Of Ruthless Democracy, By Timothy B. Powell, Matthew Wolf-Myer

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Mechanical Angel: Carolyn Forché And The Material Projection Of Messianic History, Alan Clinton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The work of Carolyn Forché has always retained a political edge, with works such as the exploration of her Czech background in Gathering the Tribes (1976) and her account of visits to El Salvador in The Country Between Us (1981). Forché has been one of the leading poets who, in her own words, has combatted the self-censorship operative among American poets and writers that seemed to preclude writing about...historical events when those events were still unsafe (qtd. in Stein 147). Her third book of poems The Angel of History (published 13 years later), however, represents a new turn …

Spectral Riders: Multiple Heritage And The (De-)Construction Of History In Ken Kesey's Last Go Round, Alexandra Ganser

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ken Kesey's novel Last Go Round (1994) expands on the tradition of the tall-tale; the protagonist and first-person narrator Johnathan E. Lee Spain looks back on his life at the sickbed of a comatose black rodeo champion, re-membering his days of glory (as the winner of the first Pendleton Round-Up) and his manifold experiences during this weekend.

Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope

Reconstruction: Studies in Contemporary Culture

No abstract provided.

To Blend In The Place You're In, But With A Mind To Do Something: The Practice Of Merging In James Dickey's To The White Sea, Casey Clabough

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In a final sortie the day before the great fire-bombing raid on Tokyo in the last months of World War II, Muldrow (his first name is purposefully never given), an American tail gunner, parachutes from his burning B-29 into the city. Protected at first by the smoke-blackened anarchy on the ground, he journeys north, away from the chaos and ruin of Tokyo, instinctively drawn toward Japan's sparsely-populated northern island of Hokkaido, a frozen, desolate sanctuary he is certain will assure his survival. With little more than a knife and a small map of Japan he makes his way …

Processes Of Embodiment And Spatialization In The Writings Of Paul Auster, Markus Rheindorf

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Processes of embodiment and the spatialization of interior categories such as thought and memory are defining characteristics of Paul Auster's novels, essays, and poetry, and a brief survey of these aspects can offer a new perspective on Auster's oeuvre as an organic whole. It is the underlying assumption of this paper that the transformation of interior into exterior constitutes a specific instance of the transpositional processes discussed therein. Within the theoretical framework of cultural studies -- as opposed to the more narrowly defined literary studies -- such transformations can be regarded as processes of embodiment, that is to …