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Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”, Chelsea R. Roberts 2015 Central Washington University

Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”, Chelsea R. Roberts

All Master's Theses

The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the "New Left". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or "periodization" (Postlewait), and because of the ways in which the "New Left" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as "in-line" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings …


Estudio Y Edición De La Más Constante Mujer De Juan Pérez De Montalbán, Philip Allen 2015 University of South Florida

Estudio Y Edición De La Más Constante Mujer De Juan Pérez De Montalbán, Philip Allen

USF Tampa Graduate Theses and Dissertations

La más constante mujer is a Spanish Golden Age play written by Juan Pérez de Montalbán in 1631 and published for the first time in 1632. Although he was once one of the most famous playwrights in Madrid, known for running in the same literary and social circles as Lope de Vega and Calderón de la Barca, the bulk of the dramatist's work has been greatly ignored by scholars, or is referred to as being of second rate, and the author himself has nearly tragically been forgotten throughout the centuries following his short life. Although research has been conducted to …


Earle Hyman, Jocelyn L. Buckner 2015 Chapman University

Earle Hyman, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Earle Hyman.


Negro Ensemble Company, Jocelyn L. Buckner 2015 Chapman University

Negro Ensemble Company, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the work and impact of the Negro Ensemble Company.


Charles Sidney Gilpin, Jocelyn L. Buckner 2015 Chapman University

Charles Sidney Gilpin, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Charles Sidney Gilpin.


Ruby Dee, Jocelyn L. Buckner 2015 Chapman University

Ruby Dee, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Ruby Dee.


Henrietta Vinton Davis, Jocelyn L. Buckner 2015 Chapman University

Henrietta Vinton Davis, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Henrietta Vinton Davis.


Soon-Tek Oh, Jocelyn L. Buckner 2015 Chapman University

Soon-Tek Oh, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Soon-Tek Oh.


Zoe Wanamaker, Jocelyn L. Buckner 2015 Chapman University

Zoe Wanamaker, Jocelyn L. Buckner

Theatre Faculty Books and Book Chapters

An overview of the life, work, and impact of Zoe Wanamaker.


A 'Paradox Of Expression': Bertolt Brecht's Verfremdungseffekt In Performance, Cohen L. Ambrose Mr. 2015 University of Montana - Missoula

A 'Paradox Of Expression': Bertolt Brecht's Verfremdungseffekt In Performance, Cohen L. Ambrose Mr.

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.


Robot Saints, Christopher B. Swift 2015 CUNY New York City College of Technology

Robot Saints, Christopher B. Swift

Publications and Research

In the Middle Ages, articulating religious figures like wooden Deposition crucifixes and ambulatory saints were tools for devotion, techno-mythological objects that distilled the wonders of engineering and holiness. Robots are gestures toward immortality, created in the face of the undeniable fact and experience of the ongoing decay of our fleshy bodies. Both like and unlike human beings, robots and androids occupy a nebulous perceptual realm between life and death, animation and inanimation. Masahiro Mori called this in-between space the “uncanny valley.” In this essay I argue that unlike a modern person apprehending an android (the uncanny human-like object that resides …


Understanding Theatre And Its Social Implications In A Modern Context, Sara Curtis 2014 Chapman University

Understanding Theatre And Its Social Implications In A Modern Context, Sara Curtis

Student Scholar Symposium Abstracts and Posters

Theatre has been fighting for a proper place in society since its inception in Ancient Greece. Although the ancient civilizations of the western world adored theatre and incorporated it into their daily lives, in later years it struggled to find acceptance. Theaters and theatre professionals often received blame for the spread of disease and rises in miscreant behavior. This yoyo-like trend between acceptance and ostracism continued throughout the ages as theatre and the encompassing societies evolved and changed. Thusly, the theatre has always been a point of contention and discussion. Even to this day, critics and scholars alike theorize and …


Oral History Of Professional Theater Beaders In New York City, Mary Lalon Alexander 2014 University of the Incarnate Word

Oral History Of Professional Theater Beaders In New York City, Mary Lalon Alexander

Theses & Dissertations

A historic division between fine and mechanical arts led to a marginalization of certain art forms including textile beading and embroidery. Despite the opulence of beading and embroidery in theater costumes, there is limited documented history and scant scholarly literature about professional beading and the beaders who create the costumes. The aims of this study were to construct a history of professional theater beading in New York and to examine the oral histories of professional theater beaders. This qualitative oral history study included 12 participants who work in the professional beading industry. Open-ended interviews took place in New York City …


Dance Usm! Program [2014], University of Southern Maine Department of Theatre 2014 University of Southern Maine

Dance Usm! Program [2014], University Of Southern Maine Department Of Theatre

Programs 2014-2015 Season

Directed by Maria Tzianabos


Dance 2014: Tell Tale Poe, Otterbein University Theatre and Dance Department 2014 Otterbein University

Dance 2014: Tell Tale Poe, Otterbein University Theatre And Dance Department

2014-2015 Season

Mystery and Macabre...Beauty and Horror...Love and Abandonment...Edgar Allen Poe has been documented as a complex genius who found both beauty and horror in the world and then described all of it in his abundance of writings. In honor of this man and his genius we have joined a group of artists and visionaries in dance, sound, lighting, costuming, and digital projections to create a portrait of sensations, sweet sound and the wild beauty of Poe's echoing and enduring dreams.


Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John MacQueen 2014 University of Edinburgh

Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen

Studies in Scottish Literature

Discusses the historical background and theatrical characteristics of a short satirical play set in Edinburgh in 1703, giving the background to the Scottish Parliament's divisions over (and presbyterian hostility to) an act to give religious toleration to Episcopalian ministers; argues that the most probable author is the Jacobite poet and playwright Dr. Archibald Pitcairne (1652-1713); and presents the first modern annotated text of the play.


Tartuffe, 2014 Taylor University

Tartuffe

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2014 performance of Tartuffe by Molière.

Taylor University's Theatre department proudly presents, "Tartuffe", a pinnacle of classical comedy. Written by renowned French playwright Molière in 1664, "Tartuffe" follows a hypocrite's attempts to sabotage the domestic happiness of an unsuspecting family.


Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione 2014 University of South Florida

Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione

USF Tampa Graduate Theses and Dissertations

What role did identification play in the motives, processes, and products of select post-colonial authors who "wrote back" to William Shakespeare and colonialism? How did post-colonial counter-discursive metatheatre function to make select post-colonial adaptations creative and critical texts? In answer to these questions, this dissertation proposes that counter-discursive metatheatre resituates post-colonial plays as criticism of Shakespeare's plays. As particular post-colonial authors identify with marginalized Shakespearean characters and aim to amplify their conflicts from the perspective of a dominated culture, they interpret themes of race, gender, and colonialism in Othello (1604), Antony and Cleopatra (1608), and The Tempest (1611) as explicit …


Bus Stop Program, University of Southern Maine Department of Theatre 2014 University of Southern Maine

Bus Stop Program, University Of Southern Maine Department Of Theatre

Programs 2014-2015 Season

A comedic drama by William Inge

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).


The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society of American Fight Directors 2014 Marshall University

The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


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