Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”,
2015
Central Washington University
Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”, Chelsea R. Roberts
All Master's Theses
The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the "New Left". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or "periodization" (Postlewait), and because of the ways in which the "New Left" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as "in-line" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings …
Estudio Y Edición De La Más Constante Mujer De Juan Pérez De Montalbán,
2015
University of South Florida
Estudio Y Edición De La Más Constante Mujer De Juan Pérez De Montalbán, Philip Allen
USF Tampa Graduate Theses and Dissertations
La más constante mujer is a Spanish Golden Age play written by Juan Pérez de Montalbán in 1631 and published for the first time in 1632. Although he was once one of the most famous playwrights in Madrid, known for running in the same literary and social circles as Lope de Vega and Calderón de la Barca, the bulk of the dramatist's work has been greatly ignored by scholars, or is referred to as being of second rate, and the author himself has nearly tragically been forgotten throughout the centuries following his short life. Although research has been conducted to …
Earle Hyman,
2015
Chapman University
Earle Hyman, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the life, work, and impact of Earle Hyman.
Negro Ensemble Company,
2015
Chapman University
Negro Ensemble Company, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the work and impact of the Negro Ensemble Company.
Charles Sidney Gilpin,
2015
Chapman University
Charles Sidney Gilpin, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the life, work, and impact of Charles Sidney Gilpin.
Ruby Dee,
2015
Chapman University
Ruby Dee, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the life, work, and impact of Ruby Dee.
Henrietta Vinton Davis,
2015
Chapman University
Henrietta Vinton Davis, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the life, work, and impact of Henrietta Vinton Davis.
Soon-Tek Oh,
2015
Chapman University
Soon-Tek Oh, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the life, work, and impact of Soon-Tek Oh.
Zoe Wanamaker,
2015
Chapman University
Zoe Wanamaker, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
An overview of the life, work, and impact of Zoe Wanamaker.
A 'Paradox Of Expression': Bertolt Brecht's Verfremdungseffekt In Performance,
2015
University of Montana - Missoula
A 'Paradox Of Expression': Bertolt Brecht's Verfremdungseffekt In Performance, Cohen L. Ambrose Mr.
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Robot Saints,
2015
CUNY New York City College of Technology
Robot Saints, Christopher B. Swift
Publications and Research
In the Middle Ages, articulating religious figures like wooden Deposition crucifixes and ambulatory saints were tools for devotion, techno-mythological objects that distilled the wonders of engineering and holiness. Robots are gestures toward immortality, created in the face of the undeniable fact and experience of the ongoing decay of our fleshy bodies. Both like and unlike human beings, robots and androids occupy a nebulous perceptual realm between life and death, animation and inanimation. Masahiro Mori called this in-between space the “uncanny valley.” In this essay I argue that unlike a modern person apprehending an android (the uncanny human-like object that resides …
Understanding Theatre And Its Social Implications In A Modern Context,
2014
Chapman University
Understanding Theatre And Its Social Implications In A Modern Context, Sara Curtis
Student Scholar Symposium Abstracts and Posters
Theatre has been fighting for a proper place in society since its inception in Ancient Greece. Although the ancient civilizations of the western world adored theatre and incorporated it into their daily lives, in later years it struggled to find acceptance. Theaters and theatre professionals often received blame for the spread of disease and rises in miscreant behavior. This yoyo-like trend between acceptance and ostracism continued throughout the ages as theatre and the encompassing societies evolved and changed. Thusly, the theatre has always been a point of contention and discussion. Even to this day, critics and scholars alike theorize and …
Oral History Of Professional Theater Beaders In New York City,
2014
University of the Incarnate Word
Oral History Of Professional Theater Beaders In New York City, Mary Lalon Alexander
Theses & Dissertations
A historic division between fine and mechanical arts led to a marginalization of certain art forms including textile beading and embroidery. Despite the opulence of beading and embroidery in theater costumes, there is limited documented history and scant scholarly literature about professional beading and the beaders who create the costumes. The aims of this study were to construct a history of professional theater beading in New York and to examine the oral histories of professional theater beaders. This qualitative oral history study included 12 participants who work in the professional beading industry. Open-ended interviews took place in New York City …
Dance Usm! Program [2014],
2014
University of Southern Maine
Dance Usm! Program [2014], University Of Southern Maine Department Of Theatre
Programs 2014-2015 Season
Directed by Maria Tzianabos
Dance 2014: Tell Tale Poe,
2014
Otterbein University
Dance 2014: Tell Tale Poe, Otterbein University Theatre And Dance Department
2014-2015 Season
Mystery and Macabre...Beauty and Horror...Love and Abandonment...Edgar Allen Poe has been documented as a complex genius who found both beauty and horror in the world and then described all of it in his abundance of writings. In honor of this man and his genius we have joined a group of artists and visionaries in dance, sound, lighting, costuming, and digital projections to create a portrait of sensations, sweet sound and the wild beauty of Poe's echoing and enduring dreams.
Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship,
2014
University of Edinburgh
Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen
Studies in Scottish Literature
Discusses the historical background and theatrical characteristics of a short satirical play set in Edinburgh in 1703, giving the background to the Scottish Parliament's divisions over (and presbyterian hostility to) an act to give religious toleration to Episcopalian ministers; argues that the most probable author is the Jacobite poet and playwright Dr. Archibald Pitcairne (1652-1713); and presents the first modern annotated text of the play.
Tartuffe,
2014
Taylor University
Tartuffe
Taylor Theatre Playbills
The playbill for Taylor University’s Fall 2014 performance of Tartuffe by Molière.
Taylor University's Theatre department proudly presents, "Tartuffe", a pinnacle of classical comedy. Written by renowned French playwright Molière in 1664, "Tartuffe" follows a hypocrite's attempts to sabotage the domestic happiness of an unsuspecting family.
Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare,
2014
University of South Florida
Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione
USF Tampa Graduate Theses and Dissertations
What role did identification play in the motives, processes, and products of select post-colonial authors who "wrote back" to William Shakespeare and colonialism? How did post-colonial counter-discursive metatheatre function to make select post-colonial adaptations creative and critical texts? In answer to these questions, this dissertation proposes that counter-discursive metatheatre resituates post-colonial plays as criticism of Shakespeare's plays. As particular post-colonial authors identify with marginalized Shakespearean characters and aim to amplify their conflicts from the perspective of a dominated culture, they interpret themes of race, gender, and colonialism in Othello (1604), Antony and Cleopatra (1608), and The Tempest (1611) as explicit …
Bus Stop Program,
2014
University of Southern Maine
Bus Stop Program, University Of Southern Maine Department Of Theatre
Programs 2014-2015 Season
A comedic drama by William Inge
Directed by Thomas Power
This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).
The Fight Master, Fall 2014, Vol. 36 Issue 2,
2014
Marshall University
The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
