Mochizuki: History And Context,
2021
Meiji Gakuin University
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play,
2021
University of California at Santa Barbara
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
Paragons Of Loyalty On The Japanese Stage,
2021
University of Pittsburgh
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu,
2021
Kyoto Sangyō University
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century,
2021
The University of Western Ontario
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Kim Solga, Erin Julian
Department of English Publications
What does it mean to ‘practise’ diversity in Shakespeare production in the twenty-first century, specifically in an Anglo-American context? How is ‘practising’ diversity, from devising and directing to work in the rehearsal hall and on audience engagement, materially different from the now-familiar (but still important) goal of ‘representing’ diverse bodies on stage? In the last twenty years, debates about what the diversification of Shakespeare performance – along racial lines, gender lines, the lines of age and ability – means or could mean, and the simultaneous interrogation of what ‘Shakespeare’ signifies, for whom, and to whose benefit, have become increasingly urgent …
09 The Arma Christi And The Croxton Play Of The Sacrament: A Prolegomenon To Regional Iconographic History,
2021
Western Michigan University
09 The Arma Christi And The Croxton Play Of The Sacrament: A Prolegomenon To Regional Iconographic History, Ann Eljenholm Nichols
Early Drama, Art, and Music
An otherwise unpublished study of the East Anglian Croxton Play of the Sacrament in relation to devotion to the instruments of the Passion.
00 Preface,
2021
Western Michigan University
00 Preface, Clifford Davidson
Early Drama, Art, and Music
A preface to a collection of fourteen essays, most reprinted, with or without revisions, from the EDAM Newsletter or Early Drama, Art, and Music Review plus three newly written for this context.
01 The Investiture Contest And The Rise Of Herod Plays In The Twelfth Century,
2021
Western Michigan University
01 The Investiture Contest And The Rise Of Herod Plays In The Twelfth Century, John Marlin
Early Drama, Art, and Music
A reprint of a study of the figure of Herod in liturgical drama, originally published in Early Drama, Art, and Music Review 23 (Fall 2000).
02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries,
2021
Western Michigan University
02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries, Lynette R. Muir
Early Drama, Art, and Music
A reprint of a study of ceremonies and the Easter play at the collegiate church of St-Omer, originally published in the EDAM Newsletter 9, no. 1 (Fall 1986).
03 Il Doge And The Liturgical Drama In Late Medieval Venice,
2021
Western Michigan University
03 Il Doge And The Liturgical Drama In Late Medieval Venice, Nils Holger Petersen
Early Drama, Art, and Music
A reprint of a study of the Easter Quem Queritis and the involvement of the Venetian Doge, originally published in Early Drama, Art, and Music Review 18, no. 1 (Fall 1995).
11 Medieval Actors And The Invention Of Printing In Late Medieval France,
2021
Western Michigan University
11 Medieval Actors And The Invention Of Printing In Late Medieval France, Graham A. Runnalls
Early Drama, Art, and Music
A reprint of a study of the dissemination of play texts in print and the performance of drama, originally published in Early Drama, Art, and Music Review 22 (Spring 2000).
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre,
2021
Western Kentucky University
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Mahurin Honors College Capstone Experience/Thesis Projects
In musical theatre, “cut songs” are the pieces of music that are removed from a show, whether the cut occur in the early creative stages, a pre-Broadway run, minutes before opening night, or even for a major revival years after its initial debut. These songs easily go unnoticed, as some are never made public while some are sneakily recycled for other musicals. Cut songs, though greatly varying in quality, are still works of art that at one time fulfilled their sacred duty of entertaining an audience and required just as much artistic effort to produce as the songs that survived …
04 Palm Sunday Ceremonies In Poland: The Past And The Present,
2021
Western Michigan University
04 Palm Sunday Ceremonies In Poland: The Past And The Present, Teresa Bela
Early Drama, Art, and Music
A reprint of a study of a long-lasting tradition of religious processions in Poland, originally published in Early Drama, Art, and Music Review 12, no. 2 (Spring 1990).
10 The "Stuff" Of The Medieval Palette: Paint, Painters, And The Dramatic Records,
2021
Western Michigan University
10 The "Stuff" Of The Medieval Palette: Paint, Painters, And The Dramatic Records, Jon Terry Wade
Early Drama, Art, and Music
A revision of a study of the availability of pigments painters used for pageant wagons, props, and costumes, originally published in Early Drama, Art, and Music Review 23 (2001).
05 From Synthesis To Compromise: The Four Daughters Of God In Early English Drama,
2021
Western Michigan University
05 From Synthesis To Compromise: The Four Daughters Of God In Early English Drama, Hans-Jürgen Diller
Early Drama, Art, and Music
A reprint of a study of the Four Daughters of God in Middle English drama, originally published in Early Drama, Art, and Music Review 18, no. 2 (Spring 1996).
08 Embodying Text: Reassessing Characterization And Performance In The Medieval English Herod Plays,
2021
Western Michigan University
08 Embodying Text: Reassessing Characterization And Performance In The Medieval English Herod Plays, Carolyn Coulson
Early Drama, Art, and Music
A reprint with revisions of a study of the character of Herod in the English play cycles, originally published in Early Drama, Art, and Music Review 23 (2001).
07 Fox, Bull, And Lion In The Towneley Coliphizacio,
2021
Western Michigan University
07 Fox, Bull, And Lion In The Towneley Coliphizacio, John W. Velz
Early Drama, Art, and Music
A reprint of a study of patterns of coercion exemplified in the Towneley Coliphizacio, originally published in Early Drama, Art, and Music Review 14, no. 1 (Fall 1991).
06 "Lyst Ye Saynt?" Saints In The Second Shepherds' Play,
2021
Western Michigan University
06 "Lyst Ye Saynt?" Saints In The Second Shepherds' Play, Karen Sawyer Marsalek
Early Drama, Art, and Music
A reprint with revisions of a study of the saints named in the Second Shepherds' Play, originally published in Early Drama, Art, and Music Review 23 (2001).
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century,
2021
Western University
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Erin Julian, Kim Solga
Department of English Publications
What does it mean to ‘practise’ diversity in Shakespeare production in the twenty-first century, specifically in an Anglo-American context? How is ‘practising’ diversity, from devising and directing to work in the rehearsal hall and on audience engagement, materially different from the now-familiar (but still important) goal of ‘representing’ diverse bodies on stage? In the last twenty years, debates about what the diversification of Shakespeare performance – along racial lines, gender lines, the lines of age and ability – means or could mean, and the simultaneous interrogation of what ‘Shakespeare’ signifies, for whom, and to whose benefit, have become increasingly urgent …
Freshman Inquiry Writing Seminar: Creative Expression,
2021
CUNY City College
Freshman Inquiry Writing Seminar: Creative Expression, Kathleen Potts
Open Educational Resources
This is a syllabus for a Freshman Inquiry Writing Seminar (FIQWS) content section on American Musical Theatre. FIQWS is a six-credit courses taught by two instructors that combines a specific topic and an intensive writing seminar.
