Queer And Trans Prison Voices: A Podcast Archive On Prison Abolition,
2022
CUNY Graduate Center
Queer And Trans Prison Voices: A Podcast Archive On Prison Abolition, Josefine Ziebell
Dissertations, Theses, and Capstone Projects
This capstone project is located at the intersection of Critical Prison Studies, Gender Studies, Sound Studies, and American Studies. It highlights the importance of sonic modes of anti-carceral resistance by featuring the recorded voices of incarcerated people through the creation of a sonic archive of prison writings. By integrating that sonic archive into the podcast medium, this project functions as a digital archive for incarcerated voices, consisting of two tracks: a collection of short-spoken readings by queer and transgender incarcerated authors, and podcast-style interviews with activist scholars, organizations, and sound artists working towards prison abolition. In this paper, I establish …
A Girl Is A Thing: Dramaturgies Of Objects And Nature In Contemporary Choreography,
2022
CUNY Graduate Center
A Girl Is A Thing: Dramaturgies Of Objects And Nature In Contemporary Choreography, Fidan Akinci
Dissertations, Theses, and Capstone Projects
This dissertation investigates the expansion of performative possibilities toward and through nonhumans in contemporary choreography as a feminist inquiry. I research the upsurge of performing objects and natural matter in contemporary choreography by questioning what kind of bodies other than humans can move, and what kind of affects and expressions they offer beyond more familiar and anthropocentric possibilities. I link this challenge to the humanistic limits of performance with the feminist interrogations on agency and objectification to fully explore the political stakes of mobilizing with the nonhuman. To that end, I put the feminist trajectories in posthumanism, new materialism, and …
Strength And Vulnerability In Maurice Ravel’S Sonata For Violin And Cello And Osvaldo Golijov’S Mariel For Cello And Marimba: An Analysis Through Performance And Composition,
2022
CUNY Graduate Center
Strength And Vulnerability In Maurice Ravel’S Sonata For Violin And Cello And Osvaldo Golijov’S Mariel For Cello And Marimba: An Analysis Through Performance And Composition, Andrea Casarrubios
Dissertations, Theses, and Capstone Projects
In order to “stimulate more ambitious performances,” as David Lewin writes in his Studies in Music with Text, this dissertation is meant to provide new perspectives into two preexisting works, Maurice Ravel’s Sonate pour Violon et Violoncelle, and Osvaldo Golijov’s Mariel for cello and marimba, through the active making of two original compositions written for similar instrumentations, La Libertad se levantó llorando for violin and cello, and Speechless for cello and percussion. Taking Lewin’s proposition into consideration, I share performance insights and discuss how the creation of these new compositions have influenced my interpretations of the two respective …
Gay Boy And Playboy Revues: Constructing U.S. Queer Collectivities In Networks Of Peripatetic Burlesque And Nightclub Drag Performers, 1933–1939,
2022
CUNY Graduate Center
Gay Boy And Playboy Revues: Constructing U.S. Queer Collectivities In Networks Of Peripatetic Burlesque And Nightclub Drag Performers, 1933–1939, Kalle Westerling
Dissertations, Theses, and Capstone Projects
Across the United States, in the mid-1930s, drag made a transition, along with much other entertainment, from vaudeville into night clubs. There, concomitant with developing notions of gender and sexuality, it became increasingly associated with the contemporary expressions of drag that we see today in popular television shows like RuPaul’s Drag Race and in gay nightclubs across the country. In short, it became the queer form of entertainment. But in the 1930s, with such developing notions of gender and sexuality, it was not as easy as saying that it was a gay art form. Rather, as heterosexuality and heteronormativity took …
The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos,
2022
University of Athens
The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos, Ekaterini Diakoumopoulou
Tête à Tête: Journal of Francophone Studies
Using the example of the Duncan family this article will explore the human body as an object of self-determination, a means of overcoming social boundaries, a field of racist shooting and phobic enforcement, a reference point of public outrage and the complex between sociality and corporality, but also as a tool of political vigilance and social intervention. Does a body dressed in a tunic resist the western way of life? Or is it a stereotypical outpouring of people unable to modernize? Is the body instrumentalized as a means of narrating exoticism? The bodies of the Duncan family members are an …
Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance,
2022
Jadavpur University
Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee
Tête à Tête: Journal of Francophone Studies
The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the gender …
Bodies And Expressions: Exploring The Aesthetics Of Disability Performance Art,
2022
Louisiana State University
Bodies And Expressions: Exploring The Aesthetics Of Disability Performance Art, Jaya Sarkar
Tête à Tête: Journal of Francophone Studies
No abstract provided.
Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive,
2022
Syracuse University
Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive, Mona Eikel-Pohen, Sarah Dolbier
Languages, Literatures, and Linguistics - All Scholarship
Macht, Prozess und Poetik/Sprache das theaterpädagogische Modellprojekt Fluchtpunkt Magdeburg 2015 bis2019, an dem dort lebende Jugendliche mit und ohne Fluchterfahrungen unter tanz- und theaterpädagogischer Leitung drei Theaterstücke und einen Film entwickelten mit dem prononcierten Ziel, soziale und sprachliche Integration zu fördern. Ziel dieser Dokumentation ist es, das Projekt systematisch zu beschreiben und gelungene Elemente herauszuarbeiten, die zukünftige Projekte nachhaltig und langfristig plan- und durchführbar gestalten
El Laboratorio Cinegráfico De Pedro Pietri,
2022
CUNY Bernard M Baruch College
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
Publications and Research
En su relato “Lost in the Museum of Natural History” Pedro Pietri se inserta en la narración como personaje y como fuente de historias inspiradas en la violencia de los géneros del western, los biker films y los melodramas. Esta aproximación a la experimentación literaria, la alteración sensorial y fílmica escenifica una crisis en la enunciación y la representación que hecha luces sobre las relaciones entre las desigualdades sociales, la violencia y la subjetividad.
Internalized Misogyny As Displayed By Aunt March In Little Women,
2022
Belmont University
Internalized Misogyny As Displayed By Aunt March In Little Women, Sydney Lofton
[Archive] Belmont University Research Symposium (BURS)
It seems that more women fight against each other than for one another. Women have developed a reputation for gossiping to disparage the reputation of each other, leveraging terms like “floozie,” “bimbo,” and “slut” against one another. While women will rage against men who support the patriarchy, women are often some of the strictest enforcers of its standards. In Kate Hamill’s playscript Little Women, an adaptation of Louisa May Alcott’s 1868 novel, it is Aunt March, not a man, who places pressure on Jo to assimilate to society’s expectation of women. This push of conformity may reflect Aunt March’s own …
Autobiographical Elements In Elizabeth Robins' Review Of Sarah Bernhardt's Hamlet,
2022
Jacksonville State University
Autobiographical Elements In Elizabeth Robins' Review Of Sarah Bernhardt's Hamlet, Joanne E. Gates
Presentations, Proceedings & Performances
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1900 in response to seeing Bernhardt's Hamlet. I will demonstrate how the essay reveals significant information about Robins' career on the American stage, for she felt compelled to compare Bernhardt's performance with details from Edmund Booth's Hamlet, which Robins so very vividly remembered because she had such direct contact with his performances. Booth's Hamlet, as Robins reveals in an unpublished autobiographical novel, was the inspiration and salvation for the young Robins. When she first earned her way into the "bill-posters' seats," at the top of …
I’M Not A Tragedy: Speaking Up About Ableist Microaggressions,
2022
California Polytechnic Humboldt
I’M Not A Tragedy: Speaking Up About Ableist Microaggressions, Kasandra Marguerite Colwell
Communication Senior Capstones
Have you heard of ableist microaggressions? Let me tell you about them, as someone who has experienced them. I have a bi-lateral dislocating knee condition that I was born with. I can walk, but sometimes I need additional stability or reduction of pain while getting around, in which case I tend to use a cane. I have had many othering interactions while using a mobility aid in public, whether that be a knee brace, a cane, or crutches. While it often seemed the stranger didn’t mean any harm, the question is how many invasive questions and comments from strangers can …
Something Rotten!,
2022
Otterbein University
Something Rotten!, Otterbein Theatre And Dance Department
2021-2022 Season Production
Something Rotten takes place in 1595 London, England. The Bottom brothers, Nick and Nigel are trying to find success by writing plays, but are outshined by the rock-star playwright of the Renaissance, William Shakespeare. Desperate to find success Nick gets help from a soothsayer for the next big hit.
A Gun For Every Woman,
2022
Virginia Commonwealth University
A Gun For Every Woman, Gentë Retkoceri
Theses and Dissertations
Six centuries ago in Kosova, my home country, unmarried women known as sworn virgins, were forced to adopt a male persona and carry a gun to protect themselves. But today, guns have become tools of oppression and violence against women. And while the legal system carries penalties for domestic violence, marital rape is excluded. To shine a light on, and expose the topic of hidden violence, my thesis uses artivism to address a sensitive but provocative issue, exhibiting a large-scale sculpture of a gun, designed to provoke raw emotions; to challenge visitors to consider the terror felt by women threatened …
Healing Through Mother Earth,
2022
Hollins University
Healing Through Mother Earth, Taylor A. Russell
Dance (MFA) Theses
This thesis deals with mental health, with a focus on Black women. Historically, Black women are often so compromised, being constant caregivers and helping everyone else, that they forget to help themselves, not having the time and financial means to do so. If we go back in the time of slavery, many Black women were taking care of slave owners' children and suckling the white women’s babies instead of their own. By the time they got home and after diligently caring for other people’s children they were focused on their own children, who they had been away from for hours …
Choreographing The Line: Exploring The Art/Obscenity Paradox Of Feminine Sexuality Within The Context Of Recreational Pole Dance,
2022
Claremont Colleges
Choreographing The Line: Exploring The Art/Obscenity Paradox Of Feminine Sexuality Within The Context Of Recreational Pole Dance, Cameron Boucher-Khan
Scripps Senior Theses
This project seeks to explore the relationships between pole dance and pole fitness, art and obscenity and respectability as it relates to work, class, and social systems. It analyzes the way female sexuality is accepted or rejected within society and explores the boundaries between the two through the staging of pole and contemporary dance. The dichotomy between art and obscenity is explored in the relationship between stripper pole dance, and the fast-growing pole fitness community. Within this relationship, strippers are demonized as obscene, while pole fitness dancers' labor is viewed as artistic, despite the sexuality present in both. The difference …
So You Think You Know Dance?: Fundamentals Of Dance,
2022
University of Louisiana at Lafayette
So You Think You Know Dance?: Fundamentals Of Dance, Mary Francis “Cissy” Whipp, Roshanda Spears, Susan Perlis, Vanessa Kanamoto, Peter Klubek (Editor)
Open Educational Resources
No abstract provided.
Los Fantasmas De La Imaginación En El Deseo Más Canalla De Arístides Vargas,
2022
CUNY Bernard M Baruch College
Los Fantasmas De La Imaginación En El Deseo Más Canalla De Arístides Vargas, Rojo Robles Mejias
Publications and Research
Como motivo del evento crítico teatral Un espacio seguro producido por Caborca y Teatro Público en el Teatro de la UPR en Octubre 2022, este ensayo revisita la obra de Arístides Vargas, El deseo más canalla (2001). El artículo argumenta que la obra divisa la posibilidad de transformar espacios y proyectar seres creativos por medio de la imaginación. La imaginación en la dramaturgia de Vargas es un mecanismo recurrente para establecer una relación entre la realidad interior y la exterior, entre una posible construcción del yo y la otredad. Esa metamorfosis del yo se alcanza por medio del juego literario …
A Virada Performativa Do Grupo Galpão: Presença E Acontecimento No Espetáculo Nós,
2022
Universidade do Minho
A Virada Performativa Do Grupo Galpão: Presença E Acontecimento No Espetáculo Nós, Fernando Luiz Silva Chagas, Julia Guimarães
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Abstract: This paper analysis the performative extent present in the play Nós (Us), by Grupo Galpão (State of Minas Gerais, Brazil). The approach is through the idea of theater as event and presence, based on concepts of the aesthetics of the performative (Fischer-Lichte), performative theater (Féral), and theater as an ontological event (Dubatti). In this sense, performativity is presented as an instrument of reflection and analysis of the contemporary theater, which has been troubling the traditional paradigms of representation in the performing arts. We depart from practical elements of the theatrical phenomenon to approach the problematization subscribed to …
Transdisciplinarity In Experience Design: A Global Survey Of Higher Ed Programs In Exd/Xd,
2022
University of Nevada, Las vegas
Transdisciplinarity In Experience Design: A Global Survey Of Higher Ed Programs In Exd/Xd, Yvonne Houy
Creative Collaborations
In our age of ubiquitous devices and digital media it is the perceived value of the end-to-end experience that brings people to a place. Designing inspiring and emotionally engaging end-to-end experiences requires experts in a wide range of disciplines committed to an interdisciplinary collaboration that can arrive at transdisciplinary design - the sum becomes greater than its parts.
Civil engineering, hospitality, business, psychology, digital User Experience (UX) design, and experience data analysis need to be seamless integrated with the fine and performing arts and design fields:
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Architecture, interior, landscape and sound design actively engage the senses.
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Graphic and fine arts …
