Theatre and Performance Studies Commons^™

The Tweet's The Thing: Exploring The Intersection Of Social Media And Broadway, Hilary Sutton

Masters Theses

In 2009 the little known Broadway musical Next to Normal rose to fame through the aid of an unprecedented Twitter campaign conducted by Situation Interactive, a digital marketing agency. The Next to Normal Twitter account gathered over one million followers throughout a six-week campaign in which the Situation Interactive team joined forces with the book writer and lyricist of Next to Normal to recreate the plot in one hundred and forty-character snippets. By analyzing the data collected the researcher cultivates a collection of best practices for running a successful Twitter marketing campaign for a live experience.

Volume 05, Ian Karamarkovich, Jessica Cox, Kyle Fowlkes, Allison Pawlowski, Kaitlin Major, Carrie Dunham, Kelsey Scheitlin, Kathryn Grayson, Ashley Johnson, Jennifer Nehrt, Kelsey Stolzenbach, Kristin Mcquarrie, Sara Nelson, Melisa Michelle, Jessica Sudlow, Perry Bason, Danielle Dmuchawski, Mariah Asbell, Matthew Sakach, Timothy Smith Jr., Annaliese Troxell, T. Dane Summerell, Sarah Ganrude, Malina Rutherford, Hannah Hopper, John Berry Jr., James Early, Colleen Festa, Chelsea D. Taylor, Michelle Maddox, Kaitlyn Smith, Sarah Schu, Cabell Edmunds, Katherine Grayson, Kayla Tornai

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

The Tallis House as an Extension of Emily Tallis in McEwan's Atonement by Ian Karamarkovich

Graphic Design by Jessica Cox

Graphic Design by Kyle Fowlkes

Graphic Design by Allison Pawlowski

Incorporating Original Research in The Classroom: A Case Study Analyzing the Influence of the Chesapeake Bay on Local Temperatures by Kaitlin Major, Carrie Dunham and Dr. Kelsey Scheitlin

Graphic Design by Kathryn Grayson

Graphic Design by Ashley Johnson

Facing the Music: Environmental Impact Assessment of Building A Concert Hall on North Campus by Jennifer Nehrt, Kelsey Stolzenbach And Dr. Kelsey Scheitlin

Art by Kristin …

Evolving Stages: Duty And Fate In The Construction Of Tibetan Tradition, Divya Chandramouli

Independent Study Project (ISP) Collection

In this paper, I discuss themes of preservation, adaptation, and the construction of tradition in the context of Tibetan performing arts. I chose to explore these issues by looking specifically at a play composed by His Holiness the current Karmapa, based on the life of Milarepa, one of the most revered yogis of Tibetan Buddhism. This play is unique in the sense that many of its aspects stem directly from traditional Tibetan opera, or lhamo, yet the ways in which it was presented and the reasons why it was presented this way diverge considerably from “tradition.” I conducted my research …

You, Me And Society: Political Theatre And Its Impacts, Holden Taylor

Independent Study Project (ISP) Collection

For a period of one month I researched three distinct categories of political theatre: Theatre of Witness, Theatre of the Oppressed and more traditional theatre –wherein the audience and performers are clearly defined and separated. I was interested in getting an in-depth look at various forms of theatre and their potential effects on both producers and consumers of the art form. To conduct my research I interviewed eight individuals involved in the theatric world, participated in a theatre workshop, studied a variety of theatric literature and attended three politically charged theatre productions. I discovered a litany of things from my …

"It's Just That For The First Time, I Feel... Wicked": A Rhetorical Analysis Of Wicked's Elphaba Using Kenneth Burke's Guilt-Purification-Redemption Cycle, Patricia Foreman

Masters Theses

The purpose of this study was to examine the Broadway production, Wicked, and more specifically, the character of Elphaba, or the Wicked Witch of the West. The study utilized Kenneth Burke's theory of the guilt-purification-redemption cycle, and considered Elphaba's journey between the three steps of Burke's cycle. In order to understand this journey better, the researcher considered various facets of the show, including the script, lyrics, costuming, including attire and make-up, and interactions with other characters in the production. Elphaba's causes of guilt, including her mother's death, her relationship with Glinda, her cause in working with Animals, and failed magic …

Fearless: Ratco, Center For Public Service

SURGE

If you haven’t noticed yet, we’ve had some really spectacular visitors from the south with us on Gettysburg’s campus the last few days! The Random Acts of Theater Company (RATCo) is a group that emerged from the Freedom Foundation in Denver, Colorado a few years ago. Their initiative involved using theater as a means for self-expression and communication, but RATCo spread because it was so successful and ultimately reached Selma, Alabama. Selma, although a major site for the Civil Rights movement, and also the site for the last battle of the civil war, has changed very little since the 1960s. …

Email From Amanda Talbot To All Participants: Theatre, Dance & Film Department Poster Request, Amanda Talbot

Promotional Materials

Providence College Department of Theatre, Dance & Film

Email from Amanda Talbot to all participants (Club Executives): Theatre, Dance & Film Department poster request

March 18, 2013

Katlehong Cabaret, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2012-2013 Exceptions Rule: No Compromise

Originally formed through an outreach program for youth during the Apartheid era, Via Katlehong’s high-energy style is an energetic brew of “Pantsula” (street dance) and “Gumboot” (rhythmic physical percussion). Through constantly searching for new performance horizons, they have become a major player on the international stage. For their triumphant return to Peak Performances, this inventive American premiere is cabaret like you’ve never experienced before. By combining the group’s powerhouse style with dynamite vocal performances of traditional folk music, a fresh and inventive look at modern South Africa is born

Email From Susan Werner To The Class Of 2013: Get Involved In Theatre At Providence College!, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Email from Susan Werner to the Class of 2013 asking for running crew recruits for Curtains.

Thursday, March 14, 2013

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of Curtains.

March 14, 2013

Thoroughly Modern Millie - Play Program (March 2013), Carrie D. Applegate

Department of Theatre Arts Programs (UP 620)

Play program for the musical, Thoroughly Modern Millie produced in the Morrison Center by the Boise State University Departments of Theatre Arts and Music, March 14-17, 2013.

Guys And Dolls (March 14-17, 2013), Damon Runyon

Student Theatre Programs

Program for Guys and Dolls (March 14-17, 2013).

To view the photos from this production of Guys and Dolls, please click here.

Thoroughly Modern Millie - Theatrical Lobby Poster, Carrie D. Applegate

Department of Theatre Arts Posters

Poster for the production of Thoroughly Modern Millie produced by the Boise State University departments of Theatre Arts and Music, March 2013 in the Morrison Center for the Performing Arts. Poster design by Carrie Applegate. Photographed, Tess Gregg as Millie Dillmount.

Institutional Repositories Supporting Community Engagement: Campus And Community Partnerships At Linfield College, Kathleen Spring, Brenda Devore Marshall

Faculty & Staff Presentations

Building partnerships with community-oriented research centers and departments is one of the best ways to develop an institutional repository into a valued community resource. This presentation examines partnerships with the Linfield Center for the Northwest (LCN) and the Department of Theatre and Communication Arts to demonstrate how Linfield’s institutional repository supports faculty research, student internships, multimedia exhibits, oral histories, and original theatrical productions.

After The Fall, Otterbein University Theatre And Dance Department

2012-2013 Season

In the early stages of a new love, paralyzing memories of past relationships haunt Quentin, a liberal New York attorney who questions his own ability to truly connect with the women in his life. Arthur Miller’s most personal and autobiographical play, After the Fall, unflinchingly tackles the emotional brutality that can unfold within a marriage, against a national backdrop of McCarthyism and the commodification of celebrity. In doing so, Miller unravels the political complications in personal relationships while exposing the personal consequences of big-issue politics.

https://stageagent.com/shows/play/5665/after-the-fall

Dance Lessons, Kaitlyn Burch

Dissertations and Theses

August Diamond is left lost after the sudden death of her father. The stories in Dance Lessons explore the themes of loss and grief, retreat and return, and finding your true self. The collection is a novel in stories, each story exposing another layer of August's past, her family, and their complicated relationships.

"Words, Words, Words": The Idea Of The Absurd As Method In Hamlet., Anthony Faber

Modern Languages and Literatures Annual Graduate Conference

In this paper I explore the idea that Hamlet develops the notion of the absurd as a method with which to confront his world: however, as art imitates nature, Hamlet's discourse of "an antic disposition" suggests, that he in fact embodies the absurd as constituting a meaningless existence.

Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose

Modern Languages and Literatures Annual Graduate Conference

This paper uses Homi Bhabha’s theory of colonial mimicry to analyze Pieter-Dirk Uys’s MacBeki: A Farce to be Reckoned With. In doing so I posit MacBeki is a colonial mimic, a character who comically imitates European gestures and language. MacBeki’s behaviour throughout the play highlights the dangers of greed and corruption in post-apartheid South Africa and encourages the play’s audience to respond with ridiculing laughter. My paper concludes by arguing that Uys’s play should be read as a hybrid text that draws on European dramatic styles and South African political events, staging a critical response to national uncertainties ahead …

Turkish Shadow Puppetry And The Carnivalesque, Anna (Raff) Miller

Modern Languages and Literatures Annual Graduate Conference

No abstract provided.

Players: For Paul L. Coffey And Joshua Scharback, Theater Means Good Company, Robert Gillespie

Colby Magazine

Paul L. Coffey ’98 and Joshua Scharback ’98 discovered theater at Colby and have never doubted their calling.