Theatre and Performance Studies Commons^™

Intimate Apparel

Theatre Programs

INTIMATE APPAREL by Lynn Nottage
Directed by Dr. Jaye Austin Williams

Drama: In this brilliantly crafted portrait of turn-of-the-last-century New York, Nottage gives us a story about desire and common sense, of pleasure and pain, of resilience and fragility, and above all the unlikely triumph of the human spirit. True to its title, Intimate Apparel presents a story that is both delicate and eloquent. Winner of the 2004 New York Drama Critics Circle, Outer Critics Circle Awards and Sternberg New Play Award.

Waltmar Theatre
7:30pm – Dec. 1, 2, 3, 8, 9, & 10
2:00pm – Dec. 3 & 10 …

Art Infested Water, December 2016, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King

CLCWeb: Comparative Literature and Culture

In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent labor exploitation epitomized …

Young People's Literature Of Algerian Immigration In France, Anne Schneider

CLCWeb: Comparative Literature and Culture

In her article "Young People's Literature of Algerian Immigration in France" Anne Schneider discusses questions of language, hybridity, and heritage in some works for young people published in France about Algeria and/or Algerian-French identity, by Leïla Sebbar, Jean-Paul Nozière, Azouz Begag, and Michel Piquemal. She argues for the need for an intercultural education at primary school that uses literature about immigration to highlight questions of place, belonging, exile and language. Schneider's focus is on Begag's Un train pour chez nous (2001) and Piquemal's Mon miel, ma douceur (2004). These texts use linguistic hybridity and an emphasis on common human experiences …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Shavian Ethic As Evidenced In Four Major Plays, Carol E. Auterson

Graduate Theses/Dissertations

The purpose of this study is to determine whether or not George Bernard Shaw reflects in his work any sort of moral ethic - a clearly delineated sense of right and wrong - and, if so, what it is and is not. His method, which is classically known as Shavian Method, is the vehicle employed in his stagecraft to achieve the objective of removing obstacles that prevent him from influencing the ethical opinions of others. In his plays, Shaw creates situations that highlight and over-exaggerate particular issues in the Victorian era such as poverty, prostitution, and religious piety. Shaw's plays …

Efficient Strategies For Playing The Horn, Jon Allan Holloway

UNLV Theses, Dissertations, Professional Papers, and Capstones

In their pursuit of becoming accomplished performers, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. The modern horn is a fairly young instrument (less than two hundred years old) and the most efficient pedagogical approach is still evolving. Because of this, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. Books by Philip Farkas, Arnold Jacobs, Raphael Mendez, and more have many theories and exercises on how to breathe, the best way to perfect embouchure development, performance techniques, and more.

Modern pedagogues have …

A Charlie Brown Christmas, Parkland College

Parkland Theatre

By Charles M. Schultz
Based on the television special by Bill Melendez and Lee Mendelson.
Stage Adaptation by Eric Schaeffer with Special Arrangement with Arthur Whitelaw and Ruby Persson.

Director: Latrelle Bright
Stage Manager: Yen Vi Ho
Scenic and Lighting Design: Nicholas E. Shaw
Costumes: Sheri Doyle
Sound: Cynthia Booker
Music Director, Piano: Justin Brauer
Bass: Chris Beyt
Drums: Zachary B. Bowers

Presented in the Harold and Jean Miner Theatre
December 1, 2, 3, 9, 10 at 7:30pm
December 3, 10, and 11 at 3pm
2016

Play is produced by arrangement with TAMS-WHITMARK MUSIC LIBRARY INC., 560 Lexington Avenue New …

Stack And Bend, Ngoc “Knock” Ho

The Transdisciplinary STEAM+ Journal

An excerpt on body contortion.

Acting Is Repetition, Job Barnett

The Transdisciplinary STEAM+ Journal

A short discussion of repetition in acting.

Transforming Body, Angelina Prendergast

The Transdisciplinary STEAM+ Journal

This is a reflection about the use of balls for body therapy.

Releasing Your Inner Howler Monkey: Making The Transition Into College, Angela Yetzke

Faculty Publications

No abstract provided.

Blackfriars Dance Concert 2016 Poster, Providence College, Laura Rostkowski

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2016

November 18th & 19th

Poster by Laura Rostkowski

Blackfriars Dance Concert 2016 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2016

November 18th & 19th

Directed by Wendy Oliver

Choreographers: Melody Gamba, Nicole C. Laliberté, Paul Laurey, Kat Nasti, Wendy Oliver, Jessica T. Pearson, Lauren Spagnuolo

Costume Coordinator: Maxine Wheelock

Lighting Designer: Jen Rock

Dancers: Laura Angley, Lela Biggus, Celia Butler, Lauren Campbell, Christina Corvese, Alanna Daley, Catherine Garrett, Jaime Podracky, Sarah McEvoy, Kirsten Coffey, Natalie Phelps, Claudia Sequin, Abby Raser, Carly Furbush, Lauren Spagnuolo, Kate Corrigan, Maria Fonts, Devon Guanci, Isabella Goldstein, Monica Houghton, Samantha Oakley, Janelle Abbott Staley, Tara Lynch, Kat Nasti, Celia Butler …

See You Later, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2016-2017 Break the Mold

Inspired by recently deceased Eduardo Galeano’s writings, including “History never really says goodbye. History says, ‘See you later,’” this staged music performance explores the juxtaposition of power, truth, corruption, and desperation through the contrasting work of composers Peter Garland, David T. Little, and Gavin Bryars.

Dance 2016: The Goddess, Otterbein University Theatre And Dance Department

2016-2017 Season

No abstract provided.

Corpus Christi (2016), Terrence Mcnally

Season 2016-2017

No abstract provided.

Giant, School Of Theatre Arts

All Production Programs

IWU School of Theatre Arts musical production of Giant by Sybille Pearson, music and lyrics by Michael John Lachiusa.

Program Change: The Laramie Project Promotional Email, Department Of Theatre, Dance & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Program Change: The Laramie Project promotional email

Monday, November 14, 2016