Rapture. Redemption. Religion. Retail. Directing Samuel D. Hunter’S, A Bright New Boise,
2017
University of Nebraska-Lincoln
Rapture. Redemption. Religion. Retail. Directing Samuel D. Hunter’S, A Bright New Boise, Chadwick R. Taylor
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis contains the written documentation of the process of directing a theatrical production of A Bright New Boise by Samuel D. Hunter, in partial fulfillment of the requirements for Masters of Fine Arts in Directing for Stage and Screen at the University of Nebraska-Lincoln.
Topics addressed include play selection, background of the play and author, script analysis, concept development, casting, production and rehearsal process, director’s reflection, and critical responses and self-evaluation.
Advisor: Ian Borden
Hamlet: An Illuminating Look At Tragedy,
2017
University of Nebraska-Lincoln
Hamlet: An Illuminating Look At Tragedy, Maxx Finn
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis describes the research and production process of the lighting design of Hamlet, adapted by Wesley Broulik, performed in Howell Theatre, from November 17 through December 4 at the Johnny Carson School of Theatre and Film at the University of Nebraska. Hamlet was directed by Wesley Broulik. Maxx Finn acted as the production’s lighting designer, Kaitlyn Peterson designed the set, Haley Williams designed the costumes, Emily Callahan designed the sound, Andrea Besch acted as the properties master, and Travis Smith was the acting technical director.
This thesis contains the entire lighting design process for Hamlet, including initial meetings, conceptualization, …
Women, Politics, And Humor On Stage: Directing “The Taming”,
2017
Loyola Marymount University
Women, Politics, And Humor On Stage: Directing “The Taming”, Kayla Minton Kaufman
Honors Thesis
As a culmination of my Theatre Arts degree, I directed Lauren Gunderson's "The Taming." The three-woman cast was composed of Tiffani Williams (Patricia), Jena Fakroddin (Katherine), and Alex Luce (Bianca). In the play, Katherine, a contender for Miss America, kidnaps Patricia, a conservative senator's aide, and Bianca, a liberal blogger, and demands they join her in rewriting the Constitution of the United States of America. The production played for three nights in Foley 110, a black box space, with a full house each night.
Light Shines Earnest, A Full Length Play By William James Burke And Divergent Drag Aesthetics — Interrogating The Reaches Of Gender And Gendered Imagery In Drag Performance,
2017
DePauw University
Light Shines Earnest, A Full Length Play By William James Burke And Divergent Drag Aesthetics — Interrogating The Reaches Of Gender And Gendered Imagery In Drag Performance, William James Burke 17
Honor Scholar Theses
No abstract provided.
Cross(Ing) The Line: Leadership In Devised Theatre,
2017
Chapman University
Cross(Ing) The Line: Leadership In Devised Theatre, Monica Furman
Honors Papers and Posters
“Traditional" (Western) theatre focuses on the relationship between the playwright and the director. Devised theatre is a reaction to the dominant ideology; it is ensemble-created original work. A group of artists collaborate and create a play with no script and, sometimes, no initial theme or message. They use various different art forms as well as interviews and narratives to create a theatrical experience.
A Fuddy Thesis: Directing David Lindsay-Abaire’S Fuddy Meers,
2017
University of Nebraska-Lincoln
A Fuddy Thesis: Directing David Lindsay-Abaire’S Fuddy Meers, Dustin M. Mosko
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis contains the written documentation of the process of directing a theatrical production of Fuddy Meers by David Lindsay-Abaire, in partial fulfillment of the requirements for Master of Fine Arts in Directing for Stage and Screen at the University of Nebraska-Lincoln.
Topics addressed include play selection, script analysis, concept development, casting, production & rehearsal processes, director's reflection, and critical responses of the production.
Advisor: Virginia Smith
Be A ‘Do-Bee’: Take A Magic Mirror Journey Inside Romper Room,
2017
The University of Texas Rio Grande Valley
Be A ‘Do-Bee’: Take A Magic Mirror Journey Inside Romper Room, Brian J. Warren
Theatre Faculty Publications
In the interest of adding to the general awareness and understanding of early educational television for children, this article explores a specific television program from the 1960s, Romper Room, chiefly via an interview with one of the show’s local hosts. This host – my mother Joyce Kramer – certainly had a magical job with new educational television, and it made her a celebrity in the town of Ottumwa, Iowa, in that time and for years afterward. I recall strangers calling to her from their passing vehicles if they spied her on a sidewalk, “Hi, Miss Joyce!” Impressive to my young …
Remapping Emotion And Desire: Same-Sex Romance In Ah Cheng's "The King Of Chess",
2017
Loyola Marymount University
Remapping Emotion And Desire: Same-Sex Romance In Ah Cheng's "The King Of Chess", Yanjie Wang
Asian and Asian American Studies Faculty Works
This article examines the representation of emotion and desire in Ah Cheng's The King of Chess (Qi wang). The interpretation of The King of Chess has been oriented toward an allegorical reading that revolves around grand cultural concepts, such as aesthetics, Taoist tradition, cultural consciousness, and national identity. In this paradigm of reading, the literary text has largely become a footnote of the master narrative of China's cultural reconstruction of the 1980s. Following the recent interpretative turn of this story from cultural to existential and from allegorical to corporeal, the article extends to yet another domain, that of emotion, intimacy, …
Broadway As Global Brand,
2017
CUNY Graduate Center
Broadway As Global Brand, David Savran
Publications and Research
For people around the world, "Broadway'' means the Broadway musical, the epitome of singing and dancing, glamor and dazzle. Although the Broadway musical is customarily perceived as the most distinctively U.S. theatre form - whose national and municipal identity is embedded in its name - it has circumnavigated the globe countless times. As the globalized cultural economy increasingly facilitates the worldwide circulation of multinational theatrical productions, Broadway-style musicals are being manufactured from Hamburg to Shanghai. They are no longer a specifically U.S. form, but a global brand that freely crosses borders, genres, and styles.
Sibling Affection And Domestic Heterosexuality In Lodovick Carlell’S The Deserving Favorite,
2017
CUNY Graduate Center
Sibling Affection And Domestic Heterosexuality In Lodovick Carlell’S The Deserving Favorite, Mario Digangi
Publications and Research
Lodowick Carlell’s play The Deserving Favorite (1629) deploys the ideological strategy of using erotic “likeness” to validate marital unions as consensual and erotically compatible. In an era before the normalization of heterosexuality, the play suggests that sexually passionate marital relations earn legitimacy to the degree that they emulate the affectionate relations between women and between siblings. Although eroticized female friendship approaches the ideal of a consensual and sensual partnership, intimate relations between women seem best to thrive in a separatist environment removed from courtly social and economic exchanges, including the marital negotiations crucial to cementing dynastic and political alliances. Brothers …
Letters To Mei Lanfang,
2017
Western Kentucky University
Letters To Mei Lanfang, Alexandra Dare Norman
Mahurin Honors College Capstone Experience/Thesis Projects
As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, …
2016-2017 Sanctuary Series - March 30, 2017,
2017
Lynn University
2016-2017 Sanctuary Series - March 30, 2017, Lynn University, Mark Luttio, Harry Murphy, Karen Casey, Suhao Bai, Thomas Ferstle, Bailey-Michelle Collins, Zenas Jones, Ying Peng Wang, Xiaoxiao Wang, Roberta Rust, Jasmine Knowles
Snyder Sanctuary Series
Watch video of the performance here.
Drama For Social Justice: Embodying Identity And Emotion In Elt,
2017
SIT Graduate Institute
Drama For Social Justice: Embodying Identity And Emotion In Elt, Riah Werner
MA TESOL Collection
In this thesis, the author makes the case that drama is a powerful tool for language acquisition because it develops and engages embodiment, emotion and identity, important aspects of learning and communication that are often neglected in traditional language classrooms. The thesis establishes a theoretical foundation for the use of drama in the social justice-oriented language classroom, reviews research on drama for language learning and describes common drama techniques. The author connects the theories of embodied cognition and multiliteracies to an intersectional model of identity and argues that drama helps students re-examine the way society positions them based on their …
Damn Yankees,
2017
Otterbein University
Damn Yankees, Otterbein University Theatre And Dance Department
2016-2017 Season
The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's novel The Year the Yankees Lost the Pennant.
Anton In Show Business (March 30-April 1, 6-8, 2017),
2017
Lindenwood University
Anton In Show Business (March 30-April 1, 6-8, 2017), Jane Martin
Student Theatre Programs
Program for Anton in Show Business (March 30-April 1, 6-8, 2017).
To view the photos from this production of Anton in Show Business, please click here.
Center For Art & Theater News,
2017
Georgia Southern University
Center For Art & Theater News, Georgia Southern University
Center for Art & Theater (Archived)
- Juried 2017 awards and reception Friday, March 31
Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters,
2017
Providence College
Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of Into the Woods.
March 28, 2017
Opening April 7 At Pc: Into The Woods Promotional Email,
2017
Providence College
Opening April 7 At Pc: Into The Woods Promotional Email, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Opening April 7 at PC: Into the Woods promotional email
Monday, March 27, 2017
Lejos De Aquí De Roberto Cossa Y Mauricio Kartun: Familia, Absurdo Y Temporalidad En Una Re-Escritura Del Grotesco Criollo,
2017
UCLA Extension
Lejos De Aquí De Roberto Cossa Y Mauricio Kartun: Familia, Absurdo Y Temporalidad En Una Re-Escritura Del Grotesco Criollo, Mariana Pensa
South East Coastal Conference on Languages & Literatures (SECCLL)
Lejos de aquí de Roberto Cossa y Mauricio Kartun: familia, absurdo y temporalidad en una re-escrituradel grotesco criollo
Mariana Pensa
UCLA Extension
En este trabajo realizamos un acercamiento a la obra teatral Lejos de aquí (1993) escrita en colaboración por los dramaturgos argentinos Roberto Cossa y Mauricio Kartun. A través de nuestro análisis observamoscomo los elementos de la tradición del “grotesco criollo” de principiosdel siglo XX se han ido desarrollando y re-formulando hacia finesdel mismo siglo en lo que se ha dado en llamar el “neo-grotesco criollo”. Principalmente nos referimos a los cambios y permanencias que se producen por el …
Good Game Well Played: An Esports Documentary,
2017
Illinois State University
Good Game Well Played: An Esports Documentary, Gabriella Clare Devia-Allen
Theses and Dissertations
This film explores the operations and cultural practices of the esports community with an emphasis on Twitch as the dominant community platform. Explored sub-communities include Counter-Strike: Global Offensive, Duelyst, and League of Legends. A focus on Duelyst allows us to explore the characteristics of an accessible esports culture while also referencing League of Legends and Counter-Strike: Global Offensive offers an objective look at two of the industry’s most developed esports scenes. This documentary tracks the production of broadcast content, the lifestyles of professional players, and the narratives of the industry’s most involved employees. In doing so, the research draws conclusions …
