Fall Dance Showcase,
2020
Chapman University
The Launch 2020: A Senior Cabaret,
2020
Otterbein University
The Launch 2020: A Senior Cabaret, Otterbein Theatre And Dance Department
2020-2021 Season
No abstract provided.
Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe,
2020
Morehead State University
Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe, Rianna Jeanine Robinson
Morehead State Theses and Dissertations
A thesis presented to the faculty of the Caudill College of Arts, Humanities and Social Sciences at Morehead State University in partial fulfillment of the requirements for the degree of Master of Arts by Rianna Jeanine Robinson on December 14, 2020.
Theater, Trauma, And The Rehearsal To Recovery,
2020
Ateneo de Manila University
Theater, Trauma, And The Rehearsal To Recovery, Missy V. Maramara
Magisterial Lectures
Using theoretical concepts, Missy talks about the ways that theater provides a platform for healing.
Speaker: Missy Maramara holds a Master of Fine Arts in Drama (Performance) from the University of Arkansas in Fayetteville through the International Fulbright Scholarship Program. She also trained at the L'École Internationale de Théâtre Jacques Lecoq in Paris and at Tectonic Theater Project in New York City. A Filipino actress with television and film credits, Missy is primarily a theater actress with local and international performances. She has worked with Tanghalang Pilipino, New Voice Company, Repertory Philippines, PETA and Dulaang UP. She performed her solo …
Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller,
2020
Fudan University
Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu
CLCWeb: Comparative Literature and Culture
This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …
China Question Of Us-American Imagism,
2020
Hangzhou Normal Universy
China Question Of Us-American Imagism, Qingben Li
CLCWeb: Comparative Literature and Culture
This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.
Western Theory And Historical Studies Of Chinese Literary Criticism,
2020
East China Normal University
Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu
CLCWeb: Comparative Literature and Culture
This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China,
2020
Shandong Normal University
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
CLCWeb: Comparative Literature and Culture
This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism,
2020
East China Normal University, Shanghai
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu
CLCWeb: Comparative Literature and Culture
This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.
“Western Marxism” In Mao’S China,
2020
Shanghai University,China
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
CLCWeb: Comparative Literature and Culture
China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …
How Dogs Representation In Cinema Reflects How They Are Seen In The Real World,
2020
Utah State University
How Dogs Representation In Cinema Reflects How They Are Seen In The Real World, Arden Fayard
Fall Student Research Symposium 2020
Dogs were introduced very early into the movie industry, just as they were to every other aspect of our lives. Over the decades, the way we used and represented dogs in movies changed. This research stems from an interest in seeing if representation of dogs in movies changed in response to their roles in people's lives.
The Merry Wives Of Windsor (December 5-7, 2020),
2020
Lindenwood University
The Merry Wives Of Windsor (December 5-7, 2020), William Shakespeare
Student Theatre Programs
Program for The Merry Wives of Windsor (December 5-7, 2020).
To view the photos from this production of The Merry Wives of Windsor, please click here.
Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer,
2020
Murray State University
Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer, Forest Clark, Forest C. Clark Mr.
Honors College Theses
Faith Healer by Brian Friel is a play about trauma, addiction, co-dependency, and the inconsistencies of multiples perspectives upon the same narrative. This in-depth academic analysis attempts to examine the themes at play, as well as break-down the script and the characters who are a part of it.
Nurture,
2020
Winthrop University
Nurture, Lauren Taylor League
Graduate Theses
Nurture is a series of sculptural and performative works created to explore the emotional and psychological effects of objects as they relate to familial memory and the various processes one uses to nurture and express love. These moments incapsulate the need for comfort and connection, the need to be nourished, the need for protection, and the need to remember. The filmed interactions with each individual sculpture evoke the natural relationship of emotional release to the processes of remembering and healing.
By using sculpture as a residue of performance and creating work that serves as a memory of interaction and experience, …
Finding Light,
2020
East Tennessee State University
Finding Light, Olivia Jones
Undergraduate Honors Theses
Throughout history, dance is a powerful tool for expression of self or community. Art, especially dance, became a way to react to societal shifts and stalemates through means of storytelling. Through my choreography, I used history of modern dance such as the mother of modern dance, Isadora Duncan, an incredibly influential choreographer, Martha Graham, and her famous protege, Merce Cunningham. I used a combination of their methodology to choreograph my intrapersonal journey with dance and life.
Purchased,
2020
University of New Orleans
Purchased, Becky Retz
LSU New Orleans Theses and Dissertations
A play in two acts, Purchased tells the story of Francois DeLord and his journey from being a French Creole of New Orleans to becoming a Black man in America. In 1803, Napoleon sold France’s North American holdings to the United States in what became known as the Louisiana Purchase. Americans flooded into the city, bringing with them boatloads of money and a social philosophy that clashed with long-held local traditions. The sale doubled the size of the young nation, and ignited a culture war in New Orleans,
Taking Student Artists And Audiences To The West Side: Exploring The Value Of Creative Adaptation In An Arts Context Through A Case Study Of “West Side Story”,
2020
SUNY Buffalo State University
Taking Student Artists And Audiences To The West Side: Exploring The Value Of Creative Adaptation In An Arts Context Through A Case Study Of “West Side Story”, Rebecca G. Bateson-Brown
Creativity and Change Leadership Graduate Student Master's Projects
This project focuses on the practical application and conceptual acceptance of deliberate creative adaptation within the purview of the performing arts and arts education. More specifically, it centers this conversation around stagings of the iconic musical West Side Story, as my role as a choreographer and arts educator is used to further explore, examine, and emphasize these topics through the documentation of my production planning process, choreographic creation, and ultimate execution of performance material for a local high school production of the show. As such, this project builds with greater specificity off of my previous investigations of “adaptation” as …
Scenic Design For Pure Native,
2020
Loyola Marymount University
Scenic Design For Pure Native, Christopher Smith Murillo
Theatre Arts Faculty Works
No abstract provided.
The Show Must (Not) Go On: The Effects Of Covid-19 On New York’S Broadway Professionals,
2020
Pace University
The Show Must (Not) Go On: The Effects Of Covid-19 On New York’S Broadway Professionals, Lucy Yezulinas
Honors College Theses
Live events have been drastically impacted during the coronavirus pandemic, especially Broadway. The purpose of this paper is to shed light on the struggles being faced by Broadway professionals as a result of Covid-19 and Broadway shutting down. As for the methodology, it was decided to interview various Broadway professionals about their experience working in the industry during a worldwide pandemic. The main areas of focus were financial and psychological repercussions. The analysis section discusses the negative financial impact of the shut down, the impact of not having the 2020 Tony awards, as well as the psychological impact on unemployment. …
"That Is Not The Way To Do It" Queerness, Race, And Citizenship In Rodgers And Hammerstein,
2020
DePauw University
"That Is Not The Way To Do It" Queerness, Race, And Citizenship In Rodgers And Hammerstein, Dennis Sloan
Communication & Theatre Faculty Publications
This article examines the ways in which Rodgers and Hammerstein's Asia-Pacific musicals - South Pacific, The King And I, and Flower Drum Song - mark characters of color with signs of queerness. It argues that Asian and Pacific characters are placed outside Cold War era ideals of American white heter-normativity in their performances of gender, their marriage practices, and the queer spaces they occupy, in ways that both encourage assimilation and make integration impossible.
